The Impact of More,Better, Faster,Cheaper: How the PCC Influenced Everything That Followed     

Carol G. Hixson 《Cataloging & classification quarterly》2020,58(3-4):294-302

Abstract

The beginnings and the early years of the Program for Cooperative Cataloging (PCC) had a profound impact on the approach taken to cataloging in North America and around the world. The commitment to standards, cooperation, and expanded access also had an impact that went far beyond cataloging operations. One library dean traces the evolution of her vision and contemplates how the PCC’s principles have shaped her entire career and have affected the libraries in which she has worked.  相似文献   

传统的创造性转化——论徐棻《田姐与庄周》的改编特色     

陈丽芬  申燕 《扬州教育学院学报》2020,(1):21-24

徐棻、胡成德同志所创编的川剧《田姐与庄周》,改编自传统剧目《大劈棺》,被称为“化腐朽为神奇”的一出好戏。川剧《田姐与庄周》的成功改编是运用现代意识重审的方法来获得主题新生,以纵向开掘人性深度的方式来达成人物形象的重塑,在横向借鉴其他艺术形式手法的同时固守自身剧种特色等手段来实现传统文化的现代转换,《田姐与庄周》的成功改编为戏曲改革的深入发展提供参考。  相似文献   

离岸集装箱码头新装卸工艺模式下陆域集疏运堆场堆存空间分配     

杨晓斌  余思勤  沈一帆 《上海海事大学学报》2020,41(4):8-14

离岸集装箱码头因其岛屿面积限制，难以通过扩建码头内部堆场增加吞吐能力。为解决这个问题，提出一种离岸集装箱码头新装卸工艺模式。新装卸工艺模式是通过在离岸集装箱码头附近的陆域地带建设陆域集疏运堆场,与离岸集装箱码头进行协同装卸作业的模式。陆域集疏运堆场堆存空间分配的目标是满足离岸集装箱码头装卸作业预翻倒要求;单批次输送集装箱的量受到陆岛运输最大通行能力限制。根据上述目标与特点，构建新装卸工艺模式下陆域集疏运堆场堆存空间分配模型，并设计蒙特卡洛树搜索算法进行求解。通过算例分析验证模型的有效性。结果表明该方法能够满足陆域集疏运堆场堆存空间分配需求并提高离岸集装箱码头的吞吐能力。  相似文献   

我国大学生高水平排球队空间分布特征及影响因素研究*     

马茂森    李毅钧  张〓兵  杨玲 《广州体育学院学报》2020,(5):78-84

利用核密度分析、巴雷托截取法和多元回归分析等方法，对我国大学生高水平排球队空间分布特征和影响因素进行分析。主要结论有：大学生高水平排球队的数量呈波动上升趋势；在规模结构上，大学生高水平排球队数量规模的省际分布呈现倒“金字塔”结构，而配比规模的省际分布呈现“金字塔”结构，且极不平衡；在空间格局上，具有显著的区域差异，表现出东部区域较多；在集聚特征上，大学生高水平排球队主要分布在直辖市和省会城市，主要集聚在京津翼地区和长江流域，其他地区比较分散；在空间竞技实力上，具有显著的区域不平衡性，呈现“南弱北强”的特征；影响大学生高水平排球队空间分布的主要因素有高校招生条件、本科院校数量、经济发展实力和体育发展水平。  相似文献   

The work of the audience: visual matrix methodology in museums     

Lynn Froggett  Lizzie Muller  Jill Bennett 《Cultural Trends》2019,28(2-3):162-176

ABSTRACT

Visual matrix methodology has been designed for researching cultural imaginaries. It is an image-led, group-based method that creates a “third space” research setting to observe audience groups re-enacting lived experience of an event or process that takes place in the third space of a cultural setting. In this article, the method is described through its use in relation to an art-science exhibition, Human+ Future of the species, where three audience groups with investments in technology worked with exhibition material to achieve a complex ambivalent state of mind regarding technological futures. The visual matrix has been designed to capture the affective and aesthetic quality of audience engagement in third space by showing what audiences do with what is presented to them. We argue that such methodologies are useful for museums as they grapple with their role as sites where citizens not only engage in dialogue with one another but actively re-work their imaginaries of the future.  相似文献   

How and why are educators using Instagram?     

