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1.
Carol Scott 《Cultural Trends》2006,15(1):45-75
The role of museums and their place within society is no longer one which we can take for granted. Eschewing the notion of funding based on ‘public good’, successive iterations of public sector reform have progressively required museums to prove that they are worthy of public support. Notions of ‘worth’ have increasingly been tied to the achievement of government policy and enforced through making attainment of key policy directions a condition of funding agreements. Current government policy aimed at ‘building social capital’ in both the Britain and Australia expects museums to prove that they ‘make a difference’ in terms of long-term social impact. However, unease over the imbalance created by what many perceive to be an overly ‘instrumental’ approach to assessing the role of museums has generated growing criticism and a parallel conversation about ‘intrinsic value’. Impact and value—the twin peaks of current discourse about the role of museums in contemporary society—are the subject of a recent study carried out in Australia, which is described here. 相似文献
2.
Kwok Kian-Woon 《Inter-Asia Cultural Studies》2018,19(2):343-354
In Liberalism Disavowed, Chua Beng Huat builds on his earlier work on Singapore as a “communitarian democracy” and analyzes three institutions that work coherently to buttress the legitimacy of the ruling People’s Action Party: first, the public housing program that requires the nationalization of land; second, the state capitalism that is profit-driven, market-oriented, professionally managed, and resistant to corruption; and third, the “state multiracialism” that governs an ethnically diverse population. Chua rejects the idea that Singapore’s success rests on authoritarianism and free-market capitalism, as much it has necessitated political repression and outward-oriented economic policies. The three institutions have roots in the Party’s socialist beginnings, shaping the Singapore system indelibly, and they are likely to sustain over generations. Singapore’s disavowal of liberalism is significant in light of the crisis of the Western liberal-democratic order and the rise of right-wing populist nationalism, as well as the political developments in East and Southeast Asia. Hence, its workings and contradictions, and the larger question of recuperating socialist practices within global capitalism, need to be critically evaluated. A salient concern is whether the critique of the liberal conception of the self also entails the avowal of an alternative conception of freedom. 相似文献
3.
Karen Harvey 《Cultural and Social History》2013,10(4):527-543
AbstractThis essay considers the role that art and history might play together in public history projects. It discusses public history not in terms of ‘learning lessons’, ‘public debate’ and ‘transferable skills’ but instead in terms of creative thinking in the public sphere. The essay draws upon the author’s experiences of working with artists on a series of exhibitions themed around the history of an arts centre’s late Georgian and Victorian buildings and their inhabitants in Sheffield. It explores the synergies between artistic and historical ways of knowing and argues that collaborations with artists provide an opportunity for academic historians to reengage the imaginative aspects of professional academic history. It also explores the value of art’s expressive power and its potential to pose new questions and suggest new answers for both public and historians’ understanding of the past. 相似文献
4.
Tejaswini Niranjana 《Inter-Asia Cultural Studies》2013,14(1):97-108
Abstract In December 2005, a film called Be With Me, by Singapore director, Eric Khoo, was disqualified from entering the Best Foreign Language Film category at the following year’s Academy Awards on the grounds that it contained ‘too much English’. An Academy spokesperson attempted to explain this decision with what was apparently obvious, that ‘English is not a foreign language’. In an age where issues of cultural migration, hybridity, diaspora and globalisation are de rigueur, this intractable declaration seems almost comic. However, it indicates a continued ambivalence in the role of the English language in the making of a cultural identity: the perennial post‐colonial conundrum that shows no sign of going away. Singapore’s post‐independence decision to keep English as the first language of the country means that the use of English, albeit with local variations, is a quotidian reality. I would like to use this incident to reflect, not so much on the politics of Oscar selection, as perhaps more importantly, on the implications it presents for the internationalisation, and thus the ownership, of English, as well as its role as a marker for both local and global subjectivities – especially when the irony of the situation is compounded by the fact that Khoo’s film is, in effect, mostly silent. 相似文献
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6.
