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1.
Jimmie Manning Godfried Asante Lydia Huerta Moreno Rebecca Johnson Benny LeMaster Yachao Li 《Journal of Applied Communication Research》2020,48(4):413-437
ABSTRACT Genders and sexualities continue to remain underexplored in the field of communication studies and the academy in general. This essay examines possibilities for incorporating queer perspectives into communication studies. At the invitation of the Journal of Applied Communication Research editor, 9 communication scholars who use queer theory or queer perspectives in their own work responded to a series of questions addressing how queer theory and perspectives can be used in the discipline, both by those who are new to queer theorizing and those who are looking to expand their knowledge and practices. The answers to these questions provide an understanding of what queer theory is and its relationship with LGBT studies; allow practical considerations for incorporating queer perspectives into communication scholarship in multiple methodological areas; offer considerations for welcoming queer voices in the classroom, the communication discipline, and the larger academy; and indicate several scholarly resources for those who want to learn more about queer theory and LGBT studies. 相似文献
2.
Per Jørgen Ystehede 《Media History》2014,20(4):368-383
In Norway, one of the best examples for examining cultural narratives of murder is what is known as the Lensmannsmordersaken, i.e., ‘the case of the county police officers murder’. After summarising the key events of this sensational 1926 case, this article will consider its presentation in the Norwegian press, the impact of contemporary debates around the death penalty, the influence of scientific understandings of criminality, and the case's subsequent reimagining in literature and film. This article shows how inter-war criminalistic fantasies reflected a broad variety of fears, notably those related to ethnic otherness and anxieties related to Norway's then recent achievement of full political independence. A literary version of the case from the 1930s—one of Norway's first ‘true-crime’ novels—is also considered, as is a post-war feature film based on the murder that was banned (for privacy reasons) in 1952 and not released again until 2007. 相似文献
3.
Adrienne Shaw 《Critical Studies in Media Communication》2017,34(1):88-94
This essay describes the author’s new project: a digital archive documenting the history of lesbian, gay, bisexual, transgender, and queer (LGBTQ) content in video games. The LGBTQ game archive covers approximately 30 decades of game content at present, and nearly 500 games. This essay describes the project’s origins, the methods used to research the game content, and some initial findings. Finally, some particular surprises from the project are discussed, which point to areas for future LGBTQ games research. 相似文献
4.
Shadee Abdi 《Critical Studies in Media Communication》2017,34(4):358-370
In 2014, the black and white vampire spaghetti western, A Girl Walks Home Alone at Night (AGWHAAT) follows the narrative of the Girl, a forlorn chador-wearing feminist-vampire-vigilante in the fictional world of Bad City. In this queer utopia, the Girl preys on immoral men so that she can protect the female residents of Bad City from the violence of patriarchy. We explore themes of monstrous feminisms and queer doublings to consider how the film uses the trope of the vampire to manifest queer utopias and reflect Iranian and Iranian-American feminist themes. 相似文献
5.
Jingrong Tong 《亚洲交流杂志》2015,25(6):600-616
This article examines how journalists defend their boundaries and epistemic authority in the face of the challenges from user-generated content (UGC). It investigates the issue through exploring 51 Chinese journalists’ views of UGC producers and journalism. The interviews reveal that in this case study, Chinese journalists’ commitment to their social identity as ‘people of work units’ (danwei ren), i.e. their identity is defined by the employment relationship between journalists and news organisations, forms the ground of demarcating the boundaries between journalists and UGC producers. As a result, this group of Chinese journalists reinforces their conventional journalistic norms and identity as ‘organisational men/women’ and keeps old-fashioned journalism alive. In the meantime, however, they are aware of changes in the environment within which they practice, and therefore they reflect on their work and (re-)define what journalism is in order to adapt to the changes. This case study shows that the boundary work of Chinese journalists interviewed in the study and their understanding of boundaries are contextually bound. The boundary work of journalism is not only about defence but also about adaptation. It offers a perspective for understanding both continuity and change in the transformation of Chinese journalism as well as the boundaries of journalism in general. 相似文献
6.
