几种因子对香石竹组培玻璃苗形成的影响   总被引：3，自引：0，他引：3  

叶祖云  陈爱萍 《宁德师专学报(自然科学版)》1998,(4)

香石竹在组织培养过程中很容易玻璃化,形成玻璃苗．通过几种培养因素对影响香石竹玻璃化的对比试验,可知,增加光照时间与强度、加大琼脂含量、降低细胞分裂素浓度等,在一定程度上可以防止香石竹玻璃苗的形成  相似文献   

Sanguine Paint: Production,Characterization, and Adhesion to the Glass Substrate     

Ângela Santos 《文物保护研究》2013,58(4):221-239

ABSTRACT

For centuries, the only painting materials used in stained-glass production were grisaille and yellow (silver) stain. At the end of the fifteenth century, stained-glass painters began to use a new material, sanguine. This paint is mainly produced with iron oxide particles, usually haematite, and allowed to obtain a colour that can vary from yellowish to brownish-red due to the nature and particle size of the iron oxide. A translucent sanguine was mostly applied as flesh and hair colour, with an opaque sanguine used for drapery, architectural motifs, and heraldry. The main goal of this study is to investigate the relationship between historic sources on the preparation and use of sanguine from the fifteenth to the nineteenth centuries and the evolution evidenced in the recipes regarding the production method. Representative recipes from several centuries (sixteenth to nineteenth centuries) were selected and reproduced for this study. These reconstructions were thoroughly characterized using X-ray powder diffraction, optical microscopy (OM), and fibre optic reflectance spectroscopy (FORS). The OM and FORS data were correlated with historic sanguine paints applied on historic stained-glass. The similarities and differences between historic and reconstructed paints are presented. The study of reconstructed sanguine’s adhesion to glass using cross-cut testing was also performed, revealing that the adhesion is strongly influenced, not only by the binder, but also by the composition and morphology of the sanguine paint.  相似文献