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Carolyn D. Cowen 《Annals of dyslexia》1985,35(1):209-218
The Tutoring Network is a nonprofit organization that emphasizes rigorous screening of educational therapists and careful
matching of their expertise with the needs of learning-disabled students. It operates a clearinghouse for information pertinent
to learning disabilities and strives to facilitate better communication among professionals concerned with the learning-disabled.
This paper chronicles the birth and growth of The Tutoring Network and explores possibilities for replication. 相似文献
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R J Markert A J Parisi H V Barnes S Cohen K Goldenberg L E Mieczkowski M Dunn R M Siervogel 《Bulletin of the Medical Library Association》1989,77(2):133-138
The experiences of medical students, residents, and faculty with a computerized literature searching system were evaluated. Third-year medical students, internal medicine and family practice residents, and full-time and voluntary faculty at one medical school had the opportunity to use a full-text and bibliographic medical literature retrieval system free of charge for an eleven-month period. Subjects conducted nearly nine thousand literature searches over a period of 942 system hours. Questionnaire data showed that participants could learn to use and would use an electronic information system, felt capable of using the system, utilized the system for a variety of purposes and in a number of different ways, and viewed the system as a valuable tool in searching the medical literature. The results are discussed in the context of the educational needs of the four user-groups and medical education planning by institutions. 相似文献
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The task of writing about the process of making and contextualising art can be overwhelming for some graduate students. While the challenge may be due in part to limited time and attention to the practice of writing, in a practice‐based arts thesis there is a deeper issue: how the visual and written components are attended to in a manner that neither is subjugated and both are fully realised. Helping students to revision art and writing as similar creative processes that can be structured around a framework designed to address both processes can override the conception that writing and art are polarising forces. This article describes one such framework that was found to be effective from both the perspective of the professor and the student in fleshing out the heart of both artistic processes and finding an integrating structure that moves a thesis to fruition. 相似文献
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