首页 | 本学科首页   官方微博 | 高级检索  
相似文献
 共查询到20条相似文献，搜索用时 15 毫秒
1.
Over a decade after Napster’s introduction, file sharing programs still shoulder much of the blame for music and other media’s declining sales. Although labels and industry associations point their fingers at the harm digital piracy and file-sharing cause, they are less likely to admit the extent to which these anti-markets inform everyday decisions. File-sharing technologies create networks of users that serve as profitable data for ratings and metrics agencies. Using a case study of BigChampagne and its relationship to Napster, this article considers how the look, structure, and function of file-sharing software helped turn an economically threatening community into a commodity and how piracy’s disruptive potential is always in tension with processes of commodification.  相似文献   

2.
The end of the 2000s saw the robust development of net labels as an internet-based distribution platform for musicians to share their music for free. The development of the Indonesian Net Label Union represents a self-organizing act to indicate the rise of a new breed of indie music generation. Sharing is employed as a uniting concept and envisioned to be a collective project to achieve a collective sustainability. It prompts direct questions of the layered support for net label. In this article, I interrogate the embodiment (and the disembodiment) of sharing as well as the meaning of sustainability. In doing so, I examine the interlinking of sharing with piracy, materialization of support from the fans’ loyalties and friendship, which forms the alternative infrastructure of the net label organization.  相似文献   

3.
This article examines debates around Chile’s digital television transition in order to trace the socio-historical relation between piracy and social change. During the military dictatorship (1973–1990), media activists used what they called “honorable piracy” for counter-communication efforts aimed at restoring democracy. Following the return to democracy, community television participants have rationalized their unauthorized transmission of alternative programming to low-income sectors using a similar logic of honorable piracy. For these community television participants, the digital transition represented the possibility of redefining democratic access to the public sphere and attaining legal recognition. Through an analysis of citizen activism around the move from analog to digital television, this article argues that discussion of piracy emerges as an expression of conflicting notions of the definition, use, and distribution of public resources.  相似文献   

4.
The taifa of Denia on the Iberian eastern seaboard was one of the most dynamic of the regional polities that emerged from the disintegrated Cordovan caliphate. Mujāhid al-‘āmirī based his state not only on its continental territories, but especially on the maritime networks that linked it with the Mediterranean. Commerce with Muslim and Christian ports played a role in Denia's success, but both Latin and Arabic sources emphasise its practice of piracy on a grand scale. In fact, Mujāhid al-‘āmirī built his state as a continuation of the maritime policies of the Cordovan caliphate under which the piracy of independent coastal communities was adopted and expanded into a state-sponsored guerre de course. Mujāhid's pursuance of this policy stemmed from his role in the erstwhile caliphate, but was also motivated by a combination of religious, political and economic factors. The legitimacy provided by his “jihād on the sea” helped to shore up his power at a time of political instability. This policy also provided the taifa's economic foundation for much of its history. In fact, the Mediterranean maritime lanes became as much an extension of Denia as its continental territories. Denia's piracy thus reflects a coherent form of statecraft, informing definitions of the medieval state and territoriality.  相似文献   

5.
The present article compares the strategies of the legitimation of piracy developed by Western authors such as Richard Stallman and Larry Lessig with those developed by everyday Bulgarian pirates. It attempts to escape from the usual debate between the entertainment industries and the supporters of free culture, and to open the field for new perspectives. In Bulgaria it is precisely “free” as in “free beer” that matters, since the prices of cultural products tend to be too high for the Bulgarian market. In many cases, there is no possible legal access to the cultural products desired. The digital library “Chitanka” illustrates how piracy as bottom-up initiative compensates for the lack of successful public policies oriented towards visually impaired people and Bulgarian emigrants abroad. Although mobility and de-territorialisation have made piracy possible, it is perceived as a deeply national cause. The article emphasises that a difference should be made between open non-commercial projects as “Chitanka” and commercial torrent trackers, which thrive in the grey economy and abuse the symbolic capital of free culture. Piracy should be analysed at the intersections of global economic shifts and their local repercussions, of transnational culture flows and local culture infrastructure. Only this kind of an approach is likely to help us trace the unstable border between the cases in which digital piracy is a problem of the grey economy, and those in which it offers original non-market solutions to deeper structural problems.  相似文献   

