The shifting discourses or opening speech     

Denis Hlynka 《TechTrends》1998,43(1):58-60

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Maximum oxygen uptake and body composition of healthy Hong Kong Chinese adult men and women aged 20 - 64 years     

Wong SY  Chan FW  Lee CK  Li M  Yeung F  Lum CC  Choy DT  Woo J 《Journal of sports sciences》2008,26(3):295-302

The aims of the present study were to assess the maximal oxygen uptake and body composition of adult Chinese men and women, and to determine how these variables relate to age. The cross-sectional sample consisted of 196 men and 221 women aged 20 - 64 years. Maximal oxygen uptake (VO2max) was determined by indirect calorimetry during a maximal exercise test on an electrically braked cycle ergometer. The correlations between VO2max and fat mass were -0.52 in men and -0.58 in women. Linear regression defined the cross-sectional age-related decline in VO2max as 0.35 ml kg(-1) min(-1) year(-1) in men and 0.30 ml kg(-1) min(-1) year(-1) in women. Multiple regression analysis showed that more than 50% of this cross-sectional decline in VO2max was due to fat mass, lean mass, and age. Adding fat mass and lean mass to the multiple regression models reduced the age regression mass from 0.35 to 0.24 ml kg(-1) min(-1) year(-1) in men and from 0.30 to 0.15 ml kg(-1) min(-1) year(-1) in women. We conclude that age, fat mass, and lean mass are independent determinants of maximal oxygen uptake in Chinese adults.  相似文献   

Effects of pitch spatial references on players’ positioning and physical performances during football small-sided games     

Diogo Coutinho  Bruno Gonçalves  Bruno Travassos  Eduardo Abade  Del P. Wong  Jaime Sampaio 《Journal of sports sciences》2019,37(7):741-747

The aim of this study was to identify the effects of adding spatial references during football small-sided games in youth players’ tactical and physical performance. Twelve under-15 players performed a Gk+ 6v6+ Gk game under two playing conditions: (i) without spatial references (CONTROL condition); (ii) with spatial references, by dividing equally the pitch into three corridors and three sectors (experimental situation, LINES). Players’ positional data was used to compute time-motion and tactical-related variables. The results revealed that performance under LINES situation increased the regularity in the zones occupied (~14%, Cohen’s d: 0.5; ±0.3; p = 0.003) and in the distance between teammates’ dyads (~19%, 0.9; ±0.2; p < 0.001). Oppositely, LINES condition decreased the longitudinal synchronization of players’ displacements (0.4; ±0.2; p = 0.002), players’ average speed (0.5; ±0.3; p = 0.002) and distance covered at lower (0.9; ±0.3; p < 0.001) and moderate speed (0.5; ±0.3; p < 0.001). Adding spatial references seems to promote a more structured pattern of play and increase positional regularity. However, coaches should be aware that this constraint may decrease the synchronization between players. Overall, these findings may be generalized to most invasion team sports.  相似文献   

Spectacles in hybrid Japan: Deconstruction,semiotic excess,and obtuse meanings in Lost in Translation     

David C. Oh  Anna Wong Lowe 《Journal of International and Intercultural Communication》2017,10(2):153-167

This essay’s purpose is to recover Fiskean deconstructive criticism as a means of examining the complexities of texts. Specifically, we argue that Lost in Translation’s moments of spectacle reveal that even in a text that reinforces White Orientalist views of Japan, the text’s obtuse meanings subvert, though not upturn, this dominant narrative. The film’s text reifies heteronormative masculinity and femininity with the blending of the pre- and postmodern Japan, yet obtuse meanings subvert the Western gaze and present hybrid queer spaces that complicate Western neocolonial domination. Subversion cannot completely overturn those meanings, but guerrilla opportunities allow for tactical resistance.  相似文献   

Comment on Hanasaki Kohei: decolonalization and the assumption of war responsibility     

