文化功能视角下江口“金钱杆”的发展逻辑研究     

陈伟 《中华武术(研究)》2021,(1):119-121

文化功能也就是"出之于人,归之于人",江口土家族"金钱杆"起于秦末时期的西楚霸王,形于族人生产生活实践中。经过研究发现,"金钱杆"是具有彰显土家族文化的独特符号、"常"与"非常"之间转换的独特节点、教化孩童的重要载体以及增强体质的独特途径的少数民族传统体育活动。本研究主要探求"金钱杆"发展逻辑,旨在为"金钱杆"的传承和发展提供有益的指导。  相似文献   

No harmless child labor: The effect of child labor on academic achievement in francophone Western and Central Africa     

《International Journal of Educational Development》2021

This study empirically examines the effect of child labor on academic achievement in 10 francophone Western and Central African countries. The data were taken from the Programme d’Analyse des Systèmes Educatifs de la CONFEMEN and comprised characteristics of 25,288 grade six students across 1803 schools. Two-stage least squares analysis highlights that child labor undermines academic achievement regardless of subject, gender, and age. It lowers reading and mathematics scores for both genders and for children under 12 and over 13 years. Child labor therefore hinders human capital accumulation in African countries, and it takes place at the cost of future prosperity.  相似文献   

公共文化服务大数据集成架构设计研究   总被引：1，自引：0，他引：1  

化柏林  赵东在  申泳国 《图书情报工作》2020,64(10):3-11

[目的/意义] 针对当前各图书馆、文化馆等公共文化服务机构的多源异构数据，设计出一套行之有效的集成架构。[方法/过程] 在充分分析公共文化大数据资源的基础上，对公共文化服务大数据的类型与分布进行分析，结合公共文化服务大数据的应用场景，设计公共文化大数据集成的架构。[结果/结论] 提出一个由数据来源层、系统集成层、数据融合层、存储层、应用层五个层次构成的公共文化服务大数据集成架构，并对其中的采集、存储等关键技术进行研究。  相似文献   

CBA球员球场暴力行为的归因研究与治理省思 ——基于互动仪式链视角     

买器 《河北体育学院学报》2020,34(3):37-41

运用文献资料法和逻辑分析法，以互动仪式链理论为视角，从文化资本互动与情感能量互动两方面对CBA球场暴力行为的发生机制进行研究。指出，赛前与赛中的互动仪式相互联系，赛前不良的互动仪式会将负向的情感能量带入比赛，使共享情感破裂，产生球场暴力现象。球员个体间情境互动会过渡到球队群际间，暴力行为会通过互动仪式链不断扩散到其他球队。比赛中双方都存在冲突性紧张，谁能抢占情感能量主导权谁就会在博弈中占据优势地位，处于压制的一方将转化为恐惧感。恐惧与冲突性紧张塑造了暴力情景，导致了球场暴力行为的发生。提出，应规范球员行为表现，防止球员暴力惯习的形成；加强球队球员间的沟通交流，修复断裂的互动仪式链条；注重裁判执裁能力建设，维持现场球队双方情感能量的平衡；营造有序的观赛环境，激发球迷潜在的道德情感。旨在为CBA健康有序发展提供建议与参考。  相似文献   

立德树人背景下高职英语教学中“以文化人”实践探究     

陈坤  葛小竹  赵荃 《安徽职业技术学院学报》2020,(1):5-8

文章基于立德树人的时代背景,分析高职英语教学中提升学生人文素养的必要性和紧迫性,通过建立高素养教师队伍、挖掘教材中的人文内涵、拓展第二课堂,采取"以文化人"贯穿教学全过程的方式,探索提升学生人文素养的有效途径。  相似文献   

Working as a real estate agent. Bringing the clients in line with the market     

Eliza Benites-Gambirazio 《Journal of Cultural Economy》2020,13(2):153-168

ABSTRACT

Drawing on ethnographic observations and interviews, this paper examines the market work performed by real estate agents in a residential market. The research explores how agents are engaged in market work to sell themselves, the market and the products in order to sell houses. Agents first invest in the clients by self-presentation techniques (likeability, availability, appearance, taste). They also work to bring the clients in line with the market by making them accept the market and its hierarchies; and finally, they enable clients to conform with the market, by relying on prices as signals and taste hierarchies. They act as market devices contributing to market valuation as they are engaged in making residential choices emerge, balancing the cold reality of the market with warm relationships to foster clients' engagement in transactions.  相似文献   

Between Policy and Practice: Archival Descriptions,Digital Returns and a Place for Coalescing Narratives     

Sharon Huebner  Stella Marr 《档案与原稿》2019,47(1):113-130

ABSTRACT

The Strathfieldsaye Estate collection at the University of Melbourne Archives is discussed in relation to recognising, protecting and reclaiming Koori (First Peoples of southeast Australia) heritage. The settler collection includes early 1900s photographs of Koori people within two distinct albums – a family album that includes a series of studio portraits of Koori adults and children, and an album depicting Koori families on Ramahyuck Aboriginal Mission Station. In the past, these albums have been defined by, and limited to, traditional archiving practices excluding Koori interpretation, authorship and social context. Restoring Koori ownership and authorship of intangible heritage plays a large part in consolidating ancestor photographs with Koori perspectives of identity and culture.  相似文献   

The work of the audience: visual matrix methodology in museums     

Lynn Froggett  Lizzie Muller  Jill Bennett 《Cultural Trends》2019,28(2-3):162-176

ABSTRACT

Visual matrix methodology has been designed for researching cultural imaginaries. It is an image-led, group-based method that creates a “third space” research setting to observe audience groups re-enacting lived experience of an event or process that takes place in the third space of a cultural setting. In this article, the method is described through its use in relation to an art-science exhibition, Human+ Future of the species, where three audience groups with investments in technology worked with exhibition material to achieve a complex ambivalent state of mind regarding technological futures. The visual matrix has been designed to capture the affective and aesthetic quality of audience engagement in third space by showing what audiences do with what is presented to them. We argue that such methodologies are useful for museums as they grapple with their role as sites where citizens not only engage in dialogue with one another but actively re-work their imaginaries of the future.  相似文献   

The ‘Leeds Lake District’: Water Supply,Rural Environment,and the Cultural Landscape in Victorian and Edwardian Britain     

Andrew McTominey 《Cultural and Social History》2019,16(5):561-579

ABSTRACT

This article highlights the benefits of cultural readings of the environment by showing how the reservoirs of the Washburn Valley, built by the Leeds Corporation between 1869 and 1879 and vital sources of potable water for the urban population, altered the area’s cultural landscape. An examination of Leeds-based newspapers and locally published guidebooks will show how the reservoirs positively affected Romantic depictions of the area, whilst the use of the phrase ‘the Leeds Lake District’ fabricated a sense of civic pride between the town and its hinterland, an area positively affected by the implementation of urban engineering.  相似文献   

体育非物质文化遗产利益相关者及政策启示     

王力  汤立许 《武汉体育学院学报》2019,53(1):62-68

如何辨别和协调相关者利益，成为非物质文化遗产保护与可持续发展的一个现实问题。通过实地调研，以"利益相关者理论"研究视域，辨析体育非物质文化遗产利益相关者的类别。研究表明：体育非物质文化遗产各主体因角色不同，利益出发点和关注点不同，文章提出以责任、诉求和能力三个维度，将体育非物质文化遗产利益相关者划分为核心、蛰伏以及边缘三类利益相关者，并对利益相关者管理提出了若干思考，以期为我国非物质文化遗产的继承与发展，提供理论指导与实践支持。  相似文献