6.
Online audiovisual piracy cannot be properly understood if divorced from its context. This article uses the availability of lesbian-focused films in Australia as a lens through which to consider the relationship between online audiovisual piracy and industry geoblocking practices. It is argued that artificial control through internet geoblocking can limit potential global sales by restricting universal availability of certain films. Anti-piracy discourses around lost sales and reduced profits for film industries are complicated by piracy contexts where there is no mechanism for viewers to make legal online purchases. When looking beyond Hollywood, the diverse purposes of independent and minority filmmakers provide a more complex understanding of piracy overall. This article proposes a more nuanced approach to online film piracy that emphasizes context, taking into consideration that pirate culture is formed by an extensive but inchoate network of individuals with diffuse motivations that have differential impacts upon the industry.  相似文献   

7.
This article conducts a discourse analysis related to intellectual property gathered from digital piracy communities. By conducting a quantitative analysis of qualitative data, it renders an account of the piratical subject by exploring what Andersson Schwarz calls “specimens of reasoning” concerning intellectual property and piracy. Varying attitudes toward intellectual property are produced from the data. The outputs of this analysis challenge mainstream articulations of piratical motivations, drawing attention to the complex and often contradictory attitudes that pirates evince with respect to intellectual property. Attention is paid to attitudes that convey support of and resistance to intellectual property on technological, social, and economic grounds.  相似文献   

8.
ABSTRACT

This article critically engages with a contemporary play, Aur Kitne Tukde, staged in the Hindi language in various cities and towns in India and Pakistan, about gendered violence during Partition. It unsettles the master narrative of ‘honour’, ‘martyrdom’, ‘choice’ and women's ‘agency’ on Partition. The article also highlights the significance of the play in breaking the silences around Partition in the theatre, which, as compared with other cultural and literary mediums, reaches out to a larger section of people in unique ways. It underlines how the whole production of the play was a process of traversing and sharing the journey and trauma of Partition not only for the actors but also for the audiences. The article also tries to problematize the whole question of violence and its representation.  相似文献   

9.
This article examines “piety stories”—Muslim Tatar women’s narratives about adopting daily Islamic practices, such as five prayers or headscarves, in Tatarstan, Russia. I argue that sharing piety stories is a communicative way of performing identities, negotiating group memberships, and reaffirming one’s commitment to Muslim piety. These narratives provide a discursive way for the speaker to practice being a Muslim and for the audience, a blueprint for becoming one. By detailing a way of being where Muslim piety becomes one’s moral compass and source of agency, piety stories illustrate a culturally meaningful relationship among identity, Muslim piety, and local communicative practices.  相似文献   

10.
This article considers hikikomori as willful subjects. The hikikomori are a portion of the Japanese population who withdraw into their homes. These are mostly young people (between the ages of 15 and 35) and mostly young men. The focus of this article is how hikikomori constitute a challenge to dominant national imaginaries of Japan as a “corporate-family system.” This article analyses popular media and psychiatric representations of hikikomori, particularly from Saitô’s work as exemplifying Ahmed’s notion of “willful subjects.” It is argued that the hikikomori’s apparent willfulness produces them as Queer subjects who are out of place and pace with the dominant heteronormative, masculinist culture of contemporary Japan.  相似文献   

11.
Abstract

This article argues that Amir Muhammad's two films about the Community Party of Malaya—The Last Communist and Village People Radio Show—can be understood as “memory films”: films that search for, create, question, and function as memories, especially when they are no longer in place, or nowhere to be found. Its reading of Muhammad's films also engages with a discussion of the politics of revisiting as it pertains to the invocation of the Malayan consciousness, the national history and racial conditions of today's Malaysia. Ultimately, it asserts that such films about the communist past engage in a memory war to demand a rethinking of the present.  相似文献   

