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21.
《Educational Philosophy and Theory》2013,45(2):330-345
The following paper continues discussions within this journal about how the work of Delueze and Guattari can inform radical pedagogy. Building primarily on Noel paper, we take up the challenge to move towards a more creative form of ‘becoming cyborg’ in our teaching. In contrast to work that has focused on Deleuzian theories of the rhizome, we deploy Guattari's work on institutional schizoanalysis to explore the role of group creativity in radical pedagogy. The institutional therapies of Felix Guattari's schizoanalytic practice in the 1950s and 1960s and, before him, the Francophone educationalist Celestin Freinet, who founded the Modern School Movement, are explored and used to illuminate examples of some of our own attempts to set the classroom up as a space for collective engagement. We conclude by exploring how this understanding of the class as subject group may be used to mobilise action and de‐stabilise the coordinates of existing academic divisions of labour. 相似文献
22.
This article uses topological approaches to suggest that education is becoming-topological. Analyses presented in a recent double-issue of Theory, Culture & Society are used to demonstrate the utility of topology for education. In particular, the article explains education's topological character through examining the global convergence of education policy, testing and the discursive ranking of systems, schools and individuals in the promise of reforming education through the proliferation of regimes of testing at local and global levels that constitute a new form of governance through data. In this conceptualisation of global education policy changes in the form and nature of testing combine with it the emergence of global policy network to change the nature of the local (national, regional, school and classroom) forces that operate through the ‘system’. While these forces change, they work through a discursivity that produces disciplinary effects, but in a different way. This new–old disciplinarity, or ‘database effect’, is here represented through a topological approach because of its utility for conceiving education in an increasingly networked world. 相似文献
23.
Jonathan Wyatt Ken Gale 《International journal of qualitative studies in education》2018,31(2):119-129
We have developed an approach to collaborative-writing-as-inquiry that we sometimes refer to as ‘between the twos’. Increasingly, we came to understand that the only way to continue in our process was to ‘write to it’; whatever the question, the query or the problem, it was this inducement – ‘write to it’ – that led to new experimentations and the indeterminate rhythms and refrains of the multiple that were often present in the agonistics of our practice. This is how we have been living intra-actively with desire within and against the traditional representations of research and pedagogic practice in higher education in recent years. In offering opportunities for bringing non-totalising modes of sensing to life within Deleuze and Guattari’s experimental and creative originations, and in the multiplicity and the vibrant potentialities of always becoming, we make claims for new, creatively productive writing practices in the university of the future. 相似文献
24.
Gordon Coonfield 《Critical Studies in Media Communication》2013,30(4):285-301
This essay argues the conceptual opacity surrounding technology results from instrumentalism, which posits an a priori distinction between essentialized, binary terms: the human, and the technological, which is both the product and material projection of that essentially human agency. This essay explores a “machinic” alternative to instrumentalism by engaging the philosophy of Deleuze and Guattari. After mapping the conceptual terrain suggested by their work as applied to technology, this essay looks to the cinematic performance aesthetic of Hong Kong action-film star Jackie Chan in order to sketch the affective/perceptual/kinetic terrain of the machinic. 相似文献
25.
《Cultura y Educación》2013,25(1-2):93-105
ResumenTras una introducción teórica apoyada entre otros en Humboldt, Vygotski y Guattari y a través del análisis de ciertas obras de arte (Bellissima de Visconti, algunas de las figuras perceptivas paradójicas de Falk Seeger, el Monte Saint Victoire de Cezanne. El castillo de Kafka y Las Meninas de Velázquez) los autores analizan la auto-referencialidad y la reflexividad del arte y sostienen que el objetivo del arte no es la didáctica, la pedagogía o la optimización técnica, sino que su finalidad es abrir espacios para el aprendizaje reflexivo, para pensar la realidad de nuevas maneras o nuevas realidadesLos autores proponen concebir las obras de arte como metáforas que construyen el mundo de cierta manera. Analizando las metáforas con que los adolescentes construyen y dan sentido a su realidad y haciendo que éstos las plasmen visualmente y se hagan así conscientes de ellas, los alumnos realizan “arte moderno” que se concibe y convierte así en un medio para comprender el mundo y comprenderse a sí mismos. 相似文献
26.
This article examines the attempted reform of education within an emerging audit culture in Australia that has led to the implementation of a high-stakes testing regime known as NAPLAN. NAPLAN represents a machine of auditing, which creates and accounts for data that are used to measure, amongst other things, good teaching. In particular, we address the logics of a policy intervention that aims to improve the quality of education through returning ‘good teaching’. Using Deleuze’s concepts of series, events, copies and simulacra, we suggest that an attempt to return past commonsense logics of ‘good teaching’ as a result of NAPLAN is not possible. In an audit culture as exemplified by NAPLAN, ‘good teaching’ is being reconceptualized through those practices and becomes unrecognizable. Whilst policy claims to improved equity and quality are admirable, this article suggests that the simulacral change to logics of good teaching may actualize something very different. 相似文献
27.
Guided by post-structural perspectives of identities as processes of becoming and transculturation and transnationalism, this study explores how multilingual students in a Mandarin–English bilingual programme form their sense of identities in a dynamic process. Multiple forms of data are collected, including observations, interviews and documents. The findings indicate that multilingual students are mobile, namely, they move across linguistic, cultural and ethnic spaces of interaction. In addition, they challenge the dominant discourse of any fixed and hyphenated identity and take up transcultural and transnational identities that allow their comfortable circulation among different worlds. This study calls for a need to unfold children's multiple and mobile identities and explores new possibilities for life. 相似文献
28.
曹海峰 《四川师范学院学报》2009,(4):35-37
法国哲学家吉尔·德勒萤和心理学家费里克斯·高塔利在对传统精神分析理论大量研究后提出了一种反俄狄普斯的批评策略,并在他们一系列著作中实现了对精神分析学说中若干理论的超越和颠覆。 相似文献
29.
Elizabeth Adams St. Pierre 《Educational Philosophy and Theory》2017,49(11):1080-1089
AbstractThis paper reviews Deleuze’s theory of language in Logic of Sense, and Deleuze and Guattari’s theory of language in A Thousand Plateaus. In the ontology informed by the Stoics described in those books, human being and language do not exist separately but in a mixture of words and things. The author argues that this flattened ontology of surfaces is incommensurable with the ontology of depth used in conventional humanist qualitative methodology and recommends beginning new empirical inquiry with a concept instead of with method and methodology. 相似文献
30.
Hillevi Lenz Taguchi Anna Palmer Lovisa Gustafsson 《Discourse: Studies in the Cultural Politics of Education》2016,37(5):705-716
ABSTRACTWhat are the dominant images of the Child in contemporary Western societies? In order to challenge some dominant images of the Child, this essay explores the possibilities of analyzing an experimental dance practice with preschoolers aged 1–2 years with Claire Colebrook's theorizing on ‘the war on norms’. Colebrook suggests a Queer Vitalism to push the limits of how to understand humanness generally, and more specifically, how to understand processes of subjectification. She moves from a post-structuralist understanding toward the Deleuzian notion of practices of individuation and processes of becoming-imperceptible. In this essay, we draw on Queer Vitalism to show how it is possible to understand children's constructions of subjectivity in events of experimental dance practices for preschoolers. The analysis is performed in close interactions with video-films from these workshops transformed to still photography. We aspire to show how these practices can be understood as counter-power strategies in the enactment of an image of a Monstrous Child. Such an image might transform the taken-for-granted image of the Child and preschool practices in subversive ways. 相似文献