Exploring a new silent test of phonological awareness     

Tractenberg  Rochelle E. 《Reading and writing》2001,14(3-4):195-228

This is the preliminary study of a test of phonologicalawareness which does not require that subjects speak or hear toparticipate. The test was designed to minimize memory loads, and tomeasure speeded written naming and segmentation-by-sound. Spelling datacan also be collected. Subjects have 45 seconds to name items in each oftwo sets of line drawings. The average frequency of the names variesacross these sets. In the third set, subjects must name the items, andalso segment the written names into their constituent sounds. This taskwas administered to disabled and normally-reading adults, with twocommon tests of phonological awareness. The new test discriminatedbetween the readers as reliably as the benchmark tasks, correlating witheach better than they correlated with each other. The new test was thenadministered to deaf adults, who performed similarly to the disabled(hearing) readers. The data represent the first direct demonstration ofphonological abilities in deaf subjects, using a task designedspecifically for that purpose.  相似文献   

中国古代诗学批评中的诗"媚"论     

何世剑 《安徽广播电视大学学报》2007,(3):93-97

"媚"是古代诗学批评的重要审美范畴,它既代表着诗家的美学旨趣和审美品格,也体现出文体规范转变.中国古典诗学批评中的诗"媚"论,经历了三个阶段:大致孕育和衍化于唐前,"媚"由品人论物扩展到谈文论艺,但诗评视野中,"媚"审美概念运用却不甚普遍;唐宋时期,"媚"开始较为集中地出现在诗歌批评和理论阐说中,"媚"的审美内涵和美学特征得到了较为详细的论说,被真正确立为诗学审美范畴;金元时期,"媚"得到了很好地承传,明代"媚"走向兴盛,许多诗家以"媚"对抗雅正、清远、韵淡等传统审美趣味,清代朴学大兴,理性的清人能辩证对待"媚"诗,肯定了诗史上有不少媚诗甚有美感,同时又批判了媚诗的柔弱,缺乏气骨,格调整体不高.  相似文献   

Dreaming the Unstable Wings of Desire: Unseen,Educational Bruisings and The Elusive Self of Literature     

David Lewkowich  Jillian Pasieka 《Changing English: An International Journal of English Teaching》2017,24(1):24-33

When it comes to education, the dream cannot be controlled by the strictures of language or the conscious mind, and in its insistently disobedient character, is unwilling to submit to the demands of a deliberate and conscious curriculum. Indeed, we might say that what dreams represent is the absence of education itself, and a mobile energy antithetical to a fantasy of smoothly functioning teaching. In this article, we approach the question of dreaming’s place in education through two intertwined lenses: the conceptual and the literary. First, we intersperse throughout our paper excerpts from an untitled fictional narrative about a group of students who become progressively more beaten up, and whose teacher is unable to see their bruises, as they embark on the precarious task of expressing their dreaming, creative selves. We also turn to psychoanalytic theory (and, in particular, Thomas Ogden’s theory of dream thinking) to discuss the significance of the impenetrable nature of the dream, and ask how such qualities of unrepresentability might challenge our desires for answerable questions and legible answers. We end this piece with a recognition of the ways in which shared experiences of reading and writing may also support a place for dreams.  相似文献   

自铸伟词字字本色 --谈关汉卿杂剧的语言特色     

章可敦 《台州学院学报》2002,24(1):23-27

关汉卿为元杂剧代表作家,他创作的社会剧、爱情婚姻剧和历史剧,独具语言特色:鲜亮活泼,明白如话,曲尽人情,字字本色。关汉卿如话本色的语言,缘于他不以倡优为耻且长期生活在勾栏、行院和书会里,和下层人们生活在一起,成为名副其实的民间艺人,对下层艺人的活动、行为、语言都有着极丰富的感性经验,是真正的“梨园领袖”、“编修师首”和“杂剧班头”。  相似文献   

宋代楚辞研究概述     

王莹 《大连大学学报》1995,(1)

宋代楚辞研究上承汉代,又受到当时诗文革新运动和理学思想的影响、呈现出浓重儒学色彩。宋代的楚辞研究更重视义理的阐发。比较重要的研究者有晁补之、洪兴祖、朱熹等。  相似文献   

语篇理解策略在英语阅读教学中的应用     

祝丹 《黑龙江教育学院学报》2007,26(10):139-141

阅读在英语学习中占有重要地位,但语篇教学则长期被英语学习者、教学者忽视。语篇理解是英语阅读的重点和目标,应根据学习者具体情况提出相应的语篇理解策略,并运用于英语阅读教学与实践中。  相似文献   

《文学：诗意语言》再商榷     

郭文成  周琳 《娄底师专学报》2007,(5):47-49,70

彭富春先生的《文学：诗意语言》一反传统文学探讨的模式，在中西思想的边界上深思了文学的本性，这对哲学以及文学均有重大意义。同时，在当下如何真正走向文学自身，从而建构现时代的精神家园？这正是彭富春先生思想的苦心所在。  相似文献   

贾谊《诗》学寻踪   总被引：2，自引：0，他引：2  

刘跃进 《周口师范学院学报》2003,20(1):48-53

根据新近出土文献,分析了贾谊引用《诗经》与四家诗的异同,注意到贾谊说《诗》以“雅”,“颂”为主的事实,说明贾谊的《诗》学继承了春秋官学中“以诗为教”的传统。  相似文献   

Beginning reading strategies in children experiencing contrasting teaching methods     

Paul Timothy Sowden  Jim Stevenson 《Reading and writing》1994,6(2):109-123

Two groups of 4.5–5.5 year old children in their first year at school were examined; one taught by a whole word teaching method and one taught by a mixed whole word and phonological teaching method. The children were given a test to investigate their reading of normal words. The results of this test were subjected to a detailed error analysis and the two groups were examined in order to see if there were differences in the reading strategies they used. No evidence was found counter to the assumption that reading begins with a logographic stage. However, it was found that teaching method was having a significant impact on the reading strategies which the children adopted. In addition it was found that a number of children from the whole school appeared to exhibit letter by letter reading. This suggests that letter by letter dyslexia might in part be an extreme form of a strategy used by normal readers.  相似文献   

通感视野下的语文审美阅读教学研究     

周伟华 《丽水学院学报》2007,29(1):106-109

在通感视野下进行审美阅读,培养学生的艺术审美能力和情感表现力,通过体验情感美,拓展想像力,徜徉意境美中去倾听人的生命、关注人主体,从而丰富学生的心灵体验,进而丰富、健全人的感觉,使生命在通感审美中诗化,使人诗意地栖居于大地.  相似文献