Shih‐Diing LIU 《Inter-Asia Cultural Studies》2013,14(1):144-155
Abstract In April 2005, waves of anti‐Japan protest swept China and South Korea. In China, hundreds of thousands of people took to the streets in more than 40 cities to protest against Japan over its irresponsible attitude toward the history of colonial rule and war crimes of 60 years ago. Despite the protest having a strong ground and its action being generally non‐violent and peaceful, it was then severely condemned by many Western critics and media as chauvinistic and irrational, and as being manipulated by the Chinese government to legitimize its rule. Against such a notion, this essay attempts to work with China’s ‘popular nationalism’ (renmin minzu zhuyi), and considers its space as an autonomous political domain that is independent of the state nationalism. The ‘cyber‐nationalism’ (wanglu minzu zhuyi), this paper argues, not only challenges the state monopoly over domestic nationalist discursive production, but also opens up new possibilities for performing common people’s ‘public discursive right’ (gonggong huayu quanli). Far from being a homogeneous unity, the online campaign is characterized by free exchange of information and lively debate over the boycott strategy. 相似文献
7.
Young-Pyo Seo 《Inter-Asia Cultural Studies》2017,18(2):197-217
This paper discusses the legacy of Stuart Hall’s cultural studies approach to socialist politics. Like many other socialist thinkers, his ideas are the direct outcome of political intervention, often through the form of theoretical practice. Because gaps will always remain between reality and theoretical explanation, political intervention tends to be an overreaction to social change or the underestimation of people’s power. Hall’s political practice cannot therefore be exceptional in that it is far from perfect. This paper attempts to establish a balance sheet in terms of his involvement in the debate on the nature of British society, Thatcherism and neo-liberalism. From this examination, some key concepts will be employed to analyse the nature of Korean society in relation to neo-liberal restructuration and the neo-liberal historic bloc. Discussing Hall’s ideas and applying these to Korea, the paper sets out to demonstrate both weaknesses and strengths in Hall’s thought. The strength consists of his open-ended and empirically sensitive reformation of Marxism. On the other hand, the core weakness is found in his post-Marxist epistemological relativism. The main argument set out here is that, in order to develop and refine Hall’s thought, there should be an ontologically realist position compatible with epistemological relativism. For this difficult task, the concept of needs can be suggested as a fresh starting point. 相似文献
8.
Geremie R. Barmé 《Inter-Asia Cultural Studies》2013,14(4):612-639
Abstract This paper examines the history of Beijing in relation to gardens — imperial, princely, public and private — and the impetus of the ‘gardener’, in particular in the twentieth‐century. Engaging with the theme of ‘violence in the garden’ as articulated by such scholars as Zygmunt Bauman and Martin Jay, I reflect on Beijing as a ‘garden of violence’, both before the rise of the socialist state in 1949, and during the years leading up to the 2008 Olympics. 相似文献
9.
From the mid-twentieth century, the evolving tension between modernity and tradition has become a troublesome issue for the newly-established independent nation-states in Asia. With the ethnographic methodology of field study, this article retraces the drama practice in 1960s’ rural China and tries to reveal the practical formation and specifically, the operative mechanism with which the socialist new culture remolds and summons the subjectivity of People. In such practical process, the subjectivity of People is a key concept of socialist values and a leading principle of people’s everyday life in rural China, which contributes to the formation of a “new tradition” in practice. The “new tradition” has a profound influence on the pathway of the Chinese socialist development, and may also provide necessary reference to other Asian states. 相似文献
10.
Sara Selwood 《Cultural Trends》2019,28(2-3):177-197
ABSTRACTIn March 2019, Arts Council England (ACE), an official statistics producer, started collecting a new set of data from its National Portfolio Organisations intended to reveal whether those organizations’ intentions correlate with the perceptions of their peers and audiences. In a world dominated by quantitative data, the Impact and Insight Toolkit addresses a perceived lacuna and marks a substantial investment in qualitative metrics. ACE also expects it to address a number of other concerns – help organizations self-evaluate, measure their short-term outcomes and advocate more effectively. Indeed, it envisages that an aggregation of the data collected will support the case for sustained public support of the sector. The Toolkit’s launch comes at a time when changes to the UK’s official statistics are encouraged, and policymakers are looking elsewhere to inform their thinking. The campaigning aspect of ACE’s aspirations suggests a model of data collection and analysis distinct from that of official statistics production, valued for its impartiality. This article considers what might happen if the Toolkit, which relates to ACE’s role as a development agency, encourages data to be collected and analysed in order to deliver specific outcomes. It reflects on three visions of cultural sector data from the past 50 years: Toffler’s The Art of Measuring the Arts, DCMS’s Taking Part and ACE’s Impact and Insight Toolkit. These suggest a trajectory of cultural sector data determined by increasing importance being attached to institutional interests, and implies that the future of cultural sector data in England may be determined by how ACE addresses its potentially conflicting interests as an official data provider and development agency. Greater investment in the former would more accurately reveal the arts’ contribution to economic and social development; greater investment in the latter would encourage the teleological development of cultural sector data designed for sectorial advocacy. 相似文献
11.
