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史慧 《四川教育学院学报》2006,22(9):78-80,83
荒诞派戏剧代表作家塞谬尔.贝克特的戏剧作品独树一帜。文章尝试对Rum elhart(1975,1977)and Thorndyke(1977)提出的“故事语法”进行填充,并就贝克特的代表作《等待戈多》采用语篇分析的方法进行分析,最终从时间和情节安排、舞台背景和人物、语言等三方面揭示其在背景设置方面的技巧特点。 相似文献
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David Lewkowich Jillian Pasieka 《Changing English: An International Journal of English Teaching》2017,24(1):24-33
When it comes to education, the dream cannot be controlled by the strictures of language or the conscious mind, and in its insistently disobedient character, is unwilling to submit to the demands of a deliberate and conscious curriculum. Indeed, we might say that what dreams represent is the absence of education itself, and a mobile energy antithetical to a fantasy of smoothly functioning teaching. In this article, we approach the question of dreaming’s place in education through two intertwined lenses: the conceptual and the literary. First, we intersperse throughout our paper excerpts from an untitled fictional narrative about a group of students who become progressively more beaten up, and whose teacher is unable to see their bruises, as they embark on the precarious task of expressing their dreaming, creative selves. We also turn to psychoanalytic theory (and, in particular, Thomas Ogden’s theory of dream thinking) to discuss the significance of the impenetrable nature of the dream, and ask how such qualities of unrepresentability might challenge our desires for answerable questions and legible answers. We end this piece with a recognition of the ways in which shared experiences of reading and writing may also support a place for dreams. 相似文献
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Paul Joseph Wendel 《Science & Education》2008,17(1):131-141
In Modeling Theory in Science Education, Halloun (2004) adopts the word ‘paradigm’, but his use of the term is radically different from that of Kuhn. In this paper,
I explore some of the differences between Kuhn’s paradigms and Halloun’s paradigms. Where Kuhn’s paradigms are public, community-defining
exemplars of practice, Halloun’s paradigms are private, individualized ways of thinking. Where Kuhn writes of the paradigm
shift as a revolutionary, vision-altering conversion experience, Halloun writes of a gradual evolution from one way of thinking
to another and an easy back-and-forth switch between paradigms. Since Kuhn’s paradigms are self-enclosed and incommensurable,
there is no objective standard by which one paradigm can be shown to be superior to the other. But Halloun uses ‘viability’
as a standard for paradigm choice. Underlying all of this is the more basic question of whether the history of science is
an appropriate metaphor for student progress in the classroom. I conclude with some brief thoughts on this question. 相似文献
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托马斯·哈代的小说中有着独特的生态伦理叙事。他对自然的描写,体现了生态整体观,强调人与自然的和谐一体,也控诉了工业文明和人类欲望对生态环境的破坏;他对女性的塑造,表现了女性与自然的天然联系,揭示了女性与自然都是男性、理性和工业文明的压迫对象;他通过对动物活动的叙述,赋予动物以主体性,提倡尊重动物的权利,认同动物的情感。哈代小说中的生态伦理思想虽然复杂,却有着内在的统一性,既在一定程度上超越了人类中心主义,又体现了道德关注的"同心圆"倾向。 相似文献
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姜剑 《浙江教育学院学报》2011,(1):44-50
哈代的"威塞克斯小说"的乡间景象与鲜明的女性形象是他创作的典型特点。从生态女性主义的视角解读他的第一部经典悲剧《还乡》,能够更清晰地看到作家视野中自然与人特别是与女性的微妙关系以及女性命运与自然命运的关联,并深刻感受到哈代深切的生态和女性关怀。 相似文献
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Tape recordings were made of six white and six black ninth-grade northern boys speaking identically worded answers to typical school questions. Black students were given significantly higher grades than white students by 56 white and 50 black southern teachers. Black teachers gave significantly higher grades than white teachers, but no significant interaction was found between students' and teachers' ethnic group. The study is a partial replication of a previous study in which it was found that black students were given significantly lower grades than white students by northern white teachers. 相似文献
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University course assignments increasingly focus on group work and group projects to help students collaboratively discover more about their fields of study. The Thomas G. Carpenter Library realized the need to investigate means for reimagining itself to better accommodate today's researchers. The complex process of planning for the redesign of both services and space undertaken by the library is described and explained in this first of a planned series of articles. 相似文献
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托马斯·哈代是英国文坛最伟大的小说家之一。细读哈代的诗歌,不难发现其大量诗作中表达出超前、深刻的自然意识和生态思想:人与自然合二为一;对自然生态的忧虑和对人类摧残自然的谴责;对社会生态的忧患与对人类社会异化的叹息。生态批评理论为研究哈代诗歌提供了新的视角。 相似文献