用信息技术诠释乡土文化——历史文化名城保护与建筑教育的和谐共振     

朱斯坦 《荆州师范学院学报》2005,28(4):95-98

长江大学建筑学专业有两个立足点：其一是历史文化名城荆州深厚的文化底蕴和乡土气息，其二是地方院校建筑教育的生存发展空间。建筑教育应该同本地具体的区域经济、历史文脉、生态环境相结合，利用数字化信息技术研究并促进乡土建筑与自然环境的完美和谐，引导学生探求一种具有乡土特色的建筑创作思想和理念。  相似文献   

现代图书馆建筑特色探讨     

李苏华 《图书馆论坛》2006,26(3):233-234

在信息大量膨胀的时代，不管是传统的图书馆还是以收藏电子出版物为主的图书馆都没有足够的空间来存储不断出现的信息资料。人们会不断需要新的图书馆建筑，图书馆建筑设计师们面临的挑战是如何在不断变化的环境中，建造适应各种需求的多功能建筑。  相似文献   

Buddhist Wall Paintings at Nako Monastery,North India: Changing of the Technology Throughout Centuries     

Tatjana Bayerová 《文物保护研究》2018,63(3):171-188

The technical study of wall paintings from the Buddhist temple complex at Nako, Western Himalayas, was one of the basic preconditions required for designing an appropriate conservation strategy. The complex, composed of four temples from the eleventh–twelfth century, offered a unique possibility to carry out a comprehensive research of technology and painting materials used in early and later western Tibetan Buddhist wall paintings as well as a comparative assessment with murals from other sites in the Western Himalayas. The study was based on extensive fieldwork and an integrated analytical approach comprising a wide range of non-destructive and micro-destructive methods. Answering the question of the coevality of paintings in the smaller temples with other original murals, the precise characterisation of binding media, the detection of the yellow dye gamboge and natural minerals posnjakite and brochantite identified for the first time in Himalayan murals, the clarification of technology of metal decoration, and the making of raised elements are some of the most exciting results which emerged from the research.  相似文献   

渐江绘画艺术形式对安徽建筑景观设计的启迪     

肖康  李超峰 《怀化学院学报》2015,(6)

渐江曾生活于现今的安徽地域,对安徽的人文风貌在其画作中描绘了许多。渐江的绘画画风笔墨严谨、格调简约,对描绘的自然景物高度概括,虽然用墨偏淡,但不显虚空。画面形式具有现代设计学的韵味,构图独特。这种当时的新视觉形式,不仅影响了中国的山水画,而且也给安徽建筑景观设计在形式和意境方面带来了影响和启示。  相似文献   

Aiming for autonomy: formative peer assessment in a final-year undergraduate course     

Brent Carnell 《Assessment & Evaluation in Higher Education》2016,41(8):1269-1283

This article takes a dual focus on the theme of student formative peer assessment. On the one hand it offers a thorough literature review in this field, while on the other it unpacks a case study of curriculum design where peer assessment has been adopted. The practical example draws on recent changes made to a third- and final-year undergraduate research dissertation course in a UK architectural school. Although peer assessment worked quite well in this small setting, similar findings might be uncovered when scaled up to larger cohorts, as well as other disciplines and year groups. The research findings are certainly relevant for other contexts. Qualitative research from a focus group with six students on the course informs the empirical body of the paper. Through engaging with students’ reflections, as well as the relevant literature, and reflexively looking at the curriculum changes, this paper discusses some of the benefits and drawbacks that can arise from peer assessment in this context. Peer assessment is not without its challenges and hiccups, but, despite these, the benefit to autonomous critical thinking cannot be understated. And arguably peer assessment is especially germane for final-year undergraduates as they embark on employment or more advanced studies.  相似文献   

江苏省装饰行业人才需求分析     

陈斌 《金陵科技学院学报(社会科学版)》2001,16(4):16-18

作者对江苏省装饰企业的概况、装饰企业的资质标准和装饰企业“九五”成果与“十五”规划以及该行业对人才的需求情况进行了一次调查 ,进一步明确了环境艺术专业的培养目标。该专业也据此调整了课程设置  相似文献   

建筑结构质量缺陷与质量事故界定     

蔡建平 《福建工程学院学报》2005,3(3):258-261,267

主要从理论上界定质量缺陷和质量事故，并探讨减少质量缺陷、避免质量事故之对策。  相似文献   

对建筑力学教学内容改革的几点体会     

杨婷连  李文兴  谭景和 《高教论坛》2002,(1):64-65

根据目前高等教育中建筑力学课程的课时压缩情况 ,介绍作者对建筑力学教学内容改革的几点体会  相似文献   

闽北与皖南民居装饰符号的异同比较     

吴敏 《闽江学院学报》2011,32(3):115-118

闽北与皖南北民居的建筑样式与装饰风格,存在着相同性与异同性,主要是由地域文化、生活习俗、经济交往、人员来往造成的。闽北民居建筑样式受移民文化的影响较大,因此,建筑样式呈现多种风格,除受到赣东北、浙西南的民居影响外,受皖南民居建筑的影响最大。装饰符号决定着民居建筑风格,闽北与皖南民居的异同,在于对装饰图形语境的表达上,通过对两地间的石雕图形比较,从深层次挖掘两地民居的文化特点及民居建筑装饰的异同美。  相似文献   

简论福州漆器的经典工艺     

郑鑫 《闽江学院学报》2007,28(5):136-139

福州漆艺有一整套独特的表现手段和制作体系,其中许多工艺技术例如器型工艺、彩髹手段、装饰技法、推光技术仍然代表着当今世界漆艺的最高水平,它是历代漆艺家辛勤劳动的成果,具有极高的审美价值和学术研究价值.总结和整理这些经典技艺,对于传统优秀成果的继承与发展都具有重要的意义.  相似文献