信息技术促进传统文化与校园文化融合策略研究     

张茜  杨玉强 《人天科学研究》2014,(4):4-5

校园文化建设对于大学生人文素养形成具有重要意义。有效利用信息技术如校园网、手机、互联网,促进传统文化与校园文化的融合,能够将传统文化中优秀的部分在高校中进行传播和发扬,有利于形成校园文化特色,促进传统文化的继承和发展。  相似文献   

浅析旅游文化概论的教学改革     

刘冬妮 《科教文汇》2014,(36):90-91

旅游文化概论是旅游管理专业的必需课程,具有实践性、复杂性、广泛性和大众性的特点。在具体的教学过程中,应该提高旅游文化概论课堂教学的艺术性;利用相关文学、艺术作品,扩展学生视野;采用多种教学方式,提高学生的学习兴趣和学习积极性;将讨论法和案例分析法引入教学中,拓展学生思路,培养学生分析问题和解决问题的能力;改革期末考核方式,将考试成绩和平时成绩相结合,推动教学的深入开展。  相似文献   

中小企业企业文化建设历程研究     

吴凯雷 《科技广场》2014,(1):181-186

本文首先介绍了企业文化的基本概念与层次,研究了我国中小企业企业文化建设历程和特点,并从多个方面分析了现今中小企业文化建设存在的问题,最后提出了几点改善中小企业文化建设的建议,以期为之后的相关研究提供借鉴。  相似文献   

我国轮胎出口的“贫困化增长陷阱”研究     

包媛媛 《科技与管理》2014,(1):62-68

我国轮胎产量和出口量位居世界第一,但出口价格低廉,贸易条件不断恶化,极有可能陷入"贫困化增长陷阱"。首先验证了我国轮胎出口已符合"贫困化增长"发生的前提条件。接着构建贸易条件、行业财富和经济福利等变量,实证检验我国轮胎出口"贫困化增长陷阱"的存在性。研究结果表明,我国轮胎出口尚未陷入"贫困化增长陷阱",但已存在贫困化增长趋势。从要素禀赋、全球价值链、比较优势陷阱等视角,分析轮胎出口呈现贫困化增长趋势的原因,最后提出相关建议。  相似文献   

南通推进外贸出口产业转型与升级的实证研究     

舒兵 《苏州市职业大学学报》2014,(1):52-56

南通外贸出口产业转型与升级已初见成效,但受国内外多重因素的制约和影响,出口产业转型与升级仍然任务繁重,形势紧迫。通过运用经济模型和出口竞争力指数等实证研究方法,分析南通外贸出口产业的发展特点和存在的主要问题,并就加快南通外贸出口产业转型与升级提出思考和建议。  相似文献   

全球华文教育视角下舞龙国际化发展的研究     

肖洪波  明华 《吉林体育学院学报》2014,(4):106-108

通过文献资料法、调查法、专家访谈法、逻辑分析法等研究方法就舞龙运动作为中华民族的特殊文化形象进行了介绍,分析了舞龙运动的发展现状,在全球华文教育视角下总结了其国际化发展过程中存在的问题,并提出了解决对策,阐明了舞龙国际化发展的重要意义,就如何在全球华文教育视角下推动舞龙国际化发展进行了深入的研究。  相似文献   

徽商与戏曲文化的传播——以徽商对青阳腔形成及流播的影响为例     

祝中侠 《池州学院学报》2014,(5)

商品经济的发展是文化艺术发展的重要前提,本文以安徽第一代地方戏曲声腔青阳腔的形成和流播为例,论述了明清徽商对戏曲文化的形成和流播所产生的重要影响。青阳腔是江西弋阳腔在徽商影响下流播于皖南青阳一带的产物,青阳腔兴盛之际又伴随着徽商的脚步而风行天下,成为"南北时尚"。  相似文献   

Measuring creativity: A case study in the UK's Designer Fashion sector     

Dr Anne Creigh-Tyte 《Cultural Trends》2005,14(2):157-183

Since before the 1997 General Election, New Labour has repeatedly emphasized the importance of the creative industries in underpinning the national economy and as an engine of economic growth. The Creative Industries Task Force Mapping Documents of 1998 and 2001 sought to define and quantify in broad terms economic activity across 13 distinct creative industries. More detailed estimates have been published by the Department for Culture, Media and Sport (DCMS) in successive annual Creative Industries Economic Estimates.

