散打运动中的美学特征   总被引：1，自引：0，他引：1  

刘劲松  李正中  彭彦铭 《搏击·武术科学》2004,(5)

从散打运动的悬念美、意志美等方面,对散打运动的美学特征进行了分析。并将散打运动的技战术要求、特点与《孙子兵法》作了初步结合。  相似文献   

直面与超越——试论《红楼梦》十二支曲的佛、道思想指归和《野草》虚妄哲学的生存穿透性     

霍巧莲 《英才高职论坛》2006,(4)

本文以《红楼梦》十二支曲和《野草》为考察个案,分别论述了二者的直面与超越层面,又在比较中指出了《野草》的虚妄哲学对《红楼梦》十二支曲的佛、道思想指归在生存穿透性上的超越,进而试图梳理出一种现代人格对一种古代传统人格的发展与超越。  相似文献   

太极拳的战略战术与《孙子兵法》   总被引：3，自引：0，他引：3  

骆春燕 《北京体育大学学报》2004,27(2):288-289

太极拳的拳理与<孙子兵法>的法术血脉相依.通过对<孙子兵法>中某些战术思想的借鉴,对太极拳的战略战术的理论体系做出初步的建构.  相似文献   

武术与传统美学   总被引：4，自引：0，他引：4  

郑爱民  周新春 《南京体育学院学报(社会科学版)》2003,17(6):35-36

武术作为中国古代流传下来的一项宝贵的文化遗产,它不仅具有运动特征,而且还具有美学特征。其在演练过程中所表现出的"韵"味以及"神和意",使人们不仅能品味醇厚的武术文化,而且能在刀光剑影中获得美的享受。  相似文献   

试论唐代佛教著作的背景     

曹之 《山东图书馆季刊》2008,(4)

唐代佛教著作繁荣,本文从对外开放、中外交流和佛教传播三个方面论述了它的背景.  相似文献   

集铢聚珍新意盎然——《苏州民国艺文志》的价值浅探     

张耘田 《新世纪图书馆》2006,(5):70-72

论文提出《苏州民国艺文志》蕴含价值，充满新意，堪称创新之作。它是研究民国时期江南乃至全国艺文现象的史料书、工具书，具有较高的资源价值、史料价值和参考价值。  相似文献   

《广东释道著述考》与海云系佛教文献研究     

韦盛年  杨权 《图书馆论坛》2006,26(3):4-7,13

以函昰禅师为核心的佛教海云系僧人和居士，是清初岭南的一个值得关注的政治、宗教、文学群体。十分重视乡邦文献研究的冼玉清先生在其晚年，曾费十馀年之功撰成《广东释道著述考》。此书以完善的体例，对海云系佛教文献做了详备的著录与考释，为研究这个法系的禅史奠定了文献基础。这部分内容实为《广东释道著述考》的最重要价值所在。  相似文献   

‘The feeling of exclusion’: Young peoples' perceptions of art galleries     

David D.M. Mason  Conal McCarthy 《Museum Management and Curatorship》2006,21(1):20-31

This article first looks at the relationship between museums and art galleries and their potential audiences and, in particular, the under-represented sector of young visitors. It examines the main findings from the limited research available on young visitors, and goes on to discuss theories delineating the differences between the cultures, identities and values of culture consumers and culture providers. The second part of the article looks at what specific museums have done towards being more inclusive in their appeal, and then reports the findings of a survey of young people in relation to New Zealand's Auckland Art Gallery. The survey found that young people's ideas of what constitutes modern, relevant art do not match standard art criteria, and that most exhibitions and marketing methods do not mesh with their worldview. The article concludes by using data from the survey to suggest ways of engaging more young people with public art galleries.  相似文献   

Methods for studying family visitors in art museums: A cross-disciplinary review of current research     

Pat Sterry ^{Author Vitae}  Ela Beaumont Author Vitae 《Museum Management and Curatorship》2006,21(3):222-239

This paper examines current trends in family studies research, details the methodological and topical perspectives that are emerging, and reflects on how these findings could be integrated to provide a more coherent approach to researching the leisure, learning and recreational aspects of family visitors to art museums. Research findings from disciplines such as sociology, ethnography, education, design and marketing are of interest to the field of visitor studies, and this paper contributes to the wider research agenda by providing an overview of family research methods from a range of other disciplines, as well as those used within visitor studies.Over the last decade, there has been a growth of research in family learning in science museums, leading to an emerging disciplinary matrix, whilst many aspects of family visits to art museums remain relatively unexplored. The paper discusses the problems of gathering meaningful data from adults and children in family groups, and concludes by suggesting that a challenge for art museums is to learn from what is happening in other areas of cultural research into families, and to develop a framework for research which builds on the methodological strengths and practical experience of robust studies.  相似文献   

Essentialism, adaptation and justice: Towards a new epistemology of museums     

Mark O'Neill ^{Author Vitae} 《Museum Management and Curatorship》2006,21(2):95-116

This article treats the prevalent confused mixture of utilitarian, art-and-knowledge-for-their-own-sake and ideological interpretations of the purpose of museums as a problem of epistemology, arguing that that key dimensions of museum knowledge (of objects, visitors, museums themselves, and of society) need to be integrated to achieve coherence. A new object-based, visitor-centred, storytelling epistemology is proposed. This would take an interdisciplinary approach and aim to unleash, rather than mute the real power of objects. It would address human destructiveness, as well as celebrating human creativity and the wonders of nature. It would respect the meaning-making practices of real, as opposed to idealized, imaginary visitors, and promote staff self-awareness in managing bureaucratic drift into introversion and avoidance of difficult issues. Incorporating a theory of justice, it would erode boundaries created by presentation traditions which, though marginal to object experiences, discriminate in favour of specific social groups—often groups with whom staff identify. Providing a museum service on a visibly fair basis is essential for museums to achieve intellectual coherence as well as societal support.  相似文献