Dora Santos Silva 《Journalism Practice》2019,13(5):592-601
In January 2013, Peter Bradshaw, a film critic for The Guardian, said that Twitter users had become the favourite “critics” of the film industry. The implicit concern in this article on a subject dear to cultural journalism—“Would be criticism bankrupted when we are all ‘critics’ on the Web?”—became evident in the following years. It is pertinent, then, to explore the media answer not only to this subject but both to sourcing and expertise in general in the culture section. Did they embrace these new news sources (and which) that emerged in the digital environment, such as the reader, blogs or artists tweets? Assuming the first hypothesis, how did they include them in their editorial model, alongside with the “traditional” experts and sources? We conducted a content analysis to the culture section of an international media—The Guardian—between 2014 and 2016 (n?=?992), identifying the role of what we would like to call digitally empowered sources and the presence of new “experts” in cultural criticism. We concluded that these digitally empowered sources play an important role in the overall editorial, business and engagement media's strategy and are deeply engaged with a new digital feature: hypertextuality. New patterns of expertise also reflect an editorial positioning supported in an engagement strategy and in the recognition of the readers’ added value to content. 相似文献
7.
Benny LeMaster 《传播与批判/文化研究》2013,10(2):103-123
This essay explores queer imag(in)ing by analyzing a contemporary vampire text, Let The Right One In, by John Ajvide Lindqvist. As I argue, the rhetorical act of humanizing vampires is inherently limiting for (queer) audiences and indicative of processes that seek to clarify, assimilate, and tame—in short, normalize, which as Michel Foucault states “imposes homogeneity” by stamping out difference. Furthermore, I argue that a text can actively resist moments of normalization with the strategic use of what Victor Turner calls liminality—a (queer) rhetorical tactic that resists while seemingly/simultaneously buttressing a liberal humanist belief wherein difference is denied thus displacing and denying the significance of the Other. 相似文献
8.
Various studies report that cultural journalism increasingly focuses on service and entertainment instead of serious arts coverage. The press prioritizes popular culture over traditional high arts to a growing extent. However, this shift in journalistic attention does not necessarily signify a straightforward decline in aesthetic standards, as popular cultural forms like film have developed along the lines of high art principles in the past decades. This article charts trends in American, Dutch, French, and German film journalism between 1955 and 2005. It demonstrates that coverage is typified by a serious aesthetic approach from the 1970s onwards. The principles of art are seen to steer journalists’ attention to an important degree: the review remains the predominant journalistic genre, and newspapers devote more attention to films by prestigious directors than strictly commercial moviemakers. As such, film’s prominence in the press does not seem to indicate a decline in serious cultural journalism but rather a revaluation of a popular cultural form. 相似文献
9.
E. Cram 《传播与批判/文化研究》2016,13(2):109-129
The shift to archives as rhetorical places creates opportunities to examine environmental accessibility, the role of archives in legitimating official public memory, and tactics to evoke memory at the margins. I conceptualize the relation between archival environments, feeling, and memory as “archival ambience.” Ambience challenges modern theories of invention and foregrounds the entanglements of sensory culture, corporeality, sensation, feeling, and memory. Ambience reimagines invention and circulation as the relational materiality of bodies and as central to the generation of intimacies. This essay models a sensory engagement with archives at the American Heritage Center and Grace Hebard and Agnes Wergeland collections. Guided by the settler colonial environment of the American Heritage Center (AHC) and what remains of Hebard and Wergeland, I craft a queer sense of their “intimate friendship” and argue that perception of Hebard and Wergeland's intimate friendship takes shape through the sensory culture of the AHC and that their queerness is an effect of the archive. 相似文献
10.
《Qualitative Research Reports in Communication》2013,14(1):11-19
Bravo's surprise hit series, Queer Eye for the Straight Guy, has attracted a large and loyal viewing audience and garnered a great deal of critical acclaim. Though there is much to celebrate about the show, the authors of this study point out that Queer Eye also represents a new way of containing queers and queer sexuality. This essay argues that this containment is accomplished through a mediated ritual formula that inverts the traditional sequence characteristic of rites of passage and allows queers only temporary and controlled access to the cultural mainstream while ensuring that, in the end, they do not pose any serious threat of socio-sexual contamination by their continued presence there. Further, the authors argue that Queer Eye’s ritual formula illustrates the construction by mainstream media of a new kind of Closet, which they call “the Loft” because of the term's connection to one of the series’ conventions and because this new Closet simultaneously serves to elevate and contain queers and queer sexuality. 相似文献
11.
