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Nick Hopwood 《Studies in Continuing Education》2014,36(2):115-131
Educational research is increasingly turning to conceptual frameworks from a range of disciplines in order to enrich understandings of education, pedagogy and learning. This paper draws on the work of Henri Lefebvre, specifically rhythmanalysis, to explore the nature and the function of pedagogy. The context is an ethnographic study of parenting education and pedagogic practices in a child and family service in Sydney. Three features of rhythmanalysis are discussed: kinds of rhythm, rhythms and bodies, and oppositions such as repetition and difference, fast and slow and secret and public. Through these concepts, intricate connections between rhythm and pedagogy are identified, including rhythms as providing a pedagogic imperative, rhythms as content and mechanisms at the heart of pedagogy and rhythms as outcomes of learning. The paper argues that rhythmanalysis opens up possibilities for new questions, different kinds of empirical sensibilities and distinctive accounts of pedagogy and learning in continuing education. 相似文献
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ABSTRACTWhere and when do academics write and what are the feelings associated with it? Is the pressure to write a fulfilling process of joyful exploration, or is it stressful and wracked with self-doubt? Inspired by Henri Lefebvre’s Rhythmanalysis, this article explores the rhythmic dispositions and orientations of contemporary academic writing, exposing the perils of neoliberal quantification and fragmentation in relation to the practice and experience of writing. The critical examination of Helen Sword’s guide to successful academic writing and a critique of the material and abstract spaces destined to contemporary academic writing inform the analysis, revealing problematic contractions and ruptures in the spatio-temporal continuum that organically connects reading, thinking and writing. The article makes, therefore, a case for the use of Rhythmanalysis as a diagnostic method capable of signalling – by detecting arrhythmias – the increasing disjunction between the institutional demands of accelerated production and the slower, irrational rhythms of craftsmanship. By politicizing the pathologies of contemporary academic writing, Rhythmanalysis discloses its potential as a progressive political resource: both as a radical call for appropriation and as a counter-discourse, it allows to restore a more harmonious relationship between thinking, reading and writing against dominant forms of productivist fragmentation, while shedding light on the non-places and dead times of our everyday writing habits. 相似文献
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Gergana Alzeer 《International Studies in Sociology of Education》2019,28(1):46-62
This article is concerned with the types of lived spaces that emerged from exploring Emirati women learners’ spatial experiences in higher education. By conducting an ethnographic qualitative inquiry and by utilizing Lefebvre’s triad of the perceived, conceived and lived space and rhythmanalysis as a theoretical framework, two distinctive categories of the lived space emerged: ‘Hot’ and ‘Cold’ spaces, with their sub-categorizations. These emergent spaces reveal and reflect Emirati women learners’ spatial needs and experiences as manifested through their spatial appropriation and unique rhythms on campus. The findings also extend our understanding and utilization of Lefebvre’s abstract triad, specifically the lived space, and confirm how space is neither abstract nor static, but socially constructed, dynamic as well as culturally and contextually bound. The spatial focus of this study offers a novel way of thinking about women’s experiences and needs in higher education, thus extending the scholarly work on spatializing education. 相似文献
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