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Drawing on the existing research on the socio-economic impact of cultural heritage on local and regional development, the author's aim is to further the scientific discourse in two ways. Firstly, she focuses on the economic and social significance of private investors as important actors implementing heritage restoration projects. Although these initiatives are often primarily commercial in character, they may nonetheless exert a strong, broadly positive influence on local and regional development processes, especially if a cluster of such projects develops within a relatively small area richly endowed with a specific type of heritage. Secondly, she provides empirical evidence from Central and Eastern Europe, a region little explored to date by studies of this type. Accordingly, the article examines the specific context of post-1989 private heritage-oriented investments in historic palace and garden residences in the region of Lower Silesia in Poland, a heritage previously unwanted, ethnically and ideologically dissonant, but nowadays being rediscovered to an increasing extent.  相似文献   
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The recent narrative on museums as catalysts of innovation and growth considers their relations with other cultural and creative industries (CCIs) to be very important. We argue that most relations museums establish with CCI firms and institutions are unlikely to produce strong positive externalities that make the latter more innovative. To prove this claim, we propose a conceptual framework qualifying project-based and supply chain relations between museums and CCIs as either strong, moderate, or weak links, according to their potential in terms of knowledge spillovers from museums to CCIs. We apply this taxonomy to data collected from 261 Polish museums. Our findings indicate that strong links are outnumbered by moderate and weak ones. We then suggest that the traditional missions of museums, in particular education and conservation, need to be more thoroughly assessed in terms of their direct and indirect contributions in order to fully capture the impact of museums on innovation in the wider economy.

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