全文获取类型
收费全文 | 14673篇 |
免费 | 257篇 |
国内免费 | 230篇 |
专业分类
教育 | 10525篇 |
科学研究 | 1699篇 |
各国文化 | 27篇 |
体育 | 1168篇 |
综合类 | 1073篇 |
文化理论 | 26篇 |
信息传播 | 642篇 |
出版年
2024年 | 4篇 |
2023年 | 43篇 |
2022年 | 158篇 |
2021年 | 254篇 |
2020年 | 246篇 |
2019年 | 193篇 |
2018年 | 123篇 |
2017年 | 125篇 |
2016年 | 168篇 |
2015年 | 360篇 |
2014年 | 861篇 |
2013年 | 792篇 |
2012年 | 1201篇 |
2011年 | 1310篇 |
2010年 | 959篇 |
2009年 | 939篇 |
2008年 | 1078篇 |
2007年 | 1248篇 |
2006年 | 1070篇 |
2005年 | 916篇 |
2004年 | 826篇 |
2003年 | 725篇 |
2002年 | 559篇 |
2001年 | 450篇 |
2000年 | 220篇 |
1999年 | 92篇 |
1998年 | 44篇 |
1997年 | 48篇 |
1996年 | 45篇 |
1995年 | 18篇 |
1994年 | 18篇 |
1993年 | 21篇 |
1992年 | 18篇 |
1991年 | 5篇 |
1990年 | 7篇 |
1989年 | 6篇 |
1988年 | 6篇 |
1985年 | 1篇 |
1977年 | 1篇 |
1957年 | 2篇 |
排序方式: 共有10000条查询结果,搜索用时 15 毫秒
91.
徐继存 《课程.教材.教法》2018,(12):73-79
教师不是任何教学价值的附属物,不是既定教学价值的分享者和发现者,而应是教学价值的创造者和实现者。当前,教学的价值自发主要表现为教学的价值游移、价值错位和价值虚无。多元教学价值的时代,教师需要明确教学的价值立场、增强教学价值的自信、积极推动教学的价值创造,从而铸造自己的人格,形成自由的个性,将教学提升到崇高的道德水准上,展现教师应有的德性之光。 相似文献
92.
积极阅读价值观对于形成健康科学的阅读行为和保持文化自觉、文化自信有着重要意义。文章通过分析积极阅读价值观的相关理论和阅读价值观存在的问题,探讨制约积极阅读价值观形成的因素,提出培养积极阅读价值观的路径,以期对积极阅读价值观的建构机制进行深入研究。 相似文献
93.
Nick Field 《Public Library Quarterly》2018,37(2):113-126
ABSTRACTLibraries worldwide have had to re-think their purpose and adapt to changing community needs and expectations. They are no longer simply repositories for old books. Rather, they are vital components of a community’s social and economic infrastructure that connects communities and fosters creativity and innovation. This paper explores the changing role of libraries—and public value organizations more broadly—in creating positive social, economic, and environmental outcomes for individuals and communities. 相似文献
94.
当前科学教育几种主要价值取向评析 总被引:1,自引:0,他引:1
LIU Ke-wen 《教育理论与实践》2007,(15)
20世纪中叶以来,科学技术的迅猛发展,引起了人们社会生活各个方面的极大变革。这种变革对中小学科学教育观念产生了极大的影响,进而导致科学教育的价值取向也随之发生了变化,概括起来目前主要有四种科学教育价值取向,即培养"英才"的科学教育价值取向、人本主义科学教育价值取向、STS教育价值取向和培养学生科学素养的价值取向。 相似文献
95.