ABSTRACT Using a methodology inspired by structural narratology and by James Hamilton’s [2016. Democracy’s Detectives: The Economics of Investigative Journalism. Cambridge: Harvard] economic analysis of investigative journalism, this paper identifies a set of 14 recurring structural and formal elements (plot events, character types and functions, visual iconography) that constitute a fable about investigative journalism. The fable structure is applied to analyze six diverse films about investigative journalism produced in the US in the last 40 years. The films include two instantiations of successful investigative journalism (All the President’s Men, Spotlight), two cases where conflict between journalists and corporate managers diminished the impact of the investigation (Good Night and Good Luck, The Insider), and two instances of a counter-fable of failed investigative journalism (Truth, Kill the Messenger). The paper argues that the films’ representation of investigative journalism influences public perceptions of investigative journalism. It also speculates about the factors that will influence investigative journalism and its representations in the current political context in the US. 相似文献
12.
Tony Harcup 《Journalism Practice》2016,10(6):680-696
Alternative forms of journalism are said to challenge the passive role of audience members as receivers and to foster active citizenship among alternative journalists and audiences. Yet the scholarly literature on alternative journalism contains more assertions about than evidence from the audience. Downing has described the audience for alternative media as “the virtually unknown”, prompting him to urge journalism scholars to undertake more audience research to help increase our understanding of this allegedly active and civic-minded public. This exploratory study of the people who regularly read a contemporary example of alternative journalism—an investigative local blog covering one UK city—is intended to contribute towards filling the gap identified by Downing. Audience views are explored by means of questionnaires and focus groups, providing some evidence that individuals are attracted to alternative journalism by their dissatisfaction with mainstream media; that they see alternative media as helping them make sense of the world; and that, to an extent, engaging with such media is both a prompt to, and a reflection of, readers’ democratic engagement as citizens. Recognising the limitations of this small study, the article concludes by reiterating Downing's call for further research. 相似文献
13.
Shoshana Magnet 《The Communication Review》2018,21(2):116-130
What does it mean to represent insect sexualities? What are the technologies that one uses to make insect bodies visible? In this article, I examine two series in order to examine representations of insect sexualities. In the documentary Life in the Undergrowth, famed British broadcaster and naturalist Sir David Attenborough’s hushed tones tell us that new technologies of seeing are making new worlds visible. In the second, Isabella Rossellini stars in the series Green Porno, in which she uses biologically accurate costumes to blow up insect bodies to human size, using the costumes as technologies of seeing to help her audience visualize how insects have sex. Here, the costumes themselves become ways of knowing insect bodies while simultaneously rendering them as spectacular media moments. I rely upon feminist media studies of representations of wildlife to ask how assumptions around gender and sexuality continue to shape contemporary depictions of the insect world in Sir David Attenborough’s series Life in the Undergrowth, whereas I argue that Green Porno represents a queering of traditional documentaries on insects and examine what possibilities this might provide us with for rethinking insect sexualities—from monogamy and heterosexual reproduction to S/M, queer sex, and polyamory. 相似文献
14.
《Journalism Practice》2013,7(1):92-107
This article presents the findings of the first research into editors’ views of journalism education in Slovenia. The results of a mail survey and in-depth interviews reveal that although the vast majority of editors are not particularly familiar with the curriculum of current journalism studies, they identified a broad general knowledge and practical journalistic knowledge as the curriculum's advantages, with—inconsistently—the latter also being described as the curriculum's main deficiency, together with the lack of any knowledge of special fields such as law and economics. The editors’ negative attitudes to journalism education are grounded less in actual knowledge of what the Journalism Faculty offers its students than a priori convictions and stereotypes about journalism graduates being incompetent theorists. Factors in the media and in society that might be hindering journalists’ professionalism are overlooked, while the blame for editors’ negative experiences with journalism graduates is almost exclusively ascribed to the Faculty. Although the Slovenian university journalism curriculum has been reformed several times in the past few decades, the old image of the Faculty of Social Sciences as a remnant of the old communist political school is still firmly grounded in the mentality of Slovenians, yet rejected by the editors. 相似文献
15.
