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1.
The model of intuitive morality and exemplars is an organizational framework that was created to incorporate theories of basic human motivations with both micro- and macrolevel media research. Thus far, literature has integrated a framework of basic moral intuitions (here labeled altruistic motivations) with the model but has yet to integrate a framework of basic egoistic motivations. The current study integrates frameworks for both altruistic and egoistic motivations with the model in order to examine depictions of motivational incongruities (e.g., moral dilemmas) in television content for young audiences. Findings suggest that the frequency of depicted motivational incongruities increases as audience target-age increases. In addition, findings show that most motivational incongruities involve both egoistic motives versus altruistic ones, rather than just egoistic or altruistic motives alone. Discussion centers on implications for research on media and morality as well as entertainment theory. 相似文献
2.
Stephen Gencarella Olbrys 《Critical Studies in Media Communication》2013,30(5):390-408
Academic appraisals of Seinfeld frequently criticize the series as apolitical or as advancing a nihilism that threatens contemporary American society. I counter that the show is better understood as a political satire that advances a robust democratic discourse predicated on inefficiency, leisure, and excessive talk. I argue that Seinfeld's discourse provides a vision of hope for democratic interaction predicated on the commonality of vices rather than a collapse into fascism or the disciplining of rhetoric by presumably higher moral standards. 相似文献
3.
Justin Bengry 《Media History》2013,19(2):146-166
From the Sunday Pictorial's 1952 ‘Evil Men’ series, the first postwar exposé on homosexuality to appear in the British popular press, to the 1964 achievement by its stable mate the Daily Mirror of record circulation figures, both papers commodified and sensationalized homosexuality for consumption by mass newspaper audiences. Sensationalism was combined with homosexuality as a deliberate strategy to succeed in Britain's highly competitive postwar circulation wars and also to promote particular personal and political agendas of key directors. But historians have tended to focus on the vitriol of sensationalism, emphasizing its homophobic content, without fully interrogating the tactic itself. This paper looks at the origins of sensationalism as a strategy at Mirror Group newspapers, asserting that sensational treatments of homosexuality concretely illuminate the multiple interactions between subjective beliefs and the seemingly objective profit motive. At the Daily Mirror and Sunday Pictorial, homosexuals held a negative moral, political, and social value, but critically, they also held a high commercial value. 相似文献
4.
ABSTRACT This study examines whether professional journalists reason differently about moral problems when primed with their professional identity. This between-subjects experiment (N?=?171) used the Defining Issues Test, a much-used and validated instrument that measures moral reasoning. The results show identity priming does not affect how journalists apply ethics. The study also found that journalists score far lower in moral reasoning than they did 13 years ago. These results are interpreted through the lens of social identity theory. 相似文献
5.
Sarah Banet‐Weiser 《Critical Studies in Media Communication》2013,30(2):119-139
Nickelodeon is a powerful commercial cable network of television, internet activities, toy manufacturing, and video production. The network has been recognized by both industry professionals and media scholars for its representation of girls as strong, intelligent lead characters. Focusing on entertainment programs Clarissa Explains It All and As Told by Ginger, as well as on Nickelodeon's non‐fiction children's news program, Nick News, I argue that the media context of girl power, combined with the increasing recognition of adolescent girls as both powerful citizens and consumers, offers what at times looks like a radical gesture in terms of disrupting dominant gender relations. However, we can also read the mainstream embrace of girl power as a restabilization of particular categories of gender, so that this “radical” challenge moves toward the entrenchment of conventional gender relations. 相似文献
6.
Peter Ehrenhaus 《Critical Studies in Media Communication》2013,30(3):321-337
–Steven Spielberg's film Saving Private Ryan has been criticized for its failure to frame narrative action in terms of national, moral purpose. This criticism can be understood in terms of the constraints that the “Vietnam syndrome” places upon contemporary cinematic narratives of war; Vietnam memory subverts earnest declaration of high national principle. This essay examines how Saving Private Ryan “reillusions” American national identity in the wake of Vietnam by giving presence to an even more distant past. Supported by close textual analysis of key scenes centering upon the sole Jewish character in the film, this reading argues that the specific moral justification for waging war and accepting its horrors and sacrifices is found in a moral crusade against the Nazi program of Holocaust. By suturing the Holocaust into the film as its moral foundation, the film participates in the “Americanization” of Holocaust memory, circumvents Vietnam as a source of traumatic memory, manufactures a redemptive national identity, and constructs an ethically usable past in the present. 相似文献
7.
