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11.
通过对创新教学的深入分析,提出在现实学校体育教学中,应实施以培养创新型人才为目的的创新教育。在新的教育理念指导下,设计了创新体育教学模式,并在实际教学中予以贯彻实施,结果表明,新模式在引导学生体育学习兴趣、端正其体育价值观,树立正确的学习目的三方面均呈现出与传统教学不同的教学效果。  相似文献   
12.
体育教学与学生创新能力的培养   总被引:13,自引:0,他引:13  
许德顺 《体育学刊》2002,9(6):100-101
从创新能力形成与发展的理论,阐述体育教学中创新能力的培养基本方法与途径。  相似文献   
13.
改革基础化学实验教学培养学生实践能力   总被引:2,自引:0,他引:2  
曹静 《辽宁高职学报》2004,6(5):112-114
实验教学改革是高等职业技术教育教学改革的重要环节,改革的目的是培养学生实践能力和创新精神,以适应时代的发展。针对传统实验教学体系存在的主要问题,提出基础化学实验教学改革的方向和具体措施。  相似文献   
14.
体育新闻专业研究生创新能力培养研究   总被引:1,自引:0,他引:1  
从建立“创新型国家”和现代知识经济社会对人才综合素质的需求出发,提出在研究生教育中为了构建他们的科研创新能力,应当以“研究”为主线,在教学中应当实行五个“结合”:课堂专业教学与大量文献资料信息的收集、整理和应用结合;应用研究与分析、解决社会重大问题结合;科研方法研究与重要课题研究结合;传统教材的学习、继承、应用与拓展、批判、创新结合;新闻业务实践与硕士论文研究结合。  相似文献   
15.
数学教学不仅要重结论,更要重过程。"惑"作为教学的出发点,不直接展示结论,而是通过恰当地设置问题情境,提出带有启发性和挑战性的问题——让学生生惑,为学生提供动手、动脑的机会,引导学生运用观察、分析、综合、归纳、抽象概括、类比、猜想等方法去研究、去探索、去解惑,充分地让学生学会"数学地思考"。  相似文献   
16.
本文通过对多媒体教学及创新思维的简析,并在结合多年的教学实践经验的基础上,探讨了在多媒体教学手段广泛应用的现代教学环境下,如何培养大学生创新思维的几点思考。  相似文献   
17.
Theorisation of culture is often absent from research on production in the creative and cultural sector. Further, cultural production has been largely untouched by the insights of the cultural economy approach. Culturalisation is a means of addressing the question of what constitutes culture and thus a cultural (economy) approach. It is the process by which culture and cultural production combine in the ‘operationalisation of the real.’ Culturalisation underpins much scholarship in this journal by posing the (economic) real as a problem of definition in order to illustrate the operations involved in its temporary resolution. The implications of this position need further addressing. There is a feedback between culture as a problem of definition and a cultural approach. Devices can interrogate the relationship between processes of cultural definition and the conceptual parameters of a cultural economy approach. Workshopping, projects and events are put forward as cultural devices emerging from a 10-month ethnography of literary performance in Bristol, England. This illustration shows firstly, how culturalisation occurs in a designated cultural sector to contingently realise culture; and secondly, the implicit logic of cultural economy as culturalisation, typified by the device as method, so as to open a debate concerning its implications.  相似文献   
18.
Within creative industries policy, two themes have been situated as central to the needs of the creative economy: the economic importance of place and the role of education in delivering a better-equipped workforce. However, these themes have rarely overlapped in either policy thinking or academic research, and so this article focuses on the relationship between place, education and professional aspirations for young people. Using the findings from qualitative interviews with media studies students within higher education (HE), this article analyses how the perceived attributes of some locations may provide industry credibility and the promise of enhanced professional mobility. It examines the tangible and symbolic value of place within young people's career development in the creative industries. The findings highlight how the links between place and education can influence the professional process, and how place shapes young people's perceptions of and opportunities for work in the creative industries. Finally, this research emphasises how current theories on creative industries policy and HE provision need to be extended to take greater account of the ways in which the attributes of localities can be used as a catalyst for individual professionalism amongst young people, and the ways in which certain places (mainly rural) may be disadvantaged in the current policy trajectory.  相似文献   
19.
This article takes as its focus Lefebvre's trialectic of conceived, perceived and lived spaces as a lens through which to scrutinise the 2013 English Literature Curriculum, and to explore the extent to which creative spaces might exist within that curriculum. The article analyses how the curriculum is envisaged by policymakers and how it might be expected to be translated into practice, utilising the wording of the policy document to facilitate an exploration of what its underlying intentions might be. The author's experience of teaching a poem from the new curriculum is used in order to provide illustrative examples of the ways in which teachers’ and learners’ experiences of the curriculum might, in practice, diverge from the direction envisaged by policymakers as teachers negotiate creative spaces within their classrooms.  相似文献   
20.
Focusing on the creative writing of Year 6 boys as they make the transition to Year 7, this article establishes a theoretical model for creative writing as response. In line with Bakhtin's notion of utterances as ‘interpersonal’ (1986), the model demonstrates the complexity of creative writing – the text is influencing of and influenced by an author's participation in ‘figured worlds’ (Holland, Lachicotte, Skinner and Cain 1998), but also influencing of and influenced by future respondents. This article suggests that ‘weaker framing’ (Bernstein 2000) in creative writing pedagogy has the potential to alter boys' identities and refigure their worlds.  相似文献   
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