体医融合:操作层面的困境与出路     

贾三刚  乔玉成 《南京体育学院学报(社会科学版)》2021,35(1):29-35

目前,“体医融合”已被作为一项健康促进国策写入《“健康中国2030”规划纲要》,但操作层面的行动却十分缓慢,而这又与临床医生们缺乏积极的态度和行动有关。文章基于临床医生视角,从体制机制、观念理念、利益冲突、能力精力、人文精神等方面分析了 “体医融合”在操作层面上的困境及其临床医生“不作为”和“难作为”的原因,在对现实问题进行反思的基础上,提出了解决问题的方式、方法和政策建议。  相似文献   

SASW法在公路复合地基检测中的应用     

薛新华  张我华  刘红军 《科技通报》2006,22(5):689-693

介绍了瑞雷波法(SASW法)的基本原理与测试方法,并通过工程实例说明SASW法在公路复合地基加固深度的检测方面以及均匀性检测方面具有良好的应用效果。地基的承载力(包括复合地基承载力)往往难于确定,本文总结了利用瞬态瑞雷波法确定地基承载力的方法及瑞雷波速度与地基承载力的经验关系式,但该关系式具有一定的局限性、地区性,建议在以后的实践应用中仍需继续积累对比资料,不断补充修正。  相似文献   

1995-2005年利物浦大学医学史课程的发展     

梁燕 《复旦教育论坛》2007,5(2):89-92

利物浦大学在医学教育中勇于创新,1996年医学课程全面转为基于问题的学习（PBL）模式,这为医学史课程的开设提供了契机。作者介绍了过去十年中该校医学史课程的建设与发展历史,分析了影响教学实施的多方因素。  相似文献   

中文图书套录编目若干问题的探析   总被引：1，自引：0，他引：1  

章卫民 《大学图书情报学刊》2007,25(3):45-47,21

根据目前中文图书编目中套录数据的来源,针对套录数据中存在的一些问题,探讨了套录编目的优点,提出了具体的处理方法。  相似文献   

社会和谐是中国特色社会主义的本质属性   总被引：4，自引：0，他引：4  

谭运宏  徐耀东 《湖南师范大学社会科学学报》2007,36(3):45-48

社会和谐是科学社会主义理论对未来社会科学构想的本质诉求,是我党探索中国特色社会主义的不懈追求.社会主义和谐社会的核心价值观是以人为本,坚持以人为本和科学发展观,实行全面协调可持续发展,促进人的全面发展,实现社会和谐,是建设中国特色社会主义的本质要求.  相似文献   

论现代中国民族歌曲中五种主要情感美类型     

胡吟久  杨君武 《湖南师范大学社会科学学报》2007,36(6):116-120

音乐是非常擅长于表现情感的一门传统艺术.现代中国民族歌曲表现了我国各族人民丰富多采的情感,特别是爱国之情、乡情、亲情、友情和爱情这五类情感.表现这些情感的现代中国民族歌曲,在旋律、节奏、调式和情调等方面整体上呈现出各自不同的艺术特征,并给欣赏者带来各具特色的审美体验.它们并非互不相干和孤立自存,而是内在关联和彼此融合,并且在某些情形下一者向另一者转化.  相似文献   

普通话音节结构再分析——从韵律研究的角度     

叶军 《华东师范大学学报(哲学社会科学版)》2007,39(4):73-77,85

比较汉语音节结构传统分析与现代音系学分析的异同,可以根据语音学和音系学研究,在非线性音系学的框架内提出关于普通话音节分析的最简方案.亦即,普通话音节分为首音和韵两部分,首音包括传统分析中的声母和韵头(介音),韵包括韵核与韵尾,对应于传统分析中的韵腹和韵尾.介音不再被看作是音节中占有时段的实体,而是看作声母的特征.韵不管是只有韵核还是韵核加韵尾,都包含两个韵素,占两个时位.普通话音节均为包含两个韵素(莫拉)的长音节.  相似文献   

Xu Beihong and the New China: thoughts centered on the painting At the World Peace Congress     

Mo Ai 《Inter-Asia Cultural Studies》2016,17(3):435-455

This essay analyses a politically tinged painting by Xu Beihong (1895–1953), a representative modern Chinese painter. He composed the work in 1949, just before the founding of the People’s Republic of China, or the New China. In this article’s discussion of the perplexing work, the author attempts to unveil Xu’s understanding of revolution and of the relationship between art and politics, in relation to his difficulties in exploring and practicing art in the early Republic period (1912–1949). Based on this, the author discusses the painter’s mindset in the social and political context of the New China. She also tries to reveal that Xu’s art practices were restrained by the realities he was in – a crucial point to understanding his achievements and predicaments. As an artist who resisted the western modernism in the course of modernization, and who idealistically pursued the highest good and beauty through “realist” approaches and historical expressions, Xu’s predicaments interestingly reflect the complicated relationship between art and revolution in China’s road to modernization, and provide a foundation for further explorations into the core issues and the particularity of modern Chinese paintings.  相似文献   

Mandarin lessons: modernity,colonialism and Chinese cultural nationalism in the Dutch East Indies,c.1900s     

Siew-Min Sai 《Inter-Asia Cultural Studies》2016,17(3):375-394

The Chinese Association in the Dutch East Indies, known locally as the Tiong Hoa Hwe Koan (THHK) was first established in Batavia in 1900. A key objective of the THHK’s foundation was the creation of modern schools instructing in Mandarin for local Chinese students. At the turn of the 20th century, this odd choice of instructional language led to highly charged debates about languages, pedagogical efficacy, practicality, modernity-tradition and cultural authenticity. Using underutilized source materials in the local Malay-Hokkien vernacular, this article revisits these debates amongst the Chinese in the Dutch colony. This article interrogates the transparency of common ethnicity in analyses of Chinese nationalisms that developed outside of continental China. Drawing on the concept of “literary governance” as well as comparative work by scholars on Indian and continental Chinese nationalisms, it demonstrates the significance of the colonial context which provoked the THHK to adopt the vocabulary of modernity in reworking progressive ideas circulating in displaced Chinese nationalistic circles. Notwithstanding the THHK’s promotion of Mandarin, such reworking was accomplished through vigorous acts of transliteration and translation in the hybridized Malay-Hokkien vernacular. The THHK was hardly on the receiving end of nationalistic influences emanating from the proverbial China core but was an active agent in what has been described as a “global moment of Chinese nationalism.” The case of the THHK demonstrates the need for a finer understanding of multivalent histories of Chinese nationalisms as well as how these histories intersected with those of European colonialism in Southeast Asia.  相似文献   

The trajectory of the “Third World” in early modern Chinese thought     

Wang Xiaoming 《Inter-Asia Cultural Studies》2016,17(1):84-90

In this essay, I trace two aspects of the thought on the “Third World” in early modern China: how to understand the world revolution, and how to create a new China. While focusing on two trendy notions at that time, i.e. “Chinese revolution” (Zhongguo geming), and “nong country” (nongguo), I argue that the thought on the “Third World” in early modern China breaks free of the shackle of fashionable theories and draws upon local circumstances and China’s own repertoire of power when exploring an ideal of a new world. While the difficulty in confronting the “Third World” consciousness in today’s China is still overwhelming, the fact that we now remember “the spirit of Bandong” signals some progress.  相似文献