Preservation of electronic formats & electronic formats for preservation: edited by Janice Mohlhenrich. Fort Atkinson, WI: Highsmith, 1993. 144p. $25 (paper) ISBN 0-917846-17-6. LC 93-38498. Permanent paper.     

William T Henderson  Preservation Librarian 《The Journal of Academic Librarianship》1993,19(5)

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The Pergamon phenomenon 1951–1991: Robert Maxwell and scientific publishing     

Brian Cox 《Learned Publishing》2002,15(4):273-278

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Three Poems     

Brian Fewster 《English in Education》1995,29(1):50-52

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Managing Uncertainty for Preventive Conservation     

Jane Henderson 《文物保护研究》2018,63(5):108-112

ABSTRACT

This paper examines how conservators engage with uncertainty when creating preventive conservation strategies. It argues that by recognising contexts in which uncertainty will be encountered conservators can develop effective management strategies. A typology of uncertainty explores a range of categories of uncertainty, their experience in preventive conservation and identifies distinct approaches to manage them. Managing uncertainty may include acts of defining its parameters, exposing and resolving through communication or protecting from with contingency. Whatever approach is adopted it must be accepted that uncertainty cannot be avoided. It is important therefore to aim to live well with uncertainty and the paper advocates for preventive conservation applications of strategies recommended in health care for patients with life-threatening illnesses. These strategies include working on things that can be controlled, goal setting, acceptance and factoring in emotions. The ability to identify contexts in which uncertainty is inbuilt should trigger those concerned with preventive conservation to activate strategies developed for managing and living well with uncertainty.  相似文献   

The Changing Research Data Landscape and the Experiences of Ethics Review Board Chairs: Implications for Library Practice and Partnerships     

Brian Jackson 《The Journal of Academic Librarianship》2018,44(5):603-612

Academic libraries have to a large extent taken the lead in facilitating new approaches to research data management, but changes to the research data landscape have had an impact on numerous areas of academic work, including ethics review. Using interpretive phenomenological analysis of interviews with chairs of Canadian research ethics boards, this study explores how ethics review boards have experienced changes to data policy and related technologies in order to describe the ethical implications of new approaches to data management and to explore ways in which the library, ethics review boards, and other campus partners might harmonize efforts to support emerging data practices. While ethics review boards in Canada are keenly aware of open data policies, data publishing in practice is still nascent. There is uncertainty about the adoption of changing technologies for research and their impacts on privacy protection. Where responsibility lies for addressing these uncertainties is often unclear. Academic libraries and research ethics boards are well-suited to engage in mutual knowledge transfer and to integrate data management planning and ethics review processes. Institutional-level oversight that includes all campus departments impacted by changes to the research data landscape may facilitate improved communication and reduce role ambiguity.  相似文献   

Rose,S. (2017). The lived experience of improvisation: In music,learning and life. Intellect,The University of Chicago Press. 257 pages.     

Brian Jude De Lima 《Journal of Radio & Audio Media》2018,25(2):356-360

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Degree Completers at Baccalaureate Arts and Sciences Institutions and the Contemporary U.S. Macroeconomy     

Rachel Wilson  Brian Yontz 《Innovative Higher Education》2015,40(1):51-61

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Professional learning in higher education and communities: towards a new vision for action research     

Brian Wakeman 《Educational Action Research》2017,25(5):806-807

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Arts education partnerships: sources of harmony and dissonance with cultural institutions’ collaborative efforts     

Daniel H. Bowen  Brian Kisida 《Cultural Trends》2019,28(5):379-390

ABSTRACT

Due to budget constraints, schools in the United States have increasingly turned to community arts organizations for support. School-community arts partnership stakeholders collaborate because of shared missions to provide students with valuable arts learning experiences. Investigations of these initiatives indicate that these partnerships improve arts learning opportunities and increase public support and resources for arts education. However, not much is known about the experiences and perspectives of the arts organizations that participate in these partnerships. Coordinating collective efforts with a multitude of institutions and interests poses challenges. In this study, we examine survey data collected from arts organization administrators who participated in a large-scale school-community arts partnership initiative. We find that these organizations are generally positive about their impacts on students’ educational outcomes, but there is substantial variation in these views. We also find that organizations differ in their levels of support for these collective efforts. Sources of this variation appear to be attributable to organizations’ preexisting resources and extent to which they are established. While this difference in levels of support is potentially inevitable, we find evidence that the operations handled by the “backbone” organization, i.e. the initiative’s facilitators and overseers, can significantly influence organizations’ levels of support for these efforts. Organizations are more likely to support these collaborative efforts when they believe the backbone organization ensures transparency with initiative operations, provides regular, effective communication, and effectively resolves competing priorities.  相似文献   

On the real workings of social construction     

David Henderson 《Metascience》2015,24(2):271-274

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