日韩武技现代化对我国学校武术的启示     

张长念  张长思 《武汉体育学院学报》2020,54(3):63-69,91

时至今日,武术仍未能很好地进入校园,其原因何在,如何从柔道、跆拳道、空手道的成功现代化和国际化当中寻求启发,成为紧迫论题。主要运用文献资料法,基于对学校武术历史、现状的反思和日韩武技现代化的启示,对我国学校武术的根本问题和根本方略做出探讨。研究认为,学校武术开展的现状不能实现中华民族赋予它的文化使命,日韩武技现代化的经验可为我们提供启示——将传统意义上的搏杀武技改造为一项现代文明搏击项目,该项目需满足几个趋势保证安全文明化、保持技击本质性、具有游戏趣味性、彰显民族独特性。在此基础上,做出武术以太极推手形式进入校园的提案。  相似文献   

Unveiling the Mary Macha Archives     

Suzanne Spunner 《档案与原稿》2019,47(1):164-170

ABSTRACT

Perth-based art dealer Mary Macha was engaged with Indigenous art for almost fifty years. She played a critical role in the development of Aboriginal art in Western Australia firstly in the government sector and subsequently as a private dealer. Her clients included Alistair McAlpine (Lord McAlpine) and Robert Holmes a Court. She was the key player in the development of what became known as the East Kimberley School of art and formed a close relationship with the key artists, Paddy Jamanji and Rover Thomas. After her death in 2017, her archive was sorted and collated by her executors with assistance from the University of Melbourne and vested with the Battye Library in Perth.  相似文献   

The temporal pocket: 1990s Beijing artist colonies     

Christen Cornell 《Inter-Asia Cultural Studies》2018,19(1):58-71

In recent years, a small but growing body of scholarship has emerged on the category of the Chinese art district, particularly its institutionalisation amidst twenty-first century creative industries polices. Such research presents important stories of Chinese artists’ negotiations with urban and political authority, thus nuancing paradigms for the comprehension of political work within contemporary China. This current article contributes to this growing research area by considering the spatial conditions for these socio-spatial categories’ emergence, namely, the urban structures in which they first took shape in 1990s Beijing. First occupying traditional villages (cunzi) and later ex-socialist work units (danwei), these arts colonies appropriated existing communal architecture, and turned their designs and physical buildings to their own communal ends. Importantly, these sites were made available by the dramatic reconstruction of the city, and in this sense these occupations were limited to the temporal realm. To describe the nature of occupations, and their eventual impact upon the shape of the city, this paper proposes the category of “the temporal pocket”: a cellular and temporary inhabitance, defined by the shared investments of its participants, and one that is both discrete (in the sense of its spaces) and discreet (in the sense that this can be understood as a non-oppositional politics). The article is informed by spatial and cultural theory, literature on Chinese urban planning and art history, as well as primary documents (such as documentaries, art works and archival material) and interviews conducted by the researcher in Beijing.  相似文献   

服务于乡村治理的民间武术组织转化路径研究     

张望龙 《河北体育学院学报》2020,34(5):86-90

自治、法治、德治“三治合一”的乡村治理体系，为探索民间武术组织服务于乡村治理提供了新思路。在传统社会，民间武术组织以武德传承强化乡村德治机制，以门规戒约规范乡村法治秩序，以家长制参与乡村自治实践。而进入现代社会，民间武术组织服务于乡村治理面临着传统德治弱化、法治建设不完善、参与自治机制不健全三方面的困境。提出，民间武术组织要建立新的道德体系，营造乡村治理的德治氛围；加强组织治理，强化乡村治理的法治理念；深化自治实践，主动承担乡村治理职责功能，旨在为更好促进民间武术组织有效治理、推动乡村发展提供参考。  相似文献   

关注贫困家庭学龄前儿童的美国艺术博物馆课程及其启示——以克拉克艺术博物馆艺术开端课程为例     

温虹 《美育学刊》2020,11(2):20-26

美国克拉克艺术博物馆在全美“开端计划”基础上,结合艺术博物馆的公共教育资源策划和实施了面向贫困家庭学龄前儿童的艺术开端课程,这种发生在艺术博物馆里的正式幼儿教育课程对我国正在蓬勃兴起和发展的美术馆教育有重要的启发意义。通过研究艺术开端课程的策划与实施,可以针对国内美术馆幼儿教育现状提出从普遍性到针对性的幼儿群体课程开发、美术馆幼儿课程评价体系建立等一系列馆园合作方式与建议,以改变目前美术馆零散性亲子活动为主的现状,并能构建与幼儿园更好衔接的馆园合作课程。  相似文献   

核心素养时代高中美术鉴赏的"教"与"学"     