《Public Library Quarterly》2013,32(3-4):15-16
ABSTRACT The value, roles and responsibilities of public libraries have been articulated in a variety of ways, and today their exact nature continues to be subject to broad interpretation. This research approaches the subject from a historic perspective, using Ernestine Rose and her career at the New York Public Library to exemplify five propositions that lead to a value-centered understanding of public libraries as cultural institutions that engage considerable physical, economic, and moral resources to improve the social and intellectual capacity of their communities. 相似文献
8.
Although research has indicated that moral decisions are made during video game play, less research has examined moral reasoning during play. Using a think-aloud protocol, participants’ decisions and reasoning were recorded during game play and coded as either strategic or moral. Players’ reasoning was also coded using Moral Foundations Theory. Results indicated an almost equal percentage of strategic and moral reasoning; the salience of several individual moral foundations predicted moral reasoning during play. Video game experience was positively related to the use of moral reasoning, which can be explained by relating reasoning to rational and experiential processing during game play. 相似文献
9.
Helen Morgan Parmett 《传播与批判/文化研究》2016,13(1):3-22
This paper contends with how postbroadcast television branding subsumes viewers’ affective interactivities with place to produce brand value. Focusing on the HBO series Treme, I argue that Treme engendered HBO's postbroadcast brand mutation by producing “passionate engagement,” where viewers were invited to interact with the show by touring New Orleans, thus adding place to online interactivity and multiscreen engagement as a means of constructing an “authentic” brand identity. The desire for viewers to connect to New Orleans’ culture is thus transformed into a vehicle for profit making for HBO and an assurance to shareholders that the brand still holds value. 相似文献
10.
Cynthia Hoffner 《广播与电子媒介杂志》2013,57(3):389-402
Children aged 7 to 12 were interviewed about their favorite TV character. Nearly all boys and about half of the girls selected same‐sex favorites. Regression analyses used perceived character traits (attractiveness, strength, humor, intelligence, social behavior) to predict wishful identification and parasocial interaction with characters. For male characters, wishful identification was predicted by intelligence and (for girls only) humor; parasocial interaction was predicted by intelligence, attractiveness, and (for boys only) strength. In marked contrast, for female characters (chosen only by girls), attractiveness was the only significant predictor. Although girls rated female characters as more intelligent than male characters, this trait apparently was not an important determinant of attraction. Interpretations of the findings and implications for socialization effects are discussed. 相似文献
11.
Paul Elliott Johnson 《Critical Studies in Media Communication》2017,34(1):14-28
This essay situates the television show Breaking Bad (BB) and its critical reception in the context of American politics following the economic and political events of 2008. Reading the show as an allegory, I demonstrate that it offered a pathway for viewers to maintain investments and commitments to a toxic, white masculinity threatened by 2008’s economic and political dislocations. Taking the show up for its capacity to allegorize the human experience, Breaking Bad’s critically acclaimed status among viewers from widely divergent political positions suggests that the investment in raced and gendered ideas of individual freedom crosses partisan lines, indicating that American national identity and white masculinity share a mutually sustaining incoherence. Understanding the cultural roots of American victimage evident in post-2008 America helps explain how BB distinguished itself from similar masculine “anti-hero” dramas. 相似文献
12.
《Journalism Practice》2013,7(1):81-95
Despite the central role of the paper in Marxist–Leninist strategy, the Communist Party of Great Britain (CPGB) had little confidence in either professional journalists, including those who were Communists, or journalism practices, even though journalism, like culture, was recognized as “a weapon in the (class) struggle”. While George Allen Hutt (1901–73) was a leading professional party journalist, his career hit a “glass ceiling”, even as he met the three criteria of Communist journalism theory and earned an international reputation as a newspaper designer. In spite of opposition to his role on the executive of the National Union of Journalists (NUJ) because of his party membership, he became the longest-serving editor of the NUJ's periodical, The Journalist. As both a loyal, lifetime Communist and the consummate professional journalist, Hutt's career provides a salient example of the ambiguous position of the middle-class journalist in the proletarian-dominated Communist Party. It was the emphasis on his “technical” ability that appears to have disqualified his candidacy for the Daily Worker's top editorial positions and to have justified support for his editorship of The Journalist. 相似文献
13.
Naomi Rockler 《Critical Studies in Media Communication》2013,30(4):398-418
African American and European American participants were interviewed about two syndicated comic strips written by and featuring African Americans: Jump Start, a comic strip that portrays African Americans in a normative middle-class family narrative and focuses only occasionally on racial issues, and The Boondocks, a comic strip that focuses frequently on racial issues. The African American groups interpreted the comic strips through the terministic screen of race cognizance, through which racial politics and oppression were highly relevant. Almost all of the European American participants, however, interpreted the comic strips through the terministic screen of Whiteness, through which racial politics and oppression were not relevant. 相似文献
14.
