首页 | 本学科首页   官方微博 | 高级检索  
文章检索
  按 检索   检索词:      
出版年份:   被引次数:   他引次数: 提示:输入*表示无穷大
  收费全文   29074篇
  免费   376篇
  国内免费   472篇
教育   19293篇
科学研究   4347篇
各国文化   39篇
体育   1846篇
综合类   1091篇
文化理论   464篇
信息传播   2842篇
  2024年   4篇
  2023年   28篇
  2022年   245篇
  2021年   565篇
  2020年   405篇
  2019年   245篇
  2018年   2362篇
  2017年   2309篇
  2016年   1768篇
  2015年   761篇
  2014年   1013篇
  2013年   1212篇
  2012年   1585篇
  2011年   2152篇
  2010年   2161篇
  2009年   1662篇
  2008年   1799篇
  2007年   2404篇
  2006年   1305篇
  2005年   1444篇
  2004年   1020篇
  2003年   945篇
  2002年   740篇
  2001年   545篇
  2000年   379篇
  1999年   232篇
  1998年   156篇
  1997年   119篇
  1996年   95篇
  1995年   37篇
  1994年   34篇
  1993年   46篇
  1992年   39篇
  1991年   28篇
  1990年   19篇
  1989年   16篇
  1988年   2篇
  1987年   4篇
  1986年   4篇
  1985年   5篇
  1984年   3篇
  1983年   8篇
  1982年   2篇
  1981年   2篇
  1980年   2篇
  1979年   2篇
  1976年   3篇
  1975年   1篇
  1973年   2篇
  1957年   3篇
排序方式: 共有10000条查询结果,搜索用时 15 毫秒
991.
试论学校体育与社区体育深度融合   总被引:2,自引:0,他引:2  
学校体育与社区体育的深度融合是未来体育的发展方向.当前,由于管理体制、工作机制以及组织形式等多方面的原因,我国学校体育与社区体育的结合还很松散,学校和社区各自的优势没有得到充分发挥,还没有达到人力资源、物质资源和文化资源的高度共享.要实现学校体育与社区体育的深度融合,必须坚持"政府主导.市场运作"的融合理念,研究和探索其融合的管理体制与工作机制、组织形式、经费保障和具体结合方式.  相似文献   
992.
Despite the lack of a clear definition of the concept, “cultural diversity” has remained a core issue for more than a decade (WTO, UNESCO, etc.). The aim of this paper is to begin to fill this gap. We argue that cultural diversity is a multi-dimensional concept and that accurate metrics must rely on three criteria: variety, balance and disparity. We also stress that supplied and consumed diversity have to be distinguished. We apply this set of multiple measures of diversity to publishing data for France over the period 1990–2003. Our main result is that the situation of the publishing industry in terms of cultural diversity is highly dependent on the dimension considered. Hence, diversity increases when variety is the sole consideration, whereas taking balance or disparity into account leads to the opposite conclusion. This issue raises a series of questions about the use of diversity measures in a policy debate concerned with furthering cultural diversity.
Stéphanie PeltierEmail:
  相似文献   
993.
Theatre experts generally agree that the Flemish theatre has flourished artistically over the period 1980–2000. Attendance, on the other hand, has declined significantly. Following Lancaster’s characteristics approach, we identify several output characteristics of individual theatre productions. Using a panel of 59 Flemish theatres, we examine the impact on demand of both these output characteristics and of traditional determinants such as own price, income and the price of substitutes. Differences in the relevant geographical market for touring and non-touring theatres are considered. We find that the nature of the artistic output affects demand. Theatregoers prefer large productions (in terms of cast size), plays by Dutch-speaking playwrights and revivals of old productions. Own price and consumer income have the expected negative and positive effects on attendance. Observed trends toward a decreasing proportion of new plays, an increasing presence of plays by Dutch-speaking playwrights, and increasing consumer income had a stimulating effect on attendance. These trends have been offset, however, by trends toward smaller cast sizes and higher ticket prices as well as by unobserved factors captured by time dummies. The net result has been a considerable drop in attendance.
Kristien WerckEmail:
  相似文献   
994.
We use prices realized for Picasso prints at auctions worldwide, as well as the 100 prints that comprise his Vollard Suite, to test the law of one price: the proposition that identical art objects sold contemporaneously should command the same price regardless of the auction house or geographic region where the sale takes place. Picasso is the most prolific printmaker of the twentieth century and, from 1977 to 2004, his prints appreciated in price significantly faster than the prints of modern masters as a whole. We find that Picasso prints sold in the United States command higher prices than in Europe. However, prices realized at Sotheby’s in New York are no longer higher than at Christie’s in New York, nor at Kornfeld than at other auction houses. We find evidence of “irrational exuberance” in the transitory nature of the extraordinary prices realized for the Picasso prints included in the 1997 sale of the collection of Victor and Sally Ganz at Christie’s in New York. More generally, we find substantial noise in auction outcomes, a result well known to savvy auction goers.
Pauline M. Shum (Corresponding author)Email:
  相似文献   
995.
The article tests a couple of hypotheses relating to markets where demand is not taken as a given, but subject to sophisticated and encompassing price-building strategies. The study uses a data set that provides quoted dealer prices for medium-sized works of 100 leading visual artists from 1970 to 2004. These data are compared with auction price results for works by the same artists. The study reports significant discrepancies with respect to the relationship between the age of artists and prices paid for their works in the two markets, and with respect to general price developments in the two markets as measured by indices.
Michael HutterEmail:
  相似文献   
996.
This article compiles original data relating to artists’ place of birth and work migration patterns using various art history dictionaries. The broad historic pattern, from the 13th to the 20th century, of the birth locations of prominent artists is examined, followed by a detailed study of the work migration patterns of prominent artists in two important situations, namely Renaissance Italy and France in part of the 19th century. The evidence indicates a marked clustering of activity of prominent artists, both arising from birth location and migration patterns. Some possible explanations for the observed patterns are briefly outlined.
John O’HaganEmail:
  相似文献   
997.
998.
999.
1000.
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号