An assessment is provided of the way in which the creative industries have been measured using the Office of National Statistics' Standard Industrial and Standard Occupational classifications (SIC and SOC). These classifications have themselves been revised since the early 1990s, and further revisions are in prospect from 2007. In this analysis particular focus is given to the ‘Designer Fashion’ sector, illustrated by a number of tables and data analyses.

These actual and proposed revisions have helped in documenting the rapidly emerging creative industries, which have reportedly grown at two to three times the rate of the UK economy as a whole. However, as the Regional Culture Data Framework published in 2002 records, serious problems remain in providing valid assessments of the creative industries sectors from ‘official’ published sources, even for the UK as a whole, let alone at the regional level emphasized by the Regional Culture Data Framework's regional sponsors. In any case, often the ‘scaling factors’ applied to official SIC codes to define creative industries appear arbitrary.

Many of the Regional Culture Data Framework's recommendations, notably the adoption of a more comprehensive ‘supply-chain’ approach to documenting the cultural sector, make further demands upon the existing official structural classifications and the data bases underpinning them. Even where all elements in the ‘supply chain’ are well documented, there are still questions about the validity of this approach. For example, should wholesale and retail distribution of creative industry products be regarded as part of the ‘Cultural Cycle’?

In conclusion, it is suggested that the ‘official’ data has marked limitations in documenting the creative industries and does not realistically or adequately capture the more interesting and dynamic elements of an industry like ‘Designer Fashion’. This is disappointing in a context where central government has placed increasing emphasis upon evidence-based policy to support the development of the creative industries, and where the British ‘Designer Fashion’ sector has lamented the lack of central support in comparison with the French or Italian industries. It is suggested that a more customized approach to collecting data about the creative industries is needed if the results are to usefully inform the further development and profile of these sectors.  相似文献   

The relationship between cultural intelligence and performance with the mediating effect of culture shock: A case from Philippine laborers in Taiwan     

Angela Shin-yih Chen  Yi-chun Lin  Airin Sawangpattanakul   《Int J Intercult Relat》2011,35(2):246-258

This purpose of the present study was to explore the role of cultural intelligence (CQ) and its effect on performance of foreign laborers. We also examined the mediating effect of culture shock on the relationship between CQ and performance. Data were collected from Philippine laborers working in Taiwan. A paper-based survey, with a return rate of 76.4%, was completed by 382 Philippine laborers working in Taiwan's manufacturing industries. The results showed that CQ was positively related to the performance of Philippine laborers and negatively related to culture shock. In addition, we found that culture shock partly mediated the relationship of CQ and performance. These findings suggested that CQ can serve as a predictor for cross-cultural effectiveness. Implications for practice and direction for future research are offered.  相似文献   

游氏武术文化研究     

范维  牟连红  王波 《搏击·武术科学》2011,8(2):20-21,25

游氏武术是集僧门、岳门、赵门、杜门、自门、化门、裘门等各大武术门派之精华为一体,通过不断的改进创新,逐渐形成拳术精湛的地方性综合拳种,有八段锦、达摩劲功、少林虎爪拳、僧门拳、五禽戏、蛇矛枪、十八投唐棍等,其文化具有浓郁的传统性、健身性、地域性。游氏武术作为赤水河流域非物质文化遗产项目,对推动赤水河流域旅游产业、民族体育文化、竞技运动以及全民健身活动的蓬勃发展有着非常重要的作用。  相似文献