Building the mobile hub: mobile literacies and the construction of a complex academic text     

Owen Barden 《Literacy》2019,53(1):22-29

This paper contributes a definition of mobile literacy. This is worthwhile because although mobile, internet‐enabled devices are increasingly prevalent in many people's lives, mobile literacy appears to be under‐theorised and lacking definition. After giving an overview of the scale and nature of mobile device use, the paper develops the definition through building on an existing body of work which seeks to define literacies, digital literacies and mobile learning. The definition takes account of the mobility of technology, of learners, and of learning. A systematic multimodal analysis of a complex undergraduate text, in the form of a conference‐style poster, is then undertaken in order to exemplify the definition offered. The analysis attends to both the semiotic resources exploited by the text's author and the wider context the text is created within. Interview data complements that constructed through analysis of the text itself. Combining these two data sources reveals the ideational, interpersonal and textual/organisational meanings communicated by the text, and how mobility is a contextual factor which is fundamental to the literacy practices employed by the author to convey these meanings.  相似文献   

Everything said is said by someone     

Cunningham  Donald J. 《Educational Psychology Review》1992,4(2):261-269

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渐进社会工程的象征：中国当代小说城乡对立主题的变奏     

张懿红 《甘肃高师学报》2008,13(1):50-56

运用符号学方法与詹姆逊“政治无意识”理论,考察建国后小说中城乡对立主题的一个表现：进城。经过细读《创业史》、《人生》、《平凡的世界》、《城的灯》等小说,发现爱情婚姻是解决进城问题的艺术途径,进城的道路上浮动着菲勒斯能指,它把城市与农村分别变成了被征服和被抛弃的女人。但同时小说作为社会象征性行为也历时性地昭示了渐进社会工程的进展,进城的道路在逐渐拓宽。  相似文献   

从符号学角度探讨广告的创意所在     

陈偲 《海外英语》2012,(15):227-228

在物欲纵流的商品社会广告成了必不可缺的手段,广告创造了一个又一个神话。对广告的探讨主要从符号学的角度解读,从语言内部系统分析广告发挥效力的机制,主要运用索绪尔、皮尔斯以及罗兰巴尔特的符号学原理。以期广告以符号学为理论指导,可以推陈出新,挖掘广告的创意。  相似文献   

符号对文学要素的颠覆:后现代主义文论的考察与反思     

范永康 《安庆师范学院学报(社会科学版)》2006,25(6):91-94

后现代文论思潮彻底颠覆了文学四要素所包含的传统文学观念,其策略是割裂符号与世界、能指与所指的关系,动摇传统哲学和文学理论的语言学基础。后现代文学理论具有明显的反现实主义、反人本主义、反文学意义、反文学性的弱点。  相似文献