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1.
This study tests the idea that TV genres (crime drama, reality cop shows, news) and channels (TV and newspapers) vary in their potential to cultivate perceptions, fears, and behavior related to exposure and attention to crime content. Randomly selected adults (505) over the age of 18 in Indiana were interviewed. Regression analyses indicate significant variance across media genres and channels in their influence on viewer orientations to crime. Yet overall, media use is a relatively weak predictor of crime orientations. 相似文献
2.
Peter Lunt 《The Communication Review》2013,16(4):329-335
The emergence of reality TV and the use of live-shot material in documentary programs are salient features of contemporary television, raising a variety of challenges for critical analysis. We present here a number of pieces that reflect on “liveness” in different genres (reality TV, news, and documentary) from diverse theoretical perspectives. In the first paper, Peter Lunt introduces the papers and sets the scene by developing key themes in the analysis of liveness. The papers by Nick Couldry and Jane Roscoe discuss reality TV. John Corner analyzes the use of live-shot material in documentaries. Finally, Thornborrow and Fitzgerald unravel the deployment of devices for representing reports of live events in news. 相似文献
3.
Joshua Atkinson 《Mass Communication and Society》2013,16(1):109-112
This study investigates the relationship between adolescents' exposure to news, fictional police/crime shows, and reality police shows and their perceptions of the performance, distributive fairness, and procedural fairness of the police and the link with their overall attitude toward the police. Based on the literature, a hypothetical model of media influence is proposed and tested empirically in a cross-sectional survey of 356 Flemish adolescents. Watching reality shows was negatively related to adolescents' perceptions of how fairly the police exercise their authority. Exposure to the news negatively predicted respondents' perceptions of the distributive fairness of the police. Adolescents' beliefs about police performance were not related to media exposure. Exposure to fictional police shows did not significantly predict police perceptions. The results suggest that news and reality police shows play a small but significant role in adolescents' fairness perceptions of the police. 相似文献
4.
This article compares American, British, and Chinese news coverage of Internet privacy policies. Specifically, we examine media discourse about the “real-name” policies established by Facebook and Weibo. We find that U.S. and UK news coverage of Internet privacy policy is broadly similar, when compared with the more authoritarian–corporatist media system in China. British and U.S. newspapers were much more independent from state control, and were able to maintain a more critical stance than the Chinese newspapers. But there were additional factors that shaped the patterns in news discourse in complicated ways, which are related to (a) the difference between domestic and international news genres, (b) specific narratives about national identity, and (c) more general discourses about civil society, democracy, and the public good. We suggest that the range of comparative media research can be extended by paying attention to how these cultural factors interact with media system dynamics. 相似文献
5.
《Journal of Radio & Audio Media》2013,20(2):136-149
Entertainment news formats, such as radio talk shows and late-night comedy shows, continue to gain audience interest, while traditional news formats are slowly losing audience members. This study examines audience effects from entertainment news formats by comparing retention, involvement, attention and perceived credibility of information presented in a traditional radio broadcast news format and a nontraditional news quiz show format. Findings showed audiences recalled information from quiz questions significantly better than from the traditional news form. Levels of attention and involvement did not differ, and there were no differences for perceived credibility, suggesting audiences may be increasingly accepting of new formats. 相似文献
6.
《Journalism Practice》2013,7(1):13-29
Although online journalism is still dominated by breaking news coverage, new genres are emerging that differentiate it more and more from old media journalism. This article explores the emergence of feature journalism in online newspapers. Through comparative qualitative text analysis of feature journalism in the US online newspaper palmbeachpost.com and the Norwegian online newspaper dagbladet.no, two widely different approaches to the production of feature journalism on the Web are uncovered and a critical perspective on the remediation of journalistic genres in online newspapers is elaborated. The analysis shows that both these approaches display a clash between discourses of traditional feature journalism and discourses of online communication. It further reveals that genre development in online journalism is a complex process marked by contradictions and inconsistencies and that online newsrooms are struggling to find solutions on how to differentiate online journalism from old media journalism. 相似文献
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8.
The scope and nature of reality television has changed since researchers last conducted a content analysis of the antisocial behavior for this type of programming. This study examines the content of seven seasons of Survivor, one of America's longest running reality television programs, to determine the types, frequency, and context of antisocial behavior presented in the series as well as the possible effects of the program on longtime viewers using social learning and cultivation theories. In the 76.4 hours of programming analyzed for this study, 4,207 antisocial acts were documented in the coding database. Indirect aggression and verbal aggression were found to be the most frequently occurring types of antisocial behavior. The number (4,207) and the rate (45.7 acts per hour) of antisocial acts in the seven seasons of Survivor analyzed in this study is higher than the findings of a previous study of antisocial behavior in reality-based television conducted in 1997. This study clearly demonstrates that longtime viewers of Survivor get a higher dose of antisocial behavior than did regular viewers of news programming and other reality-based programs that aired slightly more than 10 years ago. 相似文献
9.
