Dutch Publishing Industry Seeks Startups Through the Renew the Book Competition     

Martin Voigt  Wiet de Bruijn 《Publishing Research Quarterly》2017,33(1):10-13

In order to find new ways of growing the market, the Dutch General Publishers Association developed an innovation-competition for startups worldwide to bring innovative thinking and ideas into the Dutch Publishing Industry. The competition is the first and only program dedicated to startups leveraging new and creative business ideas around all the elements of book publishing and has its second edition this year. The competition is for startups, who are active in areas such as publishing automation, book retail, data analytics, authoring, book content development, and audience engagement.  相似文献   

UAE’s Publishing Industry: A Vision of an Avant-Garde Nation     

Bodour Al Qasimi 《Publishing Research Quarterly》2017,33(1):37-40

This article outlines in detail the ten strategic goals that the UAE publishing industry has identified to lead a comprehensive transformation of the industry and to cement its position as a regional leader. The main goals revolve around building regional and global partnerships, developing a global publishing hub, improving legal framework for the all the stakeholders of the industry, building quality Arabic content for local and regional readers, supporting educational publishing, launching initiatives to encourage reading for pleasure, improving distribution networks and retail, transforming libraries, and instilling a sense of pride and understanding of local culture while supporting creative talents and skills. Also, this article will share information about some leading initiatives being implemented in Sharjah and the United Arab Emirates, and future initiatives to be implemented to achieve the ten goals.  相似文献   

Michelle Levy and Tom Mole,Editors: The Broadview Reader in Book History     

Jaidree Braddix 《Publishing Research Quarterly》2017,33(2):204-205

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Crowdsourcing: A Platform for Crowd Engagement in the Publishing Industry     

Siti Ezaleila Mustafa  Hamedi Mohd Adnan 《Publishing Research Quarterly》2017,33(3):283-296

Publishers will usually make decisions based on their experience and knowledge in book publishing. However, there are risks of losses as markets can be unpredictable. Now, with the availability of various online social platforms, “crowdsourcing” is being used by publishers and authors to gather new ideas and innovations. This article will analyze how the crowdsourcing platform is used by industry players to attract active participation from the public, especially in the title development process. Publishers or authors also need to understand which platform is appropriate and how to use the platforms as a marketing communication tool. The netnography approach will be used to gather and analyze the data related to the specific subject area of the study, including literature review and online observation. Based on our observations, platforms such Wattpad and Ilham Karangkraf are popular among Malaysian authors and publishers, and had been used to get crowd engagement as well as to communicate with readers. With it, sometimes a work that has many readers or followers will be published.  相似文献   

Michael F. Suarez,S. J., and H. R. Woudhuysen,Editors: The Book: A Global History     

Alex P. Grover 《Publishing Research Quarterly》2017,33(3):352-355

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The Rise of the Citizen Author: Writing Within Social Media     

Miriam J. Johnson 《Publishing Research Quarterly》2017,33(2):131-146

The concept of the citizen author is defined and explored within the publishing industry. In order to understand what positions the citizen author currently, and potentially could, hold it begins with a historical view of their rise, including concepts of their eighteenth century antecedents. But the focus of this research is on their growth alongside that of social media platforms. This allows for drawing out relationships between genre fiction, publishers, and the citizen author, which provides a more full understanding of the power dynamics involved when publishers, social media, and the citizen authors mix in the current industry climate.  相似文献   

Make or Buy? A Qualitative Analysis of the Organisational Handling of Digital Innovations in the German Book Publishing Sector     

Anna Klamet 《Publishing Research Quarterly》2017,33(1):41-55

Traditional media have been changing in response to digitisation processes and the spread of the internet. This article looks at the consequences of technological change for the organisational structures of publishing houses in Germany, most of which are small to medium sized enterprises (SMEs). Following any decision to produce digital content, new tasks emerge which need to be fulfilled and publishing houses have to re-allocate appropriate responsibilities. The context of the preference for in-house or for external production is explored as is the precise identification of the managerial and technical skills demanded by a switch to digital publishing. The findings suggest the important role of strategic partnerships with service providers as well as with other publishing houses, especially for larger projects beyond the capabilities of SMEs.  相似文献   

Why Diverse Zines Matter: A Case Study of the People of Color Zines Project     

Melanie Ramdarshan Bold 《Publishing Research Quarterly》2017,33(3):215-228

Historically, zines have been an alternative outlet for niche topics, or writers and writing, that are ignored by mainstream media. Zines are significant because they offer the opportunity for connection, community, and networking between those interested in these diverse topics. The developments in digital technology have enabled zines to extend into the online sphere: this increased access has resulted in increased participation (by readers and writers). This paper will focus on (digital) zines that are created by people of colour (POC). In recent years, there has been much discussion and media coverage about the lack of diversity in cultural output, and various campaigns, to promote diverse writing have followed. Through a case study of the POC Zines Project—a community-building project that promotes zines by POC—this paper will look at how creators of zines are experimenting with digital formats and social platforms, and will consider what mainstream publishers can learn from this. As Radway (in: Anouk (ed) From codex to hypertext. University of Massachusetts Press, Amherst, 2012) outlines “zine-ing is a social phenomenon, a form of social action driven by desires for new forms of sociability and new ways of being in the world” (p. 140): this paper will highlight the important of social collaboration and production on opening up the creative process and offering a response to the under-represented in traditional publishing.  相似文献   

The Publication Success of 102 Nations in Scopus and the Performance of Their Scopus-Indexed Journals     

Mohammadamin Erfanmanesh  Muzammil Tahira  A. Abrizah 《Publishing Research Quarterly》2017,33(4):421-432

Over the years, the number of journals indexed in Scopus has increased, although it varies significantly between countries. The increasing proportion of international journals of a country provides new venues for papers from that country to be seen by other researchers worldwide. In this work, we evaluate the relationship of a country’s scientific performance or publication success with both its journals’ quantity and quality. The specific objective of the study is to identify the relationship between the country’s publication success and the quantity and quality of those country’s journals indexed in Scopus during 2005–2014. The publication success of 102 individual countries, measured by their scientific productivity, impact and collaboration indicators, the quantity of country’s Scopus-indexed journals in 2014 (a total of 22,581 journals) as well as the quantity of its journals were investigated. Scopus-indexed journals are predominantly from Western Europe (48.9%) and North America (27.7%), with the United States and the United Kingdom dominate with a total 51%. The contribution from the peripheral countries is comparatively small, however there are a good number of contributions from the South-East Asian countries. Estonia is the fastest growing country in terms of having indexed journals in Scopus, following by Iran and Malaysia. Among the studied indices, it was found that publication success (total publications and total citations) of 102 countries are strongly correlated with quantity (number of indexed journals and number of documents published in indexed journals) and quality (citations per paper, SJR, h-index, CiteScore and SNIP) indicators of country’s journals. We can conclude that the scientific productivity of a country depend critically on the number of journals indexed from that country in citation databases. The study provides a context with which the relative success of publications can be assessed, yielding new insights into the scientific impact of individual countries and the performance of journals that they published.  相似文献   

Matthew Fellion and Katherine Inglis: Censored: A Literary History of Subversion and Control     

John Rodzvilla 《Publishing Research Quarterly》2017,33(4):503-504

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