《Teaching and Teacher Education》2020

Social media are commonplace in many educators’ lives, but their Instagram activities have received no prior attention in the empirical literature. We therefore created and disseminated a survey regarding educators’ Instagram use. Analyses of 841 responses suggested participants were generally intensive users of Instagram who engaged in the exchange of both professional knowledge and wisdom, as well as affective support. In addition to identifying benefits to Instagram use, some participants offered critiques of Instagram’s professional utility. We discuss the implications of these findings for educators’ work in a digital era and the future of research on educators’ social media activities.  相似文献   

对全民健身战略背景下健身走运动推广的必要性研究     

张杰 《体育科技文献通报》2020,(4):159-160

本文以户外健身走运动为研究对象,运用文献资料法、访谈法、问卷调查法、数理统计法等方法,以全民健身为背景研究健身走运动的起源、发展、特征、价值、意义、注意事项以及发展存在的困境,进而对我国健身走运动的发展前景进行展望,为参与者提供科学锻炼的理论依据。  相似文献   

Can a non-Muslim Mass Shooter be a “Terrorist”?: A Comparative Content Analysis of the Las Vegas and Orlando Shootings     

Mohamad Hamas Elmasry  Mohammed el-Nawawy 《Journalism Practice》2020,14(7):863-879

ABSTRACT

This study used the 2017 Las Vegas and 2016 Orlando mass shootings as case studies to explore alleged double standards in reporting of events featuring Muslim and non-Muslim mass perpetrators of violence. The study used framing theory and content analysis to examine Los Angeles Times and New York Times coverage of the shootings during the one week immediately following each event. Findings are consistent with previous literature and the researchers’ expectations. The Orlando shooting, carried out by a Muslim, was allotted more coverage despite the fact that it produced nine fewer fatalities than the Las Vegas shooting, perpetrated by a white non-Muslim. The analysis also showed that the examined newspapers were more likely to employ a “terrorism” frame in their coverage of the Orlando shooting than in their coverage of the Las Vegas shooting; link the Orlando mass shooting with the global war on terrorism; and to humanize Stephen Paddock, the white perpetrator of the Las Vegas shooting. Framing differences found in this study may contribute to downplaying the threat of white male gun violence, and to reinforcing fears of Islam and Muslims.  相似文献   

The biomechanical characteristics of high-performance endurance running     

Stephen J. Preece  Christopher Bramah  Duncan Mason 《European Journal of Sport Science》2019,19(6):784-792

The biomechanical profile of high-level endurance runners may represent a useful model that could be used for developing training programmes designed to improve running style. This study, therefore, sought to compare the biomechanical characteristics of high-performance and recreational runners. Kinematic and kinetic measurements were taken during overground running from a cohort of 14 high-performance (8 male) and 14 recreational (8 male) runners, at four speeds ranging from 3.3 to 5.6?m?s^?1. Two-way ANOVA analysis was then used to explore group and speed effects and principal component analysis used to explore the interdependence of the tested variables. The data showed the high-performance runners to have a gait style characterised by an increased vertical velocity of the centre of mass and a flight time that was 11% longer than the recreational group. The high-performance group were also observed to adopt a forefoot strike pattern, to contact the ground with their foot closer to their body and to have a larger ankle moment. Importantly, although observed group differences were mostly independent of speed, the tested variables showed a high degree of interdependence suggesting an underlying unitary phenomenon. This is the first study to compare high-performance and recreational runners across a full range of kinematic and kinetic variables. The results suggest that high-performance runners maintain stride length with a prolonged aerial phase, rather than by landing with a more extended knee. These findings motivate future intervention studies that should investigate whether recreational runners could benefit from instruction to decrease shank inclination at foot contact.  相似文献   

Culturalisation and devices: what is culture in cultural economy?     

Lizzie Richardson 《Journal of Cultural Economy》2019,12(3):228-241

Theorisation of culture is often absent from research on production in the creative and cultural sector. Further, cultural production has been largely untouched by the insights of the cultural economy approach. Culturalisation is a means of addressing the question of what constitutes culture and thus a cultural (economy) approach. It is the process by which culture and cultural production combine in the ‘operationalisation of the real.’ Culturalisation underpins much scholarship in this journal by posing the (economic) real as a problem of definition in order to illustrate the operations involved in its temporary resolution. The implications of this position need further addressing. There is a feedback between culture as a problem of definition and a cultural approach. Devices can interrogate the relationship between processes of cultural definition and the conceptual parameters of a cultural economy approach. Workshopping, projects and events are put forward as cultural devices emerging from a 10-month ethnography of literary performance in Bristol, England. This illustration shows firstly, how culturalisation occurs in a designated cultural sector to contingently realise culture; and secondly, the implicit logic of cultural economy as culturalisation, typified by the device as method, so as to open a debate concerning its implications.  相似文献