Sarah Stein 《Critical Studies in Media Communication》2013,30(3):249-269
–The television news magazine genre carries with it an implicit bias that began in an earlier stage of television's dissemination when TV journalism sought to be legitimized by using standards of objectivity handed down from newspapers and magazines. This article contends that this legitimation was attempted by valorizing the rhetorical power of the spoken word and effectively ignoring that visual images carry independent persuasive power–persuasive power, moreover, that often contradicts the verbal and escapes the containment of the objective word. In support of this contention, the essay examines several episodes of 60 Minutes programming. Particular attention is paid to verbal and visual juxtapositions in which the visual imagery and editing choices subvert the stated intentions of the verbal elements. The aim is two-fold: to contribute to critical rhetorical analyses that seek to comprehend the impact of the visual in verbal or print-oriented contexts; and to uncover some of 60 Minutes' ideological underpinnings by casting light on the particular version of reality it constructs, and the beliefs, attitudes, and values it shapes. 相似文献
10.
David Park 《The Communication Review》2013,16(4):287-321
This study examines the genres of visual communication utilized by the daily and illustrated weekly papers during the Civil War, when photography existed, but photographs could not yet be printed using the halftone process. I propose a typology of visual genres in use at that time, wherein each genre is differentiated by conventions that governed inclusion and interpretation. Though photography could not be reproduced in the news, an ideal of photorealism can be detected in many of these genres, as illustrations were made to approximate the mode of the photograph. This blending of photography and illustration, it is argued, contradicts the assumption of a metaphysical divide between photographic and illustrated representations, and elucidates the role of convention in visual communication. 相似文献
11.
Chiung Hwang Chen Assistant Professor 《亚洲交流杂志》2013,23(1):16-36
Falun Gong caught the eyes of the Beijing leadership when more than 10,000 of its practitioners gathered at the Zhongnanhai government compound in Beijing on April 25, 1999. It attracted the attention of the world when the Chinese Communist Party (CCP) started cracking down on the group three months later, claiming this to be the most serious political incident since the student uprising at Tiananmen Square on June 4, 1989. Scholars have attempted to contextualize the cultural, political, and economic climate in contemporary China that allowed this group to rise in a relatively short period and to assess the causes of the CCP's nationwide campaign oppressing the group. Relatively little attention, however, has been paid to exploring the media's role in supporting the government's cause in this campaign. This study examines journalistic narrative and framing of Falun Gong as a social threat in one news organization's attempt to legitimize the government's crackdown against the group. Although the economic reforms and political relaxation since the 1980s might have expanded the media's latitude, the press, especially state-owned media outlets, still functions as an agent for the Beijing regime in important political and social issues. This paper shows how journalists, through news frames, construct particular parameters within which to assess the ‘reality’ about Falun Gong. 相似文献
12.
This study examines the relationship between duopoly ownership structure and the supply of local news and public affairs programming in the local television market. The results show that both duopoly stations and non-duopoly stations significantly increased their local news programming from 1997 to 2003. The increases were attributable to the top four stations in each market. In addition, stations did not increase their efforts in local public affairs programming after becoming duopolies. The study also found that there was no significant difference in the amount of local news or local public affairs programming aired by duopoly and non-duopoly stations. 相似文献
13.
Rick W. Busselle 《Communication Research Reports》2013,30(4):367-375
Five versions (four experimental and one control) of a questionnaire were randomly distributed to 190 participants as part of an experiment investigating whether judgments of global television realism are influence by the salience of program genre. Questionnaires contained items asking respondents how often they watch either 1) news programs, 2) reality‐based crime programs, 3) crime drama programs, or 4) day and evening soap operas, followed by perceived realism and demographic items. Global measures of television realism were influenced by the viewing questions that preceded them, such that questions about more realistic programming prompted judgments that television programming in general is more realistic. Except for one condition, questions measuring the perceived realism of a specific genre, rather than television in general, were not influenced by the salience manipulation. These results call into question the utility of global television realism items. 相似文献
14.
