The Influence of Hygroscopic Materials on the Fluctuation of Relative Humidity in Museums Located in Historical Buildings     

C. Ferreira  V. P. de Freitas 《文物保护研究》2020,65(3):127-141

ABSTRACT

The preservation of artefacts in museum collections is profoundly affected by fluctuations in temperature and, especially, relative humidity (RH). Since the late nineteenth century, many studies have been carried out on the best way to control hygrothermal conditions. In old buildings located in maritime temperate climate zones (such as Portugal) with strong thermal inertia, and which have low ventilation rate (relative to the volume and number of visitors), daily and seasonal hygroscopic inertia may help to assure the maintenance of RH stabilization conditions. The use of expensive active systems may be minimized through the passive behaviour of internal finishing building materials. This work presents the results of an experimental laboratory study conducted in a flow chamber to demonstrate the enormous potential of hygroscopic materials in stabilizing interior relative humidity. Based in these results and in-situ monitoring in a museum housed in a building, located in Porto, with a typical construction of the 1950s (granite masonry and reinforced concrete slabs), a numerical analysis was done to quantify the influence of hygroscopic materials in stabilizing the interior relative humidity.  相似文献   

我国科技馆“十四五”发展对策研究          下载免费PDF全文

蔡文东  王美力  刘巍  刘琦 《自然科学博物馆研究》2022,(1):64-70

本文基于统计数据和实地调研,分析了“十三五”期间科技馆取得的成就和发展经验,指出存在的主要问题:科技馆数量、质量不能满足公众需求,科学精神传播力度不够,优质展品供应不足,标准化工作有待加强。根据新形势、新要求,提出了“十四五”期间科技馆的发展目标以及相关的政策建议:加大投入,不断促进我国科技馆的区域均衡发展;创新模式,提高展品研发质量;价值引领,发挥科技馆“三基地一平台”功能;标准先行,促进科技馆规范化发展。  相似文献   

近代西方人在华建立自然史博物馆类型及目的取向研究          下载免费PDF全文

蒋凡 《自然科学博物馆研究》2022,(2):82-90

自然史类博物馆是中国近代以来出现最早的博物馆类型之一,中国最早的在华大英博物馆、徐家汇博物院、上海亚洲文会博物馆以及北疆博物院等都是自然史类的博物馆。深入考察这些博物馆建设之初的讨论,并对比这些博物馆建设者的具体意图和办馆实践,可以看出这些博物馆都以服务西方自然史研究为主要目的,但却有着不同的建设取向。这些自然史博物馆不仅为西方的自然史研究提供中国的标本资料,有的博物馆还成为了西方人在华开展自然史研究的平台,为西方提供自然史的研究成果。  相似文献   

Museums at the crossroad: Contributing to dialogue, curiosity and wonder in natural history museums     

Antonio G. Valdecasas  Virginia Correia  Ana M. Correas 《Museum Management and Curatorship》2006,21(1):32-43

The first natural history collections opened to the public were inspired by a sense of curiosity and wonder about the products of nature. They were ‘cabinets of curiosities’ that offered a first-hand interaction between owner and visitors. Nowadays, these two facets of the museum experience—dialogue and wonder—have been lost, in part, due to the information overload coming via the media and the impersonal nature of the museum visit. This paper offers some reflections on the evolution of the museum visit, suggests some ways to rediscover this ‘sense of wonder’ and provides ideas on how to promote two-way communication with museum visitors. Two examples of exhibitions are offered as illustrations of the points discussed.  相似文献   

Methods for studying family visitors in art museums: A cross-disciplinary review of current research     

Pat Sterry ^{Author Vitae}  Ela Beaumont Author Vitae 《Museum Management and Curatorship》2006,21(3):222-239

This paper examines current trends in family studies research, details the methodological and topical perspectives that are emerging, and reflects on how these findings could be integrated to provide a more coherent approach to researching the leisure, learning and recreational aspects of family visitors to art museums. Research findings from disciplines such as sociology, ethnography, education, design and marketing are of interest to the field of visitor studies, and this paper contributes to the wider research agenda by providing an overview of family research methods from a range of other disciplines, as well as those used within visitor studies.Over the last decade, there has been a growth of research in family learning in science museums, leading to an emerging disciplinary matrix, whilst many aspects of family visits to art museums remain relatively unexplored. The paper discusses the problems of gathering meaningful data from adults and children in family groups, and concludes by suggesting that a challenge for art museums is to learn from what is happening in other areas of cultural research into families, and to develop a framework for research which builds on the methodological strengths and practical experience of robust studies.  相似文献   

The Use of Augmented Reality Technology in Medical Specimen Museum Tours     

Atsushi Sugiura  Toshihiro Kitama  Masahiro Toyoura  Xiaoyang Mao 《Anatomical sciences education》2019,12(5):561-571