12.
The Nanking Massacre is a historical event that invokes many contestations and tensions, as the recollection of what took place in Nanking during the six weeks from December 1937 to February 1938 is always under the influence of political circumstances and ideologies. This article explores the contemporary historical narratives and fictional representations of the Nanking Massacre to see how it has been remembered. The article mainly addresses North American academic debates over the Nanking massacre, and analyzes three novels by immigrant Chinese American authors, Qi Shouhua’s When the Purple Mountain Burns, Ha Jin’s Nanjing Requiem, and Yan Geling’s The Flowers of War.  相似文献   

13.
This article considers the representation of global events in The Onion, a satirical news publication. Drawing on a content analysis of headlines and news stories, the article offers a set of general conclusions about the publication’s geographical and topical focuses. When considered in aggregate, the headlines offer an implicit critique of the mainstream media and coverage of international events. The idea that The Onion is a critical voice is, however, subject to interrogation. The Onion should be recognized with other satirical outputs as a profit-oriented enterprise, with appeal to key demographics and growing connections to multinational corporations. Yet The Onion’s position is further complexified through its direct engagement with international actors who do not get the joke.  相似文献   

14.
During a brief period in the Japanese occupation of Southeast Asia, Malaya, including Singapore, was administratively placed with Sumatra under Japan’s 25th Army. From 28 March 1942 to April 1943, the two territories that had been separated by British and Dutch colonial rule since the mid-nineteenth century were considered one territory. This article explores how Malay intellectuals, through articles written in the magazine Fajar Asia, took advantage of this unprecedented opportunity to strive for a Malaya-Sumatra and Malaya-Indonesia community. This article will analyse the various wartime imaginings of a joint archipelagic community within the pages of Fajar Asia and highlight tensions within this project which resulted in an impasse as to how such a unity should or could be achieved.  相似文献   

15.
ABSTRACT

This article first examines the resurgence of popular, semi-academic nationalist discourses that solidify the figures of “Japan” and “Okinawa” within post-1945 U.S.-led formation of nation-states across the Asia-Pacific. It critiques two discourses that are symptomatic of such a return to the figure of the nation: developmental economist Matsushima Yasukatsu’s thesis of “Ryukyu’s independence” and philosopher Takahashi Tetsuya’s call to relocate the U.S. military bases from Okinawa to mainland Japan. These symptomatic instances of the mutually transferential nationalisms in Okinawa and mainland Japan rely upon crudely culturalist assumptions about the self and the others and are thus surprisingly oblivious to how the very nation-forms have been instituted as part of imperial modernity. Their implicit figurations of the exemplary national subjects partake in the biopolitical assumptions as to whose lives must be “made to live” and “made to die” within and outside the border of the national. Ultimately, such nationalist discourses about Japan and Okinawa engage in a zero-sum exchange of imperial shame and colonial shame, a process that further stabilizes the co-operative placement of local nation-forms within the U.S.-led inter-state regime of warfare and biopolitics. But insofar as these discourses require the images of the nations that they seek to represent, their (re)production of what Naoki Sakai calls “a schema of co-figurative” nationalities needs to be critiqued through an exploration of a radical aesthetics and affect that pertain to image production.

The second part of the article presents my interpretation of artist Nema Satoko’s recent book of photography titled Paradigm, a work in which both bodies and objects explore their potential transformations in the midst of their precarious exposure to one another. I argue that Nema’s images of fragile bodies and objects in the present landscape of Okinawa are poised on the cusp between the past that invokes a sense of shame and this past’s potential future that necessitates an ethical posture of humility. In the vicinity of Adorno’s notion of “art’s shame,” Nema’s photographic images illuminate an amorphous realm of fragile beings, whose linkage and exposure to one another opens a space of viability that is obscured by the biopolitical imaginaries of nation-forms.  相似文献   

