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Caroline Joan S. Picart 《传播与批判/文化研究》2013,10(4):335-354
Alien Resurrection (1997) heightens the movements across dark humor and horror, and enables more pronounced and complex conjunctions across the three types of shadows put forward by Rushing/Frentz and Picart, particularly in the case of the monstrous female characters like Ripley and Call. These characters bisociate the realms of first shadow (female bodies), second shadow (products of technology), and third shadow (fearsome female freedom fighters). Nevertheless, both live—a rarity among Frankensteinian cinemyths. Alien Resurrection enables us to glimpse, through a glass darkly, other ways in which the gendered and raced complexities of the Frankenstein cinematic myth may be traced. 相似文献
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CJ Van Rijsbergen 《Information Retrieval》2000,2(1):17-26
The Logical Uncertainty Principle is re-examined from the point of classical logic. Two interpretations are given, an objective one in terms of an axiomatic theory of information, and a subjective one based on Ramsey's theory of probability. 相似文献
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Carys Evans CJ O’Connor Thomas Graves Florence Kemp Alex Kennedy Phoebe Allen 《Changing English: An International Journal of English Teaching》2020,27(3):244-254
ABSTRACT In response to the Covid-19 pandemic, on 18 March 2020, Prime Minister Boris Johnson announced the immediate closure of schools in England. (The closure was not absolute: schools would remain open for vulnerable children and the children of key workers. In practice, though, very few children have continued to attend.) In what follows, nine English teachers reflect on their experience of teaching under lockdown. 相似文献
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