绿色生态的图书馆建筑   总被引：17，自引：0，他引：17  

陈虹涛 《图书馆建设》2007,(1):19-20,24

绿色生态建筑是21世纪建筑的主题。本文围绕绿色生态这一热点问题分析了图书馆建筑走向绿色生态的必要性和可行性，阐述了绿色生态图书馆建筑的设计方向和建筑原则，并以国内外绿色生态图书馆建筑的具体实践为例，探讨了绿色生态图书馆建筑当前的现状及今后的发展趋势。  相似文献   

广西高职文化创意产业人才培养体系探究     

岳德虎 《柳州职业技术学院学报》2010,10(3):34-38

阐述广西文化创意产业发展在政策、地域、民族传统以及品牌等方面的独特优势,分析了广西高职教育在文化创意产业方面的缺失。在此基础上,探讨了人才培养体系的构建。  相似文献   

Determining heterogeneous behavior for theater attendance   总被引：2，自引：1，他引：1  

Victoria Ateca-Amestoy 《Journal of Cultural Economics》2008,32(2):127-151

In this paper we propose and estimate a model of theater participation using the data contained in the 2002 Survey of Public Participation in the Arts from the USA, a dataset widely used to study the determinants of cultural participation. Our contribution relies on the use of an estimation technique that respects the count data nature of the attendance variable (number of theater performances that an individual attended) and allows for heterogeneous behavior. By using a Zero Inflated Negative Binomial Model, we can characterize two distinct behaviors for the observable attendance: a group of never-goers (who never participate) and a subpopulation that has a positive probability of attending. For this latter group, we can estimate the effect of certain personal variables on the probability of highest frequency. The results suggest that the proposed model is appropriate for estimating cultural participation.

Victoria Ateca-AmestoyEmail:

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透析甘肃地方传统文化品牌——兼论通备武艺宗师马凤图对中国武学的贡献     

张飞虎  张飞鹏 《搏击·武术科学》2009,6(2):16-18

在幅员辽阔的中国西北大地上，活跃着一支驰骛近百年的大型武术流派“马氏通备武艺”，它是甘肃的文化品牌之一。改革开放以来，它们立足西北，辐射全国，以它优良的自身品质成功走出国门，将金子般的光芒撒向全世界，成为引人注目的当代文化现象。文章对通备武艺的缔造者、实践者马风图先生的武学成就和贡献进行了系统阐述。旨在让社会进一步了解通备武艺，挖掘和创新以“通神达化，备万贯一；理象会通，体用具备”为宗旨的“通备”神韵，使之让它在和谐社会中惠之于民。  相似文献   

职业运动员文化教育现状浅析     

严红 《湖北体育科技》2007,26(4):468-469

当今社会的激烈竞争,给退役运动员的再就业带来很大影响,职业运动员的文化教育问题也成了人们最关心的问题,学与训的矛盾一直困扰着从事运动员文化教育工作的人.通过对职业运动员的文化教育现状的分析,为研究退役运动员再就业渠道提供参考.  相似文献   

The Future of Defunct Religious Buildings: Dutch Approaches to Their Adaptive Re-use     

Kirsten Velthuis & Dirk H. R. Spennemann 《Cultural Trends》2007,16(1):43-66

Across the Western world, membership in the established organized churches is on the decline with a concomitant reduction in the need for churches and church halls. As redundant and unused churches are the focus of vandalism and decay, owners and heritage managers are looking for options to adaptively re-use such buildings. This article reviews the literature on the re-use of churches in the Netherlands, which has long history of innovatively addressing the problems. The options available range from re-use for religious purposes by other denominations or faiths, to community use (multi-purpose, sport, music etc.), and private use, which can be either commercial or residential. The attitudes of the community and the original property owners play a major part in successful adaptive re-use. Because of its long history, the Dutch experience in adaptive re-use of religious buildings has much to offer heritage managers in other countries faced with this emergent management issue.  相似文献   

Training in culture: the case of aikido education and meaning-making outcomes in Japan and the United States     

C. Jeffrey Dykhuizen   《Int J Intercult Relat》2000,24(6)

This study investigated whether a relationship existed between instructional style and points of emphasis in the training context of the martial art aikido and the perceptions which practitioners of aikido generated for aikido-related concepts. The findings were gathered within and compared across aikido training settings in two cultures — Japan and the United States. Analysis of the quantitative and qualitative data gathered for this investigation revealed several potent differences between the manner in which Japanese and American aikido practitioners represented their understandings of aikido-related concepts. Differences in the manner in which aikido practitioners in Japan and the United States represented their understandings of aikido reflected the teaching emphasis observed in the respective cultures. It was concluded that aikido instructors represented the values of their own culture in the context of aikido training, and thus served as important mediating forces influencing the meaning which practitioners generated for aikido. An additional finding revealed that in neither culture were participants able to accurately represent how practitioners in the “other” culture structured their understandings of aikido. It was reasoned that both cultural groups generated faulty perceptions of how the “other” group understood aikido because they utilized a similar pattern of projection, using their own meanings of aikido to represent the understandings of practitioners in the “other” cultural group.  相似文献   

浅析六盘水地名的文化意蕴     

肖永凤 《六盘水师范高等专科学校学报》2007,19(5):13-16

贵州六盘水特殊的地理环境和历史文化背景,造就了六盘水境内乡镇村寨独特的名称。六盘水境内的乡镇村寨地名反映了这样的文化意蕴:一是六盘水地名反映其独特的山川地貌特征和人们的自然生产生活情况;二是反映少数民族迁徙和民族接触的历史遗迹;三是反映中华传统观念及社会文化心理;四是反映地方矿产资源或其他特产。  相似文献   

谈英、汉语的文化差异及翻译     

段仙惠 《临沧师范高等专科学校学报》2007,(2):82-84

英语和汉语都拥有大量的习语,但是英汉习语间却存在着很大的文化差异。作者从三个方面分析了英汉习语的文化差异,并且提出了英汉习语翻译常用的四种方法。为此英汉翻译时应重视英汉习语翻译。  相似文献   

Review on the characterisation of ancient stringed musical instruments varnishes and implementation of an analytical strategy     

Jean-Philippe Echard  Bertrand Lavdrine 《Journal of Cultural Heritage》2008,9(4):420-429

For the last 60 years, varnishes of ancient musical instruments, particularly stringed instruments of the violin family dating 17th and 18th centuries, have been analysed to establish their chemical composition and multi-layered structure. The objective was to rediscover the technology for making the varnish of esteemed Italian violins and to reconstitute it. This paper reviews the physico-chemical studies published on such varnishes and also focuses on a research project carried out since 2002 at the Musée de la musique in Paris. It aims to apply in a comprehensive way different non-destructive or micro destructive methods (Py-GC/MS, IR microscopy, SEM/EDX, EDXRF, synchrotron radiation-based techniques, …) to the study of a large and representative number of ancient varnished musical instruments from a museum collection.  相似文献