Henry Irving 《Cultural and Social History》2013,10(2):165-184
ABSTRACTThis article reveals the role of volunteers in the British government’s campaign to increase recycling during the Second World War. It uses their experience to deconstuct the idea of a 'people's war', showing how this concept was invoked in several different ways. The article demonstrates that voluntary recycling schemes were led from the bottom-up, shifted the balance of power between private citizens and local authorities, and highlighted difference based on age, socio-economic status, gender, and geographical location. It concludes that official appeals may have invoked the ‘people’s war’, but the way that these messages were received was of most importance. 相似文献
12.
Robert James 《Cultural and Social History》2018,15(2):233-253
In 1942, a library official in Portsmouth, UK appealed to the city’s inhabitants to ‘read for victory’, believing that they had a duty to use their reading time productively as part of their wartime activities. This article argues that long-standing desires among the country’s political and civic elites to encourage the nation’s readers to spend their leisure time prudently intensified during the Second World War. The public library service was utilised by civic leaders, library officials and publishing trade personnel to aid the country’s war effort. The article argues that negative attitudes regarding mass reading tastes remained largely static, despite recognition that the conflict drew people to the written word for relaxation and escapism. Using the naval city of Portsmouth as a case study, this article charts the activities of the city’s public library authorities and the borrowing habits of its readers to reveal that while many people borrowed books in order to distract themselves from the conflict, the city’s strategic importance ensured that many citizens also read in order to facilitate their preparedness for war service, whether that be on the home front or overseas. The article argues that while, in common with national trends, many of Portsmouth’s citizens used libraries to obtain books to help distract them from the war, many remained eager to make use of the service for educational purposes, unlike the majority of the nation’s library users, whose interest in this aspect of library provision rapidly waned as the war progressed. The article concludes that the public library service was viewed as a central plank in the war effort and that library officials worked continuously to ensure that it remained so. 相似文献
13.
Hideko Mitsui 《Inter-Asia Cultural Studies》2013,14(1):47-61
Abstract In March 2007, Japan’s ‘national atonement project’ for survivors of military sexual slavery was officially concluded. The atonement project that was implemented by a Japanese government‐established non‐governmental organization – the Asian Women’s Fund – has distributed its fund to a number of survivors in the Philippines, South Korea, Taiwan and the Netherlands since its inception in 1995. Over the years, intense politicization around the project has made it extremely difficult for most observers to assess whether the project was successful or not. Several prominent scholars in Japan and South Korea have called for a more compassionate and positive assessment of the project’s good intentions, while feminist activists continue to critique the project’s negative interventions in the process of redress and reconciliation in Asia. This essay is an attempt to open up a space to rethink the felicitousness of the atonement project by focusing on the ways in which the project told its own story of war, violence, and gender. By juxtaposing stories told by Filipina survivors of the ‘comfort women’ system with one that has been told by the atonement project implemented by the Asian Women’s Fund, it seeks to find a way to reassess whether the project acknowledged the survivors’ claims for justice and compensation. 相似文献
14.
Catherine Dille 《Cultural and Social History》2018,15(3):361-377
Montem, a triennial customary march by Eton scholars, consolidated into a public expression of patrician social identity under the patronage of the monarchy in the late eighteenth century. This analysis of Montem’s history traces its development from a boy-led pageant of misrule to a public performance of elite patriotism. The custom, which attracted national attention, sheds new light on boy governance and self-fashioning in the period’s elite schools. This article argues that a study of Montem disrupts the standard historiographical narrative of anarchy and violence in the great schools and suggests that boy culture was more complex than previously acknowledged. 相似文献
15.