Andrew Tolson 《The Communication Review》2013,16(4):463-480
Some recent assessments of public communication have demonstrated a concern for “authentic” forms of discourse in public life. This article uses a methodology derived from conversation analysis to examine different forms of public discourse in news interviews. Previous studies taking this approach have outlined the protocols for formal news interviews, but this article also looks at some types of “conversational” news interviewing that are increasingly prevalent in contemporary broadcasting. The modes of address (to the overhearing audience) in these types of interview can be usefully compared to the inclusive, sociable address associated with some genres of popular entertainment. It is suggested that the effect of “communality,” constructed by these conversational forms of talk, might be one factor in the development of new forms of participatory “public‐ness,” around some types of news events. 相似文献
15.
《Journalism Practice》2013,7(9):1075-1090
ABSTRACTThe initiation of economic reforms in the 1990s led to major recastings in the media-state-market relationship in India. Looking specifically at the television news media space, the age-old monopoly of the state broadcaster Doordarshan was challenged by the mushrooming of a host of private television news media. Private participation in the television news sector was in sync with the logic of market capitalism. Market-based news model radically altered the nature of production, representation and consumption of news. This paper makes an inquiry into one such predominant aspect of news production, the ascendancy of views/opinion based prime time programming in television news media, in contemporary India. Through a series of semi-structured interviews with journalists, the paper attempts to make sense of the reasons, the nature and significance and the likely impact of such programming on the nature of public discourse in India. 相似文献
16.
Amber M. K. Smallwood Bradford L. Yates Winston B. Tripp 《Journal of Radio & Audio Media》2018,25(1):5-22
Between 2010 and 2015, more than 30 college radio stations either went off air, transferred their licenses, or entered into programming or shared-time agreements. Among these are Vanderbilt University’s KRVU 91.1 FM, University of San Francisco’s KUSF 90.3 FM, Rice University’s KTRU 96.1 FM, and Georgia State University’s WRAS 88.5 FM. In what seems to be a shrinking presence of college radio on the FM dial, this study examines national and local news coverage of recent college radio shutdowns, transfers, and agreements to understand how these events are being presented in the news media. Findings suggest themes in news coverage includes a great deal of attention to the student, alumni, and community responses to station closures and transfers, but limited attention to reasons for the closures and transfers. University administrators were the most commonly quoted or referenced sources in the sample; students, alumni, community, faculty, and staff held significantly smaller shares of voice. Questions about the coverage of college radio closures and transfers as well as college radio’s future viability are discussed. 相似文献
17.
Teresa Costa Alves 《Journal of Radio & Audio Media》2020,27(1):39-53
With music being one of the key elements of radio, and plurality one of the most important principles of public service, this article’s central argument is that one of the missions of public radio is to foster musical elements produced in the country’s national language. Focusing on traditional musical genres of the Portuguese-speaking countries, we will analyze the role of music in public radio by selecting specific musical shows focused on the Lusophone world. In order to determine the presence and impact of Lusophony in national stations, music will be the common thread for a reflection on how multicultural their programming strategies are able to be. 相似文献
18.
This study analyzes US and South Korean news coverage of the H1N1 pandemic to examine cross-cultural variations in attention cycle patterns, cited sources, and news frames. A content analysis was conducted on 630 articles from US and Korean newspapers during the period of April to October 2009. It found that attention cycle patterns, news frames, and sources varied across the two countries according to professional norms, cultural values, social ideologies, and occurrences of relevant events. While US news coverage showed two phases of waxing and waning attention, Korean news coverage showed five phases. The frames used in US news stories placed more emphasis on attribution of responsibility, action, and reassurance. Other framing variations were found as news attention in each country rose and fell. Regarding sources used, Korean news stories relied more on governmental sources, while US news stories used a greater diversity of sources. This study advances research on variations in the attention cycle for transnational issues by specifying how journalists’ framing of social problems can differ according to the following: cultural factors, the shape of the news attention cycle, and the occurrence of events related to the issue at hand. 相似文献
19.
《Journal of Media Economics》2013,26(4):265-277
Product competition for news viewers in the cable national all-news market was examined. As the cable news networks do not directly compete with each other on price to consumers, it was expected that they would compete for audience by differentiating programming. A content analysis identifies program differentiation among the competing cable all-news networks. Each offered a distinctive style of programming. The different program formats and substantive content in each have the effect of counterprogramming, giving viewers a choice. 相似文献
20.
《Journalism Practice》2013,7(5):636-651
This study explores whether the US media, particularly television, radio, and newspapers, met the expectations of international journalism educators concerning the coverage of world news. Four focus groups with 34 journalism educators from 29 countries were conducted in the United States. A critical discourse analysis shows that most journalism educators' expectations were not met because they found world news coverage to be deviant from the reality in their respective countries or regions. Discussion focuses on how the discourse could help us to understand how to coalesce international journalistic practices and information gathering in a new global hi-tech era, not only for the US media, but for other media systems around the world. 相似文献