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81.
The Governance of University Knowledge Transfer: A Critical Review of the Literature 总被引：1，自引：0，他引：1
Universities have long been involved in knowledge transfer activities. Yet the last 30 years have seen major changes in the
governance of university–industry interactions. Knowledge transfer has become a strategic issue: as a source of funding for
university research and (rightly or wrongly) as a policy tool for economic development. Universities vary enormously in the
extent to which they promote and succeed in commercializing academic research. The identification of clear-cut models of governance
for university–industry interactions and knowledge transfer processes is not straightforward. The purpose of this article
is to critically discuss university knowledge transfer models and review the recent developments in the literature on research
collaborations, intellectual property rights and spin-offs, those forms of knowledge transfer that are more formalized and
have been institutionalized in recent years. The article also addresses the role played by university knowledge transfer organizations in promoting commercialization
of research results.
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| Alessandro MuscioEmail: Email: |
82.
Sara Bianchin Monica Favaro Pietro Alessandro Vigato Guido Botticelli Gioia Germani Silvia Botticelli 《Journal of Cultural Heritage》2009,10(3):379-387
The scientific approach to the restoration and monitoring of mural paintings, at S. Girolamo Chapel – SS. Annunziata Church in Florence, is reported as a fruitful example of the synergic collaboration between restorers and scientists in the planning and development of conservative interventions. Before restoration, the painting technique and the state of preservation of the pictorial cycle have been investigated firstly by close examination of the painted surfaces and then by optical and/or SEM-EDS microscopy and μFT-IR spectroscopy on appropriately selected samples. In particular, the original constituent materials and those belonging to subsequent restorations were characterized together with those originating from decay processes. In this mural painting cycle, a peculiar “fresco” technique has been used although an auxiliary binder for pigment distemper has been also employed. The use of this technique, sometimes in an improper way together with uncorrected restoration interventions, are the main responsible of the unsatisfactory state of conservation of many painted areas. Preliminary conservation trials and scientific studies were carried out to design the most convenient restoration intervention and to verify the correctness and non-invasive of the necessary operations. Special attention was devoted to cleaning procedures, continuously monitored by a physico-chemical methodology, mainly based on microinvasive, microscopic and spectroscopic investigations, to evaluate the efficiency, advantages and drawbacks of the proposed cleaning procedures and define the most appropriate ones. Finally, specific decay markers have been recognized, by a comparison of the results obtained from the detached samples with those deriving from artificially aged models, to be used for a correct future monitoring and maintenance of the wall paintings. 相似文献