Joshua Synenko 《Popular Communication》2018,16(2):141-153
ABSTRACTThis article examines efforts to document Japan’s Hashima Island following its appearance in the popular film Skyfall. It describes how the film’s commercial success led to an effort by Google to produce images of the island’s built environment using digital navigation technologies. It further describes how this effort led the Japanese government to include Hashima Island in a bid to gain Unesco heritage status for Meiji-era sites of industrialization. Drawing from visual studies, critical media studies, and from interdisciplinary approaches to collective memory, this article analyzes how the circulation of images depicting Hashima Island in popular culture affects continuing efforts to hold Japan accountable for injustices committed there in the past. By narrowing on the moment “after” Skyfall, the article concludes with an assessment of the island’s Google Street View archive in terms of its broader impact on the uses of navigation, spatial presence, and digital heritage. 相似文献
16.
Eve Worth 《Cultural and Social History》2019,16(1):67-83
ABSTRACTThrough analysis of oral history interviews and quantitative source material, this article offers a gendered model of social mobility in the post-war decades. It argues that women born between the late 1930s and early 1950s achieved social mobility through entering post-secondary education after a period of employment, followed by occupational movement into the welfare professions. Women’s mobility primarily occurred in the long 1970s, facilitated by the Wilson government’s investment in the welfare state and its expansion of further education and creation of the polytechnics. This challenges the predominantly masculinised trope of the grammar school as the driver of post-war mobility. 相似文献
17.
《Journal of Intercultural Communication Research》2013,42(4):384-399
ABSTRACTInternational college faculty in China are stakeholders in foreign language teaching. This project was designed to find out what international instructors’ pedagogical choices were in regards to English as a Foreign Language instruction. Twenty-eight international college instructors who taught oral English or English writing participated in interviews. Interviewees were employed at various tertiary institutions in large and small cities throughout China. Some interviewees described an audiolingual approach to foreign language teaching. Most interviewees took a situational approach to teach English as a Foreign Language. Finally, remaining international faculty described an intercultural approach when delivering EFL instruction. 相似文献
18.
Roger Bland 《Cultural Trends》2005,14(4):257-296
This paper looks at the evolution of a new approach to an old problem—that of protecting the heritage of moveable archaeological objects—‘portable antiquities’—in England and Wales. It sets out a brief history of attempts to bring forward legislation to protect such finds, charts the rise of metal detecting as an activity and describes the successful process of changing government policy through the Treasure Act 1996. This led to the Portable Antiquities Scheme which has now received full government funding. The paper looks at how this was achieved through the development of what has been described as the largest community archaeology project in the country, which is starting to change public attitudes towards objects from the past. These two initiatives have in fact started to lead to a change in public attitude towards material from the past. 相似文献
19.
Good community consultation is a powerful tool in developing new museum projects and exhibitions, facilitating a more effective delivery of service to a diverse public. Existing techniques for both user and community consultation are limited with front end evaluation particularly undeveloped in the sector, often providing no meaningful base by which to compare project outcomes. Tension exists between government, which values quantitative data, and researchers who argue qualitative methods are more appropriate for evaluating community projects. This article reports a pilot study using the repertory grid technique to examine a ‘socially excluded’, ethnically diverse local community's perceptions, expectations and previous experiences of similar projects, to provide a benchmark against which to compare outcomes. This research formed part of the front end evaluation for a New Deal for Community's Project run by Sheffield Galleries and Museums Trust. The repertory grid technique was developed in psychological studies as a means of understanding respondents' own world views, and is particularly helpful in working with people with poor language skills. Although this study only used the technique qualitatively, it can be used to combine both quantitative and qualitative data, providing more robust data for evidence-based policy decisions. Using the repertory grid technique, respondents were able to list both perceived and practical barriers to participation in projects. The technique also enabled them to articulate what would motivate them to become involved in future projects. The repertory grid technique has significant potential for use in community consultation and project evaluation as a means of understanding local residents' perceptions and its visual representation means that its findings can be easily understood by participants, policy-makers and practitioners. 相似文献
20.
Bridget Reynolds Sheffer 《Journal of Intercultural Communication Research》2014,43(2):134-150
In a networked world, national reputation management is an essential part of mediated public diplomacy and a unique part of intercultural communication. On May 31, 2010, the Free Gaza Flotilla breached the Israeli blockade off the coast of the Gaza strip which resulted in nine casualties. The purpose of this rhetorical analysis is to explore Israel’s attempt to manage its reputation during the incident. A Bakhtinian dialectical analysis was conducted to explore the conceptualization of political dialectics and to enhance the research on political grammars. The findings reveal the failures of public diplomacy when underlying tensions are ignored and when unwilling to negotiate through those tensions. 相似文献