Recent research has shown that exposure to entertainment media depicting moral beauty may not only influence viewers' affective responses, but also lead to altruistic behavior. Although the process has been tied to a set of feelings commonly referred to as elevation, the mechanisms by which the effects take place have not been examined. This experiment (N = 107) showed that participants who watched a clip portraying moral beauty were more likely to help with an unrelated volunteer task after viewing than those who watched a non-meaningful clip. The effect of the clip was mediated by the degree to which the clip produced mixed affective response in participants. Although the clip portraying moral beauty led to increased empathy with the character and increased feelings of elevation, neither of these predicted helping behavior after controlling for clip content. Helping behavior also increased when the help recipient was less similar to the participants (age, race, and university affiliation). 相似文献
15.
Information ethics requires: (1) an ethical theory that recognizes the importance of the body; and (2) a materialist theory of information. Alasdair MacIntyre's ethics of acknowledged dependence is an example of the former. It holds that the virtues we need to achieve both personal and common moral goods recognize networks of dependence based upon bodily vulnerability and disability. Pierre Lévy's theory of collective intelligence is an example of a view that disregards both requirements. Based upon a secular appropriation of medieval angelology, it holds that in cyberspace, social relations are dematerialized, and that information is an incorporeal substance flowing between disembodied minds. The new anthropological space of virtuality that Lévy holds to be ushered in by new electronic information technologies proposes a radical rethinking of ethics. But on close inspection, his information ethics turns out to be stripped of any serious moral dimension. To address serious moral issues, information ethics cannot abstract from our bodily animal nature. Several recent studies recognize that information is an effect of social relations between embodied subjects. They provide the materialist information theory required for meaningful information ethics. 相似文献
16.
17.
Bernd Frohmann 《International Information and Library Review》2013,45(3-4):423-435
Information ethics requires: (1) an ethical theory that recognizes the importance of the body; and (2) a materialist theory of information. Alasdair MacIntyre's ethics of acknowledged dependence is an example of the former. It holds that the virtues we need to achieve both personal and common moral goods recognize networks of dependence based upon bodily vulnerability and disability. Pierre Lévy's theory of collective intelligence is an example of a view that disregards both requirements. Based upon a secular appropriation of medieval angelology, it holds that in cyberspace, social relations are dematerialized, and that information is an incorporeal substance flowing between disembodied minds. The new anthropological space of virtuality that Lévy holds to be ushered in by new electronic information technologies proposes a radical rethinking of ethics. But on close inspection, his information ethics turns out to be stripped of any serious moral dimension. To address serious moral issues, information ethics cannot abstract from our bodily animal nature. Several recent studies recognize that information is an effect of social relations between embodied subjects. They provide the materialist information theory required for meaningful information ethics. 相似文献
18.
Keletso Gaone Setlhabi 《Curator: The Museum Journal》2014,57(3):295-311
This paper discusses the three phases of the lifecycle of the bojale drum: its custodianship by the queen of Bakgatla‐baga‐Kgafela; the drum's use in bojale (girls’ initiation ceremony); and its presence in Phuthadikobo Museum, a community institution. This lifecycle was observed by the author prior, during, and post initiation in bojale, a girls’ initiation school in 2009. The drum's use, its royal significance and sacredness, is barely documented in its museum record, which can result in its misinterpretation. The recommendations are that the drum's documentation, preservation, handling, and storage in the museum should incorporate its intangible cultural attributes if the museum is to be relevant to the Bakgatla‐baga‐Kgafela community. In conclusion, bojale drum is an example of how material culture can connect a museum with its community through the living culture of bojale. 相似文献
19.
《Communication monographs》2012,79(4):309-311
This paper argues that one understands what Aristotle means by character θō (eethos) by understanding xohat Aristotle means by habit εθō (ethos). As evidenced initially in the Nicomachean Ethics, Aristotle explicates the relation between habit (εθ) and moral or ethical virtue (ηθικ) and thus also with character (θō). Thus, the sense in which ηθικ means moral or ethical virtue and θō means character is understood within the context of θō or habit. Aristotle sees character (ηθō) as reflecting neither accidental nor isolated behavior, but as habitual behavior. 相似文献
20.
《Journalism Practice》2013,7(7):873-885
ABSTRACTAfter a decade of economic crisis and ongoing technological innovation, scholars and journalists have argued that new production patterns for news media are required befitting the emergence of entrepreneurial journalism. This study investigated the effects of prior experience with social problems, empathy, moral obligation, social entrepreneurial self-efficacy, and perceived social support on the social entrepreneurial intentions of 421 Taiwanese journalists. A regression analysis suggests a prominent association of social support with social entrepreneurial intentions, followed by social entrepreneurial self-efficacy, empathy, and prior experience with social problems. No significant association was found between moral obligation and social entrepreneurial intentions. 相似文献