排序方式： 共有5条查询结果，搜索用时 12 毫秒
1
1.
2.
Clémentine Beauvais 《Children‘s Literature in Education》2010,41(3):251-259
This article analyses the symbolic meaning of the Moon in two bande dessinée books from the Tintin series, Hergé’s Destination Moon (Objectif Lune, 1953) and its sequel Explorers on the Moon (On a Marché sur la Lune, 1954). It argues that these two volumes stand out in the series for their graphic, narrative and philosophical emphasis on both
intellectual achievement and physical death. The Moon, as a goal of modern science and a traditional artistic symbol, is made
to celebrate the human mind. But Hergé also makes it a dangerous no man’s land, where human beings are made to understand
the limitations of their physical abilities. The Moon emphasises the distortion between human dreams of grandeur and the concrete
impossibility of their realisation, and the threats they pose to corporeality. As a result, the article suggests that the
Moon trip can be seen as a modern re-enactment of the mythological journey to Hell, as the works of the human mind are constantly
thwarted by the risk of physical death. 相似文献
3.
Thierry Olive Monik Favart Caroline Beauvais Lucie Beauvais 《Learning and Instruction》2009,19(4):299-308
This study investigated the cognitive effort of 5th and 9th graders while writing a text. We manipulated genre (narrative text vs. argumentative text) and tested how level of handwriting automatisation contributes to cognitive effort and fluency in writing. The participants were 23 students from Grade 5 and 21 from Grade 9, who wrote two texts differing in genre while performing a secondary reaction time task. The results showed that cognitive effort interacted with genre. Cognitive effort decreased between Grades 5 and 9 only for writing argumentative text. Handwriting did not contribute to fluency in writing, but contributed to cognitive effort only in 5th-graders' writing of narrative text. The findings are discussed in light of the factors contributing to cognitive effort and fluency in writing. 相似文献
4.
Clementine Beauvais 《History of education》2016,45(3):304-318
This paper explores the trend, between 1905 and the late 1920s in UK and US child psychology, of ‘discovering’, labelling and calculating different ‘ages’ in children. Those new ‘ages’ – from mental to emotional, social, anatomical ages, and more – were understood as either replacing, or meaningfully related to, chronological age. The most famous, mental age, ‘invented’ by Alfred Binet in the first decade of the century, was instrumental in early intelligence testing. Anatomical age triggered great interest until the 1930s, with many psychologists suggesting that physical development provided a more reliable inkling of which grade children should be in than chronological age. Those ages were calculated with great precision, and educational recommendations began to be made on the basis of these. This article maps this psychological and educational trend, and suggests that it cultivated a vision of children as developmentally erratic, worthy of intense scientific attention, and enticingly puzzling for researchers. 相似文献
5.
Clémentine Beauvais 《Children‘s Literature in Education》2013,44(1):74-86
This article takes as its starting point the concept of aetonormativity (the adult normativity germane to the discourse of children’s literature), coined by Maria Nikolajeva (2010) in an attempt to unify the increasingly power-oriented theories of children’s literature criticism within the past few decades. Acknowledging the usefulness of this concept, but wary of the fact that it could imply an easy transference of “adult” power theory to the study of children’s literature, I argue that an aetonormativity-centred system of children’s literature criticism crucially needs to reconceptualise the notion of “power” which lies at its heart. Any automatic connection between adult normativity and adult “power” would thus be questioned and critiqued. I propose a first conceptual split of “power” into “authority” and “might”, and a consequent redistribution of these two concepts to the adult and child parties in the children’s book. I then investigate the critical and metacritical implications, within the framework of an aetonormativity-centred criticism of children’s literature, of an increased subtlety in the use and handling of the concept of power when referring to the complex medium of the children’s text. 相似文献
1