排序方式： 共有26条查询结果，搜索用时 234 毫秒
1.
“满映”的全称是“满洲映画协会株式会社”，这是日本侵华期间在东北长春经营的远东最大的电影制片厂。1937年成立，机械和技术人员多从日本输入。利用当时最先进的技术设备，日本人拍摄了不少所谓的“娱民映画”、“启民映画”和“时政映画”，宣传日本和伪满洲国国策，美化军国主义的侵略扩张，奴化中国人民。这里实际上是“二战”时期日本在国外设置的最大化侵略机构。 相似文献
2.
This article argues that Philip Pullman’s His Dark Materials may be read as a series which attempts to assault the Christian doctrine of God. We believe that this demonstrably accords with Pullman’s personal views, and that, through his story, he seeks to foster such views in his readership. However, the accuracy of his attack falls short of its intended mark when it is examined alongside classical Christian theology. The Authority which Pullman’s narrative destroys is actually more akin to the Christian view of the devil than he is the divine, and the victories of Will and Lyra—as a new Adam and Eve—have strong resemblances to the victories which Christianity claims for Christ and Mary. Pullman’s narrative, therefore, becomes an inversion of his deicidal intention rather than an inverting and revolutionary destruction of theology.
相似文献
| Jonathan PadleyEmail: |
3.
董广 《宁波广播电视大学学报》2013,(3):112-115
第四代导演的影片呈现出一种诗化与纪实相融合的美学风格,而不只是单纯的纪实美学.这种电影美学风格具有深刻的文化意义.他们的作品不仅在客观、冷静地陈述中较好传承了历史积淀的悲剧精神,而且从平民视角审视社会历史现实,完成了对人文精神和人道主义情怀的讴歌,同时还带有一定的民族色彩.这些都开拓了民族电影发展的空间,加快了中国电影走向世界的进程. 相似文献
4.
Veronica Hefner Rachel-Jean Firchau Katie Norton Gabriella Shevel 《Communication Studies》2017,68(5):511-532
This study presents a quantitative content analysis of the romantic expressions portrayed in the 12 Disney princess movies. The films were analyzed for presence of romantic expressions (ideals and challenges) and the character reactions to those expressions. Results indicated that romantic expressions are prevalent in these films, with idealization of other as the most common ideal expressed. The transitional era of films (i.e., princess movies released between 1989 and 1998) contained roughly the same number of ideals as the other eras of classic (i.e., movies released before 1989) and modern (i.e., movies released after 1998) combined. Further, ideals were three times more common than challenges in classic films, whereas ideals and challenges were expressed equally in transitional and modern films. In general, across all three eras, challenges were most commonly met with punishing and negative reactions, whereas ideals were most often rewarded. Finally, there were no sex differences in terms of ideal expressions, but male characters were the dominant pursuers in 9 of the 11 films that featured a romantic relationship. 相似文献
5.
婚姻是自然属性和社会属性的统一。个人的生活背景和价值取向对其婚姻观有着决定性的影响。伯鲁始终拒绝与琥珀结婚的原因在于:作为没落贵族和新兴资产阶级,其本性使他不能无视他们之间的门第悬殊;男权中心的价值取向令他无法超越视女性为"他者"思想局限。 相似文献
6.
7.
周影丽 《襄樊职业技术学院学报》2004,3(4):35-36
中国入世后，农业面临着巨大的挑战，从美国新农业法、我国政府对农业的支持。农业本身沉重的税费负担，以及国内保护弱势产业的措施等方面．分析我国农业目前存在的几个严重的问题及应对措施。这是我国政府必须密切关注并花大力气解决的问题。 相似文献
8.
彭飞 《中国教育科研与探索》2007,(4):3-4
对于电影艺术，好坏优劣自有评价，作为电影人应从前辈失败与成功的实践中汲取经验和教训，要重视电影艺术的寓教于乐作用，而观赏者又能从电影中体味到人性的悲喜交加。优秀电影作品大都是以思想性、艺术性、观赏性俱佳著称，同时也要不断地提升与加强电影的文学性。100年的电影历程，我们对电影的希冀太多，人类探索人性心灵之旅的脚步却从不停息。 相似文献
9.
中国近期影视后现代性强化了世俗愿望的追求，拆解了英雄创业的神话，在放逐各种政治与道德权威话语的同时，破坏了具有历史主义特征的精神模式，使影视更加贴近百姓的感受经验。 相似文献
10.
本文结合影视多媒体技术专业的实际情况,根据影视多媒体技术职业岗位群、典型工作任务以及对人才职业能力的要求,确立该专业人才培养目标,并构建“4+1”模块化课程体系,为培养出高质量、高技能的影视多媒体技术行业人才打下坚实基础。 相似文献