Human anatomical specimen museums are commonly used by medical, nursing, and paramedical students. Through dissection and prosection, the specimens housed in these museums allow students to appreciate the complex relationships of organs and structures in more detail than textbooks could provide. However, it may be difficult for students, particularly novices, to identify the various parts of these anatomical structures without additional explanations from a docent or supplemental illustrations. Recently, augmented reality (AR) has been used in many museum exhibits to display virtual objects in videos captured from the real world. This technology can significantly enhance the learning experience. In this study, three AR-based support systems for tours in medical specimen museums were developed, and their usability and effectiveness for learning were examined. The first system was constructed using an AR marker. This system could display virtual label information for specimens by capturing AR markers using a tablet camera. Individual AR markers were required for all specimens, but their presence in and on the prosected specimens could also be obtrusive. The second system was developed to set the specimen image itself as an image marker, as most specimens were displayed in cross section. Visitors could then obtain the label information presented by AR without any markers intruding on the display or anatomical specimens. The third system was comprised of a head-mounted display combined with a natural click interface. The system could provide visitors with an environment for the natural manipulation of virtual objects with future scalability.  相似文献   

现象类展品为主体的展览:背景、特点与方法——以科学中心与非物质文化遗产博物馆为例          下载免费PDF全文

严建强 《自然科学博物馆研究》2020,(5):30-39

随着人类收藏意识的成熟和对教育普及的重视,人们不仅收藏以记忆与知识为核心价值的物,而且超越物的束缚,将没有物质形体的纯现象也作为博物馆展览的对象和材料,由此诞生了科学中心和非物质文化遗产博物馆。这些博物馆不再以特定的“物”,而是以某种“现象”作为展品主体。这些现象必须通过专门创意和设计的展品才能再现,从而使现象得以被观察、感知和理解。为阐释和传播而制作展品对策展和设计的理念和技术提出挑战:它必须要解决现象的可视化,现象过程的动态表达,以及现象中呈现的因果关系。这些并不局限于科学中心和非物质文化遗产博物馆。当代不同类型的博物馆都力图将物的内部意义及外部环境以可视化的方式揭示,这就迫使它们将展厅由物的世界转化为物与现象共舞的舞台,上述的问题同样适用于它们。  相似文献   

An examination of the interactions between museum educators and students on a school visit to science museum     

Neta Shaby  Orit Ben-Zvi Assaraf  Tali Tal 《科学教学研究杂志》2019,56(2):211-239

Today, science is a major part of western culture. Discussions about the need for members of the public to access and understand scientific information are therefore well established, citing the importance of such information to responsible citizenship, democracy, socially accountable scientific research and public funding (National Research Council [2009] Learning science in informal environments: People, places, and pursuits. National Academies Press). In recent years there has been an increased interest in investigating not just what visitors to informal environments have learnt after a visit, but also how visitors interact and engage with exhibits during the visit (Davidsson & Jakobsson [2012] Understanding interactions at science centers and museums: Approaching sociocultural perspectives. Rotterdam: Sense Publishers). Within the field of school visits to science museums, however, interactions between students and museum educators (MEs) remain relatively unexplored. In our study of such school visits, we are mainly interested in the interactions that take place between three agents—the students, the museum educator and the physical setting of the exhibit. Using moment-to-moment fine grain analysis of multiple interactions allowed us to identify recurring patterns between students and the museum educators around exhibits, and to examine the MEs’ mediational role during the interactions, and the practices they employ to engage students with exhibits. Our study revealed that most interactions between MEs and students consist of technical explanations of how to operate the exhibits. The interactions that do move past this stage often include two main practices, which the MEs use to promote students’ engagement with the exhibits: physical instruction and engaging the students emotionally. Understanding what is actually happening in the learning process that occurs during students’ interactions with exhibits can help museum educators and exhibit designers improve the experiences of students on school visits.  相似文献   

Mondrian as kitchen tiles? Artistic and cultural conceptions of art museum visitors in Belgium     

Laurie Hanquinet 《Cultural Trends》2013,22(1):14-29

This article investigates the ways in which art museums' visitors define their relationships to art and culture, and how this affects their perceptions of art museums. Existing approaches have traditionally attempted to define the meaning of art museums on the basis of the socio-economic composition of museum audiences. Using mixed methods analysis, with a particular stress on qualitative data about the audiences of the six main museums of modern and contemporary art in Belgium, I argue for the need for a more complex and comprehensive framework to understand visitors' perceptions. I show that people characterized by similar cultural tastes and practices use similar strategies to interpret their relationship to culture, art and museums (the same principles of classification, legitimation and justification). On this basis, I argue that those with a similar cultural profile belong to the same “interpretive community” (Fish, 1980; Hooper-Greenhill, 2000).  相似文献   

Neither Public Nor Private: The Hybridization of Museums     

J. Mark Schuster 《Journal of Cultural Economics》1998,22(2-3):127-150

This paper takes a preliminary look at the hybridization of museums – the creation of a variety of mixed forms of governance incorporating both public and private governing authorities. Using data from three national surveys of American museums, the analysis documents the mix of types of governing authority and demonstrates how this mix varies across location, over time, and by museum type. The paper then estimates the extent of hybridization using several different indicators and speculates about its implications. The United States offers a particularly informative case because the general view is that American museums are (1) either public or private and (2) predominately private. While the second part of this view may still be a useful characterization of American museums, the first is no longer a particularly helpful way of understanding American museums, or, by extension, other cultural institutions, American or not. It is increasingly necessary to view cultural institutions through the lens of hybridization rather than privatization in order to improve our ability to document and predict their institutional behavior.  相似文献