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Zeng Jia 《中外文化交流(英文版)》2012,(10):12-15
<正>Chinese legends have it that Goddess Nuwa created human beings by molding clay into human figures. In fact, Chinese ancestors began to make potteries of huma... 相似文献
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Cristian Caselli 《Al-Masaq: Islam & the Medieval Mediterranean》2013,25(2):252-263
Among the Latin states, it was the maritime republic of Genoa that established the earliest official contacts with the Ottomans by concluding a treaty with them in 1352. This was the first step in the development of relatively smooth relations between the Genoese and the Ottoman Empire, which lasted from the mid-fourteenth until the mid-fifteenth century. Within Christendom, such familiarity earned the republic a negative reputation, which the adversaries of Genoa – Venice among others – tried to exploit for their own purposes. An element that contributed to the idea of a close connection between the Genoese and Ottomans was the outstanding position gained by some citizens of Genoa at the Ottoman court. They were influential men of affairs who owed their acquaintance with the sultans to their specific commercial activity. However, despite the fact that in some cases they held offices in the Genoese colonial administration, these merchants acted quite independently of Genoa itself and sometimes contrary to its directives. 相似文献
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The research in this article examines audience responses to a range of factual and reality genres. It takes as a starting point that television audiences do not experience news or documentary or reality TV in isolation but as part of a range of factual and reality programmes. Factual and reality programming includes a broad understanding of non-fictional programming on broadcast television, satellite, cable and digital television. The breakdown of factual and reality programming into specific genres includes news, current affairs, documentary, and reality programmes, with further sub genres applied within each of these categories. This article critically examines genre evaluation. The quantitative research in this article is based on two national representative surveys conducted in Britain and Sweden. In both Britain and Sweden, programme makers have moved towards a reliance on popular factual genres. In Britain this is across all channels, and in Sweden this is mainly concentrated on commercial channels. Whilst there is still a commitment to news, there is an increasing use of hybrid genres in an attempt to popularise factual output. The impact of this changing generic environment on audiences is that in both countries viewers have reacted by drawing a line between traditional and contemporary factual genres. It is precisely because of the redrawing of the factual map that viewers rely on traditional ways of evaluating genres as public and informative, or popular and entertaining. The data provides evidence that contributes to existing debate on television genre, public service broadcasting, and media literacy skills. The central argument in this article is that genre evaluation is connected with wider socio-cultural discourses on public service broadcasting and popular culture, and that these are common social and cultural values that are shared by national audiences in two Northern European countries. 相似文献
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María de la Paz Estevez 《Al-Masaq: Islam & the Medieval Mediterranean》2012,24(3):293-308
The conquest of Toledo by Alfonso VI (r. 1065–1109) in 1085 opened a period of transformation and restructure in the traditional patterns that had organised the former taifa. While some scholars state that, in the early years of the Christian conquest, the traditional features of the Muslim civilisation endured, it is the aim of this article to discuss to what extent it is possible to admit a real continuity in everyday practices, taking as a prism the experience of the Mozarab community of the city. Our hypothesis is that, under the apparent continuities, a process of transformation began, through which new feudal relations managed to infiltrate the previous forms of organisation of land, taxes and religion in order to undermine their basis and make them conform to northern patterns, applying policies of segregation and cooptation. 相似文献
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Melissa Zimdars 《Popular Communication》2015,13(3):232-246
Big Sexy (2011), a television mini-series on TLC, tells the story of five “larger than life” Manhattan women working in the fashion industry. In comparison to dozens of reality television programs that emphasize weight-loss, Big Sexy critiques the idea that all fat individuals need to lose weight, or should even want to lose weight in the first place. This resistant message of fat acceptance exists in a carnivalesque televisual space, creating a site for the interplay of competing, yet increasingly co-present discourses of the body despite the dominance of “obesity epidemic” rhetoric. Ultimately, Big Sexy necessitates a different theoretical lens than the one often applied to reality television, namely neoliberalism in relation to governmentality, shame, and self-discipline, in order to make sense of its uniqueness within this continually expanding genre. 相似文献
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