排序方式： 共有3条查询结果，搜索用时 93 毫秒
1
1.
一张欲望支撑的圆桌——解读梁晓声的《泯灭》 总被引：1，自引：0，他引：1
我们每个人的行为都是为满足一定的欲望,人生而有欲,不等于可以纵欲,欲望无涯,关键要做到欲望的平衡、朴实、理智、知足。人性是文学之脊,欲望是人性之脊。"人"字的一撇一捺的交汇点是欲望,支撑人的正反两个平面。人的欲望分析是中外文学作品青睐的共同话题。中国古代文学常将人的欲望描述成"锅子"形,西方文学则将人的欲望建筑成"亭子"形,而中国当代作家梁晓声在其长篇小说《泯灭》中却将人的欲望整修为"圆桌"形平面。 相似文献
2.
中国近现代以来的戏剧始终与中华民族命运休戚相关,相互影响,在日本帝国主义入侵下的民族存亡关头,抗战戏剧运动也产生发展起来,经过了上海、重庆、武汉、延安等地的探索、实践,并在桂林抗战文化城的深厚基础之上,随着桂林从抗战大后方到前线的形势转变,最终在西南剧展中达到了最高峰,成就了西南剧展作为抗战剧运最后一个高潮的历史地位。 相似文献
3.
Mark Flynn 《Interchange》2005,36(1-2):85-93
In this paper, I will address a constructive criticism of the papers that appeared as a Symposium on Whitehead’s Process Philosophy of Education (Interchange, 26(4), pp. 341–415, 1995). In his criticism of those papers, George Allan (1998) claimed that the contributors to the Symposium were not as Whiteheadian as they thought they were because they failed to contextualize their papers in the harmony and holism of Whitehead’s organic philosophy. Allan thought, in essence, that we had committed a fallacy of misplaced concreteness. Ironically, this is exactly what we had been trying to avoid. With regards to my paper, Allan felt that I had failed to explain the importance of perishing for Whitehead in the becoming and objective immortality of the superject of experience. Hopefully, I have done a better job of this in what follows. I would also like to begin exploring the implications of Whitehead’s cosmology and epistemology for the advance of theory in psychology. On a pleasant afternoon in Oulu, Finland I was discussing the ideas presented here with my friend Hannu Soini who said to me, “when one is learning it is important to forget certain things so they do not impede our creativity.” Hence, the title of this paper and a further exploration of the concepts that Hannu and I feel are impeding the advance of psychology. I would like to preface with a reminder that when I try to explain Whitehead’s philosophy succinctly I sometimes fail to explain things well. His is a truly organic conception of reality so please forgive me. 相似文献
1