《Journalism Practice》2013,7(10):1259-1276
This study draws on the theoretical framework of collective memory to ascertain the ways in which a story from journalism’s past—Daniel Ellsberg and the Pentagon Papers—was brought to bear in coverage and commentary of a broadly analogous story in journalism’s present—WikiLeaks, Chelsea (formerly Bradley) Manning, and Edward Snowden. The discourse was far from uniform, which we see as indicative of the contingencies of collective memory. We find four themes: (1) lack of consensus on whether Ellsberg, Manning, and Snowden constituted a lineage of leakers, as some journalists contended, or if there are distinctions to be drawn; (2) discussion about the contingencies of historical representation and awareness of the role of “victors” in shaping history; (3) celebrations of journalism and its storied history amid a backdrop of flux; and (4) discussion of changes in technology and how they impacted the methods of the leakers. Theoretical and methodological implications for the study of journalism and collective memory are discussed. 相似文献
16.
Richard Farmer 《Media History》2013,19(3):371-386
The introduction of colour supplements by three ‘quality’ newspapers during the 1960s was a key development in the British press during the decade, and was described by the editor of the Sunday Times as ‘perhaps the most successful single innovation in post-war journalism’. This article provides an overview of the advent of the colour supplements, explaining why they emerged when they did and developed in the manner they did, and exploring some of the difficulties and issues that attended their arrival. The article also demonstrates that sections of the British press were capable of taking advantage of changes in print and advertising culture brought about by the arrival of the post-war consumer society. However, the term ‘colour supplement’ became pejorative shorthand for the perceived vacuity of this new society, in part because of the tension that existed between the editorial and advertising content of these modish new publications. Consequently, the success of the colour supplement experiment was not universally celebrated. 相似文献
17.
Karen McIntyre 《Journalism Practice》2019,13(1):16-34
The media contribute to compassion fatigue—or public apathy toward human tragedy—in part by failing to present solutions to the social problems ubiquitous in today’s conflict-based news coverage. Some journalists have attempted to address this issue through a style of news labeled solutions journalism. This experiment tests the effects of this increasingly popular approach. Results revealed that discussing an effective solution to a social problem in a news story caused readers to feel less negative and to report more favorable attitudes toward the news article and toward solutions to the problem than when no solution or an ineffective solution was mentioned. Reading about an effective solution did not, however, impact on readers’ behavioral intentions or actual behaviors. This suggests that solution-based journalism might mitigate some harmful effects of negative, conflict-based news, but might not inspire action. 相似文献
18.
Nicola Goc 《Media History》2013,19(3):322-336
In 1941 Australian tabloid journalist Dorothy Gordon Jenner was caught up in the Japanese siege of Hong Kong and was incarcerated in the Stanley Internment Camp. During her internment Jenner kept a clandestine record of daily life written in pencil on Bronco brand toilet paper and kept hidden in the heels of her shoes. To date her fragmented diary and notes have defied analysis. This paper provides a reading of Jenner's personal wartime testimonio through the frame of tabloid journalism to expose how the tabloid genre—Jenner's stock-in-trade as a journalist before the war—became the framework for her personal testimony during World War II. By interpreting Jenner's private diary and notes as testimonio journalism this paper exposes the flow of the tabloid vernacular style of journalism between private and public discourses. 相似文献
19.
Thomas Hanitzsch 《亚洲交流杂志》2013,23(2):169-186
Given the persistent variation in the ways journalism works across cultural boundaries, researchers are often quick to speak of ‘journalistic’ or ‘ professional cultures’ without conceptual clarity. Consequently, ‘journalism culture’ has become an increasingly vague concept, inviting misunderstanding and theoretical ambiguity. This paper, therefore, introduces a taxonomy of journalism cultures, consisting of the territorial, essentialist, value-centered, milieu-specific, organizational and professional journalism cultures. Empirical evidence is provided for three of these cultures, drawing on data from a survey of 385 professional journalists in Indonesia. The results suggest that if culture has some kind of severe impact on journalism, it is not likely to appear on the level of the individual (micro) and organization (meso), but rather on the societal level (macro). 相似文献
20.
Stephanie Newell 《Media History》2016,22(1):101-122
This article describes the shifts and contradictions in British approaches to the control of print media in colonial West Africa between the 1920s and 1940s. Well before the Colonial Office's post-war interventions to create an ‘enlightened and educated’ West African citizenry through mass education, decades of independent newspaper production in the region helped to shape independent and critical readerships. For the British, however, an upsurge in African nationalist journalism in the mid-1930s coincided with a perceived Communist infiltration of ‘British West Africa’ to make censorship and surveillance more palatable than before to colonial officials in London, in spite of the new emphasis on public relations. 相似文献