Interaction effects of teacher enthusiasm and student notetaking on recall and recognition of lecture content     

Robert A. Stewart 《Communication Research Reports》2013,30(2):84-89

The purpose of this study was to determine whether teacher enthusiasm and student notetaking activity would interact to produce significant differences in students’ learning from lecture. Three modes of student learning activity (listen only, notes, notes plus review) were crossed with two levels of lecturer enthusiasm (less enthusiastic, more enthusiastic) in a 3X2 MANOVA design. Dependent variables were simple recall, complex recall, and recognition of lecture content. Results showed a significant interaction for simple recall. Also, a significant main effect was obtained for learning activity. Findings are discussed with respect to how learning activity and teacher behavior can function jointly in student processing of information. Suggestions for future research are given in light of limitations to the present study.  相似文献   

A Balanced View of the Small Screen     

David E. Fernie  Marjorie A. Cambre 《Review of Education, Pedagogy & Cultural Studies》2013,35(3-4):159-164

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Comments from the editors     

David Feldman Editor 《The Teacher Educator》2013,48(3)

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Divergent production in gifted adolescents using timed vs. untimed stimuli with creative prompting     

Gregg A. Johns  Linda W. Morse  David T. Morse 《Roeper Review》2013,35(3):165-166

Although creativity and expertise are related, they are nonetheless very different things. Expertise does not usually require creativity, but creativity generally does require a certain level of expertise. There are similarities in the relationships of both expertise and creativity to domains, however. Research has shown that just as expertise in one domain does not predict expertise in other, unrelated domains, creativity in one domain does not predict creativity in other, unrelated domains. People may be expert, and people may be creative, in many domains, or they may be expert, or creative, in few domains or none at all, and one cannot simply transfer expertise, or creativity, from one domain to another, unrelated domain. The domain specificity of creativity matters crucially for creativity training, creativity assessment, creativity research, and creativity theory. The domain specificity of creativity also means that interdisciplinary thinking, interdisciplinary collaboration, and interdisciplinary creativity are even more important than one would assume if creativity were domain general.  相似文献   

Assessing working students' college experiences: a grounded theory approach     

David X. Cheng  Lucia Alcántara 《Assessment & Evaluation in Higher Education》2007,32(3):301-311

This study explores working students' college experiences using the grounded theory approach. Focus groups were conducted to allow working students to elaborate on their college experiences, clarifying issues not easily addressed through surveys. Two theoretical propositions are offered to describe how working students are constantly searching for meaningful work as well as meaning in their work. It is important for institutions to consider work as an educationally purposeful activity outside classroom and to create job opportunities that benefit students academically, socially and financially.  相似文献   

Description: Innovative Practices for Archives and Special Collections     

David Roberts 《档案与原稿》2016,44(1):54-56

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Linked Data for Libraries,Archives and Museums: How to Clean,Link and Publish Your Metadata     

David Bromage 《档案与原稿》2016,44(3):172-174

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A review of ancient Egyptian pigments and cosmetics     

David A. Scott 《文物保护研究》2016,61(4):185-202

The pigments used by the ancient Egyptians constitute the most diverse pigment palette of the ancient world. This review discusses the pigments and binders which were used, arranged principally in terms of the colours themselves, namely, the white, green, grey, black, brown, blue, red, orange, and yellow pigments. The chemical identity of these pigments is discussed with some details regarding the artefacts or time periods from which the pigment concerned has been identified. Combinations of pigments were used for creating some colours, especially: greens, pinks, blues, yellows, and a variety of pale hues by mixing primary colours with a white addition, such as calcite. The identification of ancient Egyptian pigments is often aggravated by chemical interactions between pigment and binder media, or between the pigment and environmental pollutants, or both. The nature of the binders and varnishes used in ancient Egypt is briefly discussed. The identification of green pigments from ancient Egypt is often difficult, and some of the recent research concerning the topic is reviewed. In addition to including relevant details from older literature, this review provides a synopsis of recent studies which have appeared since the last major review carried out by Lee and Quirke in 2000.  相似文献   

Research Reports as the “Nuts and Bolts” of Communication Research     

Nicholas David Bowman 《Communication Research Reports》2016,33(2)

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Troubleshooting Electronic Resources with ILL Data     

Beth Ashmore  David Macaulay 《期刊图书馆员》2016,70(1-4):288-294

Troubleshooting electronic resource linking issues can seem to be an insurmountable task—so many resources, so little time. Using interlibrary loan (ILL) data on requests for materials available online, the electronic resources staff at the Samford University Library detected problems with the implementation of their new link resolver. This data also provided a window into some systemic issues within the metadata of certain sources and the link resolver knowledgebase. In addition to helping us improve linking for our users, the establishment of a workflow for communicating cancelled ILL transaction data on an ongoing basis has also improved the communication between electronic resources staff and the ILL department regarding the overall linking process.  相似文献