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Gao Yuan 《中外文化交流(英文版)》2006,(10):8-11
Chinese print can date back 1100 years. For example, carved bricks and stones in the Han Dynasty are actually ear, forms of woodprint. As a type of print art, wood board printing invented in the Tang Dynasty was closely related to life of ordinary people and helped to spread arts in ancient China. Buddhist sutra Vajracchedika printed in 868 AD is the important evidence testifying to the wood board printing of the Tang Dynasty and the world＇s earliest complete printed book still preserved today. Thus it is generally recognized as the peak of print art of the Tang Dynasty. 相似文献
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Tao Zi 《中外文化交流(英文版)》2005,(8):40-43
Qidong, located at the Yangtze River estuary, is known not only for its flourishing sea-oriented economy, but also for its diverse cultural life. 相似文献
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陈菽现 《北京城市学院学报》2007,(4):81-85
“黑白“在我国美术世界中的重要地位有其历史的渊源。黑白木版画之所以具备丰富的艺术表现力,乃是缘于“黑白“的社会学与美学特性,同时也基于现代艺术心理学之科学依据。现代黑白木版画的创作是主体思维过程特征的一种反映,因此,必须在形象思维的基础上,充分发挥抽象思维的重要作用,使作品兼备观赏性的黑白形式美感和艺术性的黑白内美的特征,以利于我国现代黑白木版画语言的建构。 相似文献
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云南纸马是云南民间常见的一种民俗祭祀用品,它的内涵非常丰富,涉及宗教学、民俗学以及艺术学等几个学科范围,本文将在艺术学领域中探析纸马的学科定位。 相似文献
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中国纸马文化作为非物质文化遗产,历经千年,融中国传统信仰观念、民俗文化与艺术创造为一体,成为中国木版画文化遗产中丰富而复杂的类别。纸马多见诸于民间,俗信所用,产地颇多,其艺术审美可谓是殊有稚气、蔚成大观。纸马不仅具有拙趣的艺术特征,更具有重要的尊崇功用、教育功用、审美功用的文化价值。新时代国际视野下由于艺术领域的拓展纸马艺术符号有着更广阔的传承应用与流播空间。 相似文献
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Jiong Yi 《中外文化交流(英文版)》2007,(5):21-23
Woodprint is pronounced “Shiangba” in the Tibetan language. Shiangba features its own distinctive style, which makes it different from other forms of woodprint. Not long ago, an exhibition on Shiangba works was held in the National Art Museum of China （NAMOC）, jointly organized by the print art committee under the Chinese Artists Association, Sichuan Provincial Association of Artists and Aba Higher Normal School. It is the first exhibition on Tibetan-style woodprint ever held in China＇s top art gallery, which set a milestone in the history of Chinese painting. 相似文献
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Wang Yu 《中外文化交流(英文版)》2006,(10):12-15
Print is a unique painting art with diverse characteristics. And silk screen print, closely related to modern technologies and materials, is a new but most e cient variety among many types of print art. “Series of Faint Dreams” is my early attempt to demonstrate human relationship by juxtaposing depicted gures. A crowd of people appear in the beginning. They then change into three gures who gradually appear similar and in the end the sophisticate background and props recede. Those gures, w… 相似文献
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史泊宁 《辽宁广播电视大学学报》2013,(4):75-76
通过版画艺术的创作实践,客观勾勒版画当下发展的现状,从创新和结合切入,将木版画与装置结合,寻找版画创作的新载体,试图为木板装置艺术解构,并为其描绘新的思维和创作形式找到多元化、有新意、有前景的途径。 相似文献