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素有日本“社会派推理小说之父”之称的松本清张,1960年推出的长篇小说《砂器》以激情澎湃的情节设置、严谨细密的解谜手法以及深沉忧患的作家良知和深刻厚重的社会反思,成为开创先河的杰作。从“阴暗”与“光明”的对照铺陈、重视对犯罪动机的剖析、独特的艺术构思这3个角度,探讨作为社会派推理小说代表作的《砂器》的独特艺术风格。 相似文献
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松本龟次郎为近代中日文化交流做出了巨大贡献,献身中国留学生预备教育40年。预备教育是中国留日学生必经的教育阶段。在中日关系风谲云诡之际,他通过创办东亚高等预备学校来直接教育留学生,并以出版日语学习教材的方式间接指导留学生,用实际行动践行着中日友好及为邻邦培养栋梁之才的教育目标。松本龟次郎以自身微薄之力,为近代中国培养了大批人才,为中日友好交流奠定了一定基础。 相似文献
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松本清张开创了日本社会派推理小说的先河,被称为“社会派推理小说的鼻祖”。挣脱与逃亡的人性表现是贯穿其推理小说创作的主线。小说《兽之道》中主人公的鲜明形象是对这一主线的完美体现。通过分析以《兽之道》为代表的松本清张社会派推理小说中主人公人性表现上的“挣脱”与“逃亡”的共性,以此探究这一文学创作特色的形成根源。 相似文献
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犯罪动机的复杂化使得松本清张推理小说呈现二象性。既是“未解决的解决”的推理小说,又是反实证的心理主义文学。通俗性和文学性在其推理小说中互为表里。对于松本清张推理小说的探究可以突破日本纯文学／大众文学各自分立的“场”,为异质文学的交流和互动提供可能。 相似文献
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David Matsumoto 《Int J Intercult Relat》1983,7(4):415-424
In an exploratory study on the developmental trends in judgments of emotion from nonverbal vocal cues, content free speech tapes designed to express one of the four emotions of happiness, surprise, sadness, and anger were presented to 47 American and 56 Japanese children, ages 4 through 9. The children indicated which emotion they thought was expressed by selecting a color photograph depicting one of the four emotions from a small group of photographs. Four- and 5-year-old American children were able to identify the emotion surprise, while American children 6 through 9 correctly identified all four emotions. Four- and 5-year-old Japanese children, on the other hand, were able to identify both surprise and sadness, while 6-year-olds correctly identified happiness, surprise, and sadness. Japanese children aged 7 through 9 were able to identify all four emotions. The results supported the concept of increasing decoding ability with increasing age across cultures, but also provided evidence for culture bound differences in growth of nonverbal emotional sensitivity 相似文献
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