刘晓文 《美育学刊》2020,11(1):13-18

2013年教育部开始着手制定《中国学生发展核心素养》,由此启动普通高中美术课程标准的修订,这也标志中国的教育已经进入了核心素养时代。美术鉴赏是高中美术课程中重要的内容,但实际教学效果却不尽人意。教与学是一方主导、一方被动的分离状态,表现为教师为教而教,学生为知识而学习。学生无暇顾及与高考无关的课程,往往浅表性、单向度地接受碎片化知识的输入,因而不能有效地对情境中的图像进行识读和判断。核心素养下的高中美术鉴赏需要唤醒教与学双方主体的课程意识,同时也对教师的专业素质提出了更高的要求。创新教学过程和学生的学习方法是实现学生核心素养形成的必经桥梁,是值得专家学者和广大一线教师不断地去探究、发掘的重要环节。  相似文献   

Some Theory for the Conservation of Contemporary Art     

Rosario Llamas-Pacheco 《文物保护研究》2020,65(8):487-498

ABSTRACT

This article analyzes different ontological categories and how they relate to the conservation of contemporary art. Faced with the necessity of apprehending the work of art from an ontological point of view, a theoretical approach is made on the concepts that most affect the conservation of contemporary art: quiddity, truth-authenticity, identity, quality, consistency, and interpretation. These are analyzed from an empirical perspective, based on the experience of conservation and restoration. Since conserving and restoring require making decisions that will affect the material and conceptual plane of the works, several possible paradigms that must be introduced into the deontological code of the profession are analyzed. In addition, the study of a new paradigm is provided, that of the death of the work of art. This paradigm can serve as a frame of reference, given the impossibility of bringing the ‘Truth’ of the artwork into the world of the sensitive. This may occur due to different conditioning factors and limitations of a material, technical, or intentional type, which affect issues that were once established as essential to the entity. On the other hand, different types of time that are related to the conservation of contemporary art are studied: biological time, the eternal present of the work, time as a constructor agent, and destructive time as a facilitator of the appearance of ruin or ruin-relic in the work of art.  相似文献   

Kinematic analysis of proximal-to-distal and simultaneous motion sequencing of straight punches     

Philip Xaver Fuchs  Stefan Josef Lindinger  Hermann Schwameder 《Sports biomechanics / International Society of Biomechanics in Sports》2018,17(4):512-530

Consecutive proximal-to-distal sequencing of motion is considered to be integral for generating high velocity of distal segments in many sports. Simultaneous usage of proximal and distal segments as seen in martial arts is by far less well investigated. Therefore, the aim of the study was to characterise and differentiate the concepts of consecutive (CSM) and simultaneous (SSM) sequence of motion in straight reverse punches as practised in Practical Wing Chun. Four experienced martial artists succeeded an eligibility test for technical proficiency in both concepts and performed a total number of 20 straight punches per concept. Eight MX13 Vicon cameras (250 fps) and Visual3D were used for motion capture and analyses. Both motion concepts showed proximal-to-distal sequencing of maximal joint velocities but, in SSM, this was coupled with simultaneous initiation. Key characteristics were: high pelvis momentum and backswing of shoulder and elbow (CSM); and importance of shoulder involvement (SSM). Different ranges of motion, timing aspects and achieved maximal angular velocities distinguished both concepts, which led to differences (p < 0.05) in fist velocity at contact, execution time, distance and horizontal shift of the centre of mass. Proper application of both concepts depends on the environmental setting, situational requirements and individual fighting style.  相似文献   

湘西苗族鼓舞传承人口述史研究     

夏晨晨  李〓丽 《广州体育学院学报》2020,(1):71-74

采用文献资料法、访谈法等,对湘西苗族鼓舞传承人口述史相关问题进行了研究,结果表明:湘西苗族鼓舞传承人年龄偏大,传承人断层现象明显;缺乏对湘西苗族鼓舞传承人口述史的专题研究。而进行湘西苗族鼓舞传承人口述史研究可提升传承人话语权、丰富苗族鼓舞史料、挖掘传承人身体记忆、留存即将逝去的"声音"。提出应从尊重传承人意愿与隐私、重视访谈资料的文字转录工作、加强苗族鼓舞传承人口述史的数字化保护、培养体育非物质文化遗产口述史专业人才等方面推进苗族鼓舞传承人口述史研究。  相似文献   

清末民初镖局推动武术发展之历史审视     

吴宣廷 《河北体育学院学报》2020,34(5):91-96

审视中国古代镖局中镖师武术的技术特征、传承传播、发展演变，能够再现早期武术发展状况，丰富武术历史研究内容，还可总结历史经验，为新时代推广武术、弘扬武术文化提供借鉴。运用文献资料法和历史分析法，就镖局对清末民初武术发展之推动作用进行分析。认为，镖局是实现武术功能职业化转型的重要组织，推动了武术的顺时代创新演变，开辟了多元的武术传播途径，稳固了师徒传承方式，推动了武术价值的多元化发展，促进了暗器、轻功等罕见武技的深造与传承，为“以武报国”提供了重要的物力支撑。  相似文献