Sophie Hope 《Cultural Trends》2016,25(2):74-86
ABSTRACTIn this article, I question practice as a research paradigm by exploring its position in relation to non-positivist qualitative methodologies. Frayling’s [1994. Research in art and design. Royal College of Art Research Papers, 1(1), 1993/4] distinctions between research into, through, and as (for) practice are expanded to explore overlaps between these approaches. I argue for the need to understand the nuances of different epistemologies and ontologies that underpin diverse disciplinary approaches to practice-research. This is done through an analysis of a selection of Arts and Humanities Research Council (AHRC)-funded projects to find out how they are using and/or embedding practice in the research process. The resulting Colour Wheel of Practice-Research illustrates a spectrum of positions of practice in relation to research, suggesting existing research paradigms are bursting at the seams and that the “disciplinary matrix” of practice might offers other ways of knowing. The reason I have chosen to focus primarily on AHRC-funded projects is because it explicitly states its support of “practice-led research” and that it “remains dedicated to this area of research”. This article aims to add to knowledge of how and why practice-research is of continuing interest to research councils, universities, and those identifying as practice-based/led researchers. 相似文献
96.
张〓彦 《广州体育学院学报》2016,(3):72-74
运用文献资料法等介绍笼式足球运动的起源、在我国发展的现状;阐述笼式足球在我国推广的价值,分析笼式足球在我国发展的策略.笼式足球运动起源于欧美足球发达国家,近年来在我国一些大城市发展迅速;笼式足球的推广和发展对我国校园足球、竞技足球和足球运动的普及有着积极的促进作用;笼式足球在我国的发展也需要社会和市场的力量,拓展群众基础,提升运动水平. 相似文献
97.
Arts policy has a longstanding relationship with the concept of “quality” and the ways in which organisations measure, evaluate and account for it. Culture Counts, an evaluation system and digital platform, compiles data from standardised evaluation surveys of different stakeholder groups – organisations, audiences, critics, funders and peers – and provides the means to compare and triangulate data in an accessible format. As a result, it claims to provide a more effective, democratic tool for quality measurement of art, which demonstrates the public value of funding [Department of Culture and the Arts, & Knell, J. (2014). Public value measurement framework: Measuring the quality of the arts. Perth: Department of Culture and the Arts.]. Through qualitative research with two consortia of organisations involved in Culture Counts pilot projects in Manchester, England and Victoria, Australia, we explore these claims, comparing the reception and promotion of the system in both countries and considering its potential incorporation into policy assessment frameworks and adoption within arts organisations’ existing evaluation capacities. 相似文献
98.
中国漆艺历史悠久,源远流长,是世界漆艺的源头,对世界漆艺产生了深远的影响。她有着“气韵生动的线”、“精彩绝艳的色”,是“宇宙生命的象征”和“上古东方的现代派绘画”;有着极强的防水、防蛀、防腐和装饰的实用价值。她品类繁多、用途广泛,具有极高的收藏价值。 相似文献
99.
自党的十七大提出积极探索用社会主义核心价值体系引领社会思潮的有效途径以来,学术界对此给予了极大的关注,并围绕着提出的必要性、有效途径和制度保障三个部分进行了广泛的研究,取得了丰硕的成果。但还存在着如:基础研究薄弱、宣传解读性成果较多;不同理论观点缺乏碰撞与争鸣等,这些问题还有待于进一步深化和拓展。 相似文献
100.
What values do theatre and dance hold for audience members? And how do these values differ between subsidised, amateur, and commercial performance? This paper addresses these questions through a survey of over 1800 spectators for theatre and dance in Tyneside in northeastern England, as well as a parallel set of focus groups, in the spring of 2014. These methods, which are designed for comprehensiveness and comparability, are being used across Europe by the Project on European Theatre Systems, a working group of theatre sociologists. Our research showed two sets of values which performances achieved; one was a common measure of performance quality, while the other described the values particular to subsidised work. This allows us to articulate both the general value of the arts and the particular values which subsidy (attempts to) facilitate. This has implications for both understandings of cultural value and for cultural policy, as the distinction between the two groups was not clean. We also found that amateur theatre participated in the same value system, but with an increased emphasis on loyalty and community cohesion. The paper concludes a methodological reflection on the use of quantitative methods in theatre studies. 相似文献