全文获取类型
收费全文 | 9708篇 |
免费 | 227篇 |
国内免费 | 243篇 |
专业分类
教育 | 6464篇 |
科学研究 | 1631篇 |
各国文化 | 7篇 |
体育 | 415篇 |
综合类 | 558篇 |
文化理论 | 31篇 |
信息传播 | 1072篇 |
出版年
2024年 | 4篇 |
2023年 | 33篇 |
2022年 | 64篇 |
2021年 | 121篇 |
2020年 | 173篇 |
2019年 | 113篇 |
2018年 | 173篇 |
2017年 | 128篇 |
2016年 | 158篇 |
2015年 | 210篇 |
2014年 | 556篇 |
2013年 | 657篇 |
2012年 | 728篇 |
2011年 | 812篇 |
2010年 | 558篇 |
2009年 | 544篇 |
2008年 | 626篇 |
2007年 | 789篇 |
2006年 | 798篇 |
2005年 | 681篇 |
2004年 | 595篇 |
2003年 | 537篇 |
2002年 | 401篇 |
2001年 | 336篇 |
2000年 | 171篇 |
1999年 | 70篇 |
1998年 | 39篇 |
1997年 | 25篇 |
1996年 | 26篇 |
1995年 | 10篇 |
1994年 | 8篇 |
1993年 | 11篇 |
1992年 | 6篇 |
1991年 | 5篇 |
1990年 | 7篇 |
1989年 | 2篇 |
1979年 | 1篇 |
1976年 | 1篇 |
1957年 | 1篇 |
排序方式: 共有10000条查询结果,搜索用时 46 毫秒
71.
Rosario Llamas-Pacheco 《文物保护研究》2018,63(8):441-449
This article presents the intervention process carried out on a work of art created by artist Yolanda Gutiérrez Acosta, using a series of ephemeral materials such as butterfly wings and agave thorns. The work, an installation from 2002, is entitled ‘Efímeras’ (‘Ephemera’) and consists of 12 flowers mounted on acetate sheets and attached to the same with vinyl acetate copolymers and acrylic acid esters (Mowilith®). These flowers are installed on the floor in a bed of dried flowers. The conservation of contemporary art can lead to some previously unimaginable problems for restorers. Current works of art are somewhat material in nature, but they also have a conceptual dimension that is essential for their artistic interpretation. The artist’s participation in the decision-making process prior to the restoration was quite useful. The passage of time, its effect on the work, and the need to understand the possibility of the demise and destruction of the work were implicit as of the onset of its creation, such that, according to the artist, we are forced to reflect upon the possibilities of its future state. 相似文献
72.
73.
Jane Henderson 《文物保护研究》2018,63(5):108-112
ABSTRACTThis paper examines how conservators engage with uncertainty when creating preventive conservation strategies. It argues that by recognising contexts in which uncertainty will be encountered conservators can develop effective management strategies. A typology of uncertainty explores a range of categories of uncertainty, their experience in preventive conservation and identifies distinct approaches to manage them. Managing uncertainty may include acts of defining its parameters, exposing and resolving through communication or protecting from with contingency. Whatever approach is adopted it must be accepted that uncertainty cannot be avoided. It is important therefore to aim to live well with uncertainty and the paper advocates for preventive conservation applications of strategies recommended in health care for patients with life-threatening illnesses. These strategies include working on things that can be controlled, goal setting, acceptance and factoring in emotions. The ability to identify contexts in which uncertainty is inbuilt should trigger those concerned with preventive conservation to activate strategies developed for managing and living well with uncertainty. 相似文献
74.
75.
76.
ABSTRACTLight sensitive objects will fade on display. Collection managers and curators face the dilemma whether to spread fading over several similar objects or sacrifice one. This paper describes an experiment in which participants were asked how they would want to pass on a collection of seventeenth century hand-coloured maps to coming generations. Results show that while colour changes are hardly visible, both public and professionals do not perceive them as damage and prefer to spread fading. Once fading becomes clearly visible in all maps, the preference shifts to sacrificing one map. The tipping point lies around five just noticeable changes. This information can be used when selecting objects for exhibition. The outcome also implies it would be prudent to assess the degree of fading of much exhibited objects and consider whether and when to choose for a sacrifice strategy. 相似文献
77.
ABSTRACTLighting a cultural heritage artifact requires balancing visual perception with preventive conservation, by providing the best lighting (in terms of spectral distribution and quantity) to enable the viewer to appreciate details and color, while limiting photo-induced degradation. The paper outlines the methodology applied by a multi-disciplinary team while lighting the Shroud of Turin at its last public exhibition in 2015. The methodology considered the special requirements of the Shroud, including exposure to ultraviolet light, while providing appropriate display conditions that would meet audience expectations. The desired appearance (readability of the body image and color) was defined with the help of Shroud researchers and confirmed by subjective tests, while appropriate light levels for preservation were set in agreement with standard requirements and using knowledge of the degradation of linen in visible and UV light. The installation provided a controlled environment and a managed visitor route to the Shroud, assuring excellent perception of both details and color, with the lowest illuminance level about 15?lx. 相似文献
78.
79.
ABSTRACTWorking on preventive conservation in Italy is difficult but not impossible. After small successes and setbacks convincing museums to adopt elements of preventive conservation in the 1990s, the first author (Rossi Doria) was contracted for 15 years to preserve the historic carriages and associated objects of the Presidency of the Republic of Italy. This required patience to overcome or circumvent obstacles such as an inflexible bureaucracy and the absence of any formal recognition of preventive conservation within the educational and contractual systems for heritage conservation. The key factors in his success were the support of the curators, the financial and planning autonomy of the Presidency, and the obvious need for conservation and preservation of these elegant and complex objects. The program began in 2001 with the recovery of the forgotten collection from inappropriate storage in several locations. The entire collection was surveyed and recorded, not only the carriages but also thousands of harnesses, saddles, clothing, fabrics, weapons and memorabilia. Multiple preventive and interventive actions were undertaken, such as pest eradication for all sensitive materials, environmental surveys, and everyday maintenance, as well as complex treatments for the ornate carriages. Analysis by country of published articles on preventive conservation and of IIC membership both confirm that the topic is not as well established in Italy as in many other countries. Some reasons and solutions are proposed. 相似文献
80.
目前,学术界多开展引用动机和引文功能的相关研究,但对于引用偏好等引用行为却关注较少。基于Taylor的信息使用环境理论,本研究采用参考文献分析方法,全面揭示了施引者引用行为的特征和影响因素。研究将信息使用环境理论中的前三类要素分别通过学者特征、组织环境及论题进行定义,采用参考文献分析法提取第四类要素;随机抽取论文样本,针对上述四类特征进行编码并通过统计分析探讨影响施引者引用行为的因素。研究发现:学者的年龄、性别、教育水平、学术年龄、职业角色、职称、所属机构的类型和层次以及所从事的研究主题和类型,都能对质量、语种、数量、信息资源类型、论文新旧的引用偏好产生显著影响。研究表明:信息使用环境理论和参考文献分析法在引用行为研究中具有适用性。表4。参考文献47。 相似文献