Diana Wong 《Inter-Asia Cultural Studies》2013,14(3):527-529

Abstract

The first Asian Lesbian Film and Video Festival, held in Taipei in August 2005, brought forth media art, social activism and cultural exchange on one occasion. It provided a rare opportunity to showcase the experience of Asian lesbians, which is vastly different from the experience of those in Western countries. While there were great similarities in their love experiences among the 36 Asian lesbian shorts selected, they also reflected the differences among the Asian countries in terms of local development of tongzhi culture and community as well as the visibility of tongzhis. Among the Chinese communities, Taiwan was seen to be at the forefront of the development of tongzhi culture, Mainland China was new to the movement, and Hong Kong was somewhere in‐between. Japanese and Korean videos took a critical and reflective attitude towards social regulations and mainstream thoughts, although witty and farcical at times. While the Filipinos show a more tolerant attitude to the Lesbian Gay Bisexual Transgender (LGBT) community, the major oppressive forces on lesbians were poverty, gender inequality and sexual violence. Only one Israeli documentary was shown at the film festival, which focused on lesbians living in the Jewish Orthodox traditions. The film won international acclaim and attracted much public attention to the issue. Films and videos were found to be an effective means to transcend language barriers and cultural differences for a true cross‐cultural exchange among Asian lesbians. During the few days of festival, a ‘queer nation’, not defined by nationalities or languages, but by the pursuit of love expressions, was constructed around The Taipei House.  相似文献   

Emergence of a cosmopolitan space for culture and consumption: the new world amusement park‐Singapore (1923–70) in the inter‐war years1     

Wong Yunn Chii  Tan Kar Lin 《Inter-Asia Cultural Studies》2013,14(2):279-304

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Rethinking the coming home alternative: hybridization and coming out politics in Hong Kong’s anti‐homophobia parades     

Day Wong 《Inter-Asia Cultural Studies》2013,14(4):600-616

Abstract

In calling for the need to think about sexuality globally, scholars have given increasing attention to the historical specificities of local contexts. The return to the local, however, may not always be fruitful when the local and the global or the Western and the non‐Western are seen as binary opposites rather than permeable constructs. This paper examines the coming home/coming out controversy and calls into question the understanding of coming home as local resistance against global queering. It instead suggests the possibilities of cultural hybridity and blending of coming out and coming home. Using the First and the Second International Day Against Homophobia Hong Kong Parades as an example, this paper elucidates the complexity of cultural production in the interactions of the West and Non‐West, with attention on the effect of transnational mobility of political rhetoric and tactics.  相似文献   

Book reviews     

Maurice Reuchlin  George Vaideanu  William J. Platt  Christine LaConte  Walter Hahn  Kevin Majoribanks  C. E. Beeby  Otto Herz  William W. Brickman  Edith Cope  Ruth Wong 《International Review of Education/Internationale Zeitschrift für Erziehungswissenschaft/Revue internationale l'éducation》1973,19(4):496-511

Sans résumé

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Book reviews

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Buchbesprechungen

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Institut national d'Etude du travail et d'Orientation professionnelle

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UNESCO  相似文献   

The effects of expressions of fear induced by background music on reading comprehension     

Agnes S.K. Wong  Matthew Moreno  Samantha Burns  Earl Woodruff 《Journal of Research in Reading》2023,46(2):143-162

Background

Research has suggested that background music can have a positive or negative effect that can influence the affective state of individuals. Although research has demonstrated that fear negatively influences our cognitive performance, there is a research gap in understanding the combined effects of different background music tempo and fear in influencing reading comprehension performance.

Methods

Data were collected from 70 participants enrolled at a public university in Canada. Participants were required to listen to background music of varying speeds with three conditions (no music, slow music and fast music). We adopted a cross-sectional multi-level modelling approach for the main analyses, and further analyses using t-test and ANOVA.

Results

Results indicated that expression of fear was not a significant predictor of participants' reading comprehension performance (Model 1). However, when music condition was added (Model 2) in addition to expression of fear, a significant relationship between reading comprehension performance and music condition was found, showing better reading comprehension performance in the slow music condition than in the no music condition. Furthermore, there was a significant interaction effect between music condition and expression of fear on reading comprehension performance (Model 3). Importantly, not all individuals were affected by the music to the same extent, with the possibility that baseline level of fear being the key issue in influencing comprehension performance.

Conclusions

Considering both expression of fear and music condition is required to understand the combined effects on cognitive performance. Expression of fear during cognitive tasks such as reading could be an essential signal that interventions should be applied. Such strategies may be especially beneficial for task performers with higher baseline levels of fear and possibly provide us with insights for best practice and research implications in the field of reading comprehension among individuals with special needs.

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Motivating people in training contexts     

Denis Ouimet 《Performance Improvement》1978,17(6):14-14

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