16.
In August 1901, two respectable, unmarried Edwardian ladies travelled backwards in time. On a sightseeing trip to the Court of Versailles, Annie Moberly and Eleanor Jourdain were transported back to 1792 where they encountered the soon-to-be-executed Queen Marie Antoinette. In 1911 they recounted their experiences in An Adventure, a book that was widely reviewed and ran to many editions. Throughout these episodes and their telling Moberly and Jourdain held the positions of Principal and Vice Principal of St Hugh’s Hall, one of Oxford’s newly established colleges for women. Later historians and members of St Hugh’s tended to dismiss them as ‘potty’ or attempted to protect their reputations as pioneers of women’s education from (what was subsequently perceived to be) the embarrassment of An Adventure. This article revisits Moberly and Jourdain’s “Adventure”, historicising rather than pathologising or seeking to explain it away. Alongside the sceptical responses, there were many who believed Moberly and Jourdain, and the two women did not lose social or professional standing as a result of telling their story. In trying to understand why this should have been the case, the article draws upon two bodies of recent scholarship. Firstly, it examines An Adventure in light of work that has rejected older formulations of modernity as necessarily ‘disenchanted’, and instead argues for the blurring of boundaries between occult and scientific discourses. In many ways, the case of An Adventure exemplifies and furthers this thesis, showing how it was possible for two educated, professional, “modern” women to believe they had entered into “an act of memory” by Marie Antoinette that transported them backwards in time. Yet, while most scholarship interested in the relationship between modernity and enchantment focuses on the relationship between science and heterodox/occult religions, An Adventure brings another element to the discussion: orthodox Christianity, and the Anglican Church in particular. Moberly and Jourdain came from clerical families and were devout adherents of the Church of England. Their “Adventure” also, therefore, speaks to recent histories of Christianity in modern Britain, which have argued against an overly polarised and oppositional understanding of the relationship between Christianity and the occult, or Christianity and secular science, pointing to the churches’ capacity for adaptation and incorporation. The article traces the reception of An Adventure as a way to explore further the basis upon which such claims could be both made and judged as credible in a rapidly modernising early twentieth-century Oxford. While highlighting the interconnections between the occult, Anglicanism and secular/scientific scholarship, the article argues that people at the time nevertheless carefully policed the boundaries of “legitimate” and “illegitimate” belief systems, a process informed by both gender and class.  相似文献   

17.
The theatrical play O Bem Amado is based on a tragic and comical Brazilian reality: the way politicians plot their interests, without regard for their voters’ well-being. Populist and eccentric, the protagonist Odorico Paraguaçu embodies gestures, spoken gags, unfilled promises, and other typical characteristics of Brazilian politicians. This article analyzes how the most recent cinematic version of the play staged a character who was born in the 1960s, became a television soap opera hit in the 1970s, starred a movie in the 2000s, and comes back to life in every election period. We intend to make clear that much of what was criticized in Brazilian politics then is still very much alive today. The characteristics that make Odorico laughable are described in the article and are the same ones that highlight aspects of Brazilian political culture, all played out in a lighthearted comedy of manners spiced with political satire. This article introduces the latest version of O Bem Amado with some important background information. Based on scenes extracted from the film, popular comedy is portrayed as an opportunity for the public to take revenge, through mockery, of those who take advantage of their public position in favor of private interest. The article also explores added dimensions of the most recent version, brought on by new technological aspects added when the story was adapted for the big screen.  相似文献   

18.
Abstract

Reflecting on a personal experience of ‘pre‐professional’ university education and reluctant engagement with Cultural Studies as an academic project, this article examines the now ambiguous role of undergraduate education under neo‐liberal management regimes. Arguing that a ‘new class politics in knowledge’ is emerging with the transnational policy‐sharing and international student exchange schemes with which diverse governmental cultures are responding to globalization, Morris suggests that the undergraduate classroom is becoming a ‘frontier’ of struggle over the future. Teaching cultural studies to undergraduates in a liberal arts environment is one way in which the discipline's emphasis on local knowledge can be put to institutionally creative uses.  相似文献   

19.
  相似文献   

20.
The cause of conflict in multiethnic and multi-religious societies is not diversity in and of itself. Rather, it is one’s attitude towards diversity. Do we share political power and economic development with the regions and minority communities? Do we recognize the cultural identities of the minorities? This requires that the nation-state building process be imagined in more inclusive civic territorial lines rather than exclusive ethnic-genealogical lines. With the above as a backdrop, the article explores nation-state building and the related pursuit of economic growth in Malaysia and some parts of Southeast Asia. The article ends with a call for decentralizing power and resources, and for more research on local level governance and democracy.  相似文献   

设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号