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Multinational organizations are turning to collaborative technology to enable virtual organizational structures. While collaborative technology provides distributed workers with new affordances to form relationships and share knowledge, collaborative technology also has complex, interwoven implications for virtual organizing. To disentangle these concerns, this study considers four key dimensions of virtuality—spatial dispersion, temporal dispersion, dynamic structure, and functional diversity—in relation to technology use and engagement with peers within an organization. Survey data were collected in a multinational organization that facilitates work through extensive use of collaborative technology. The results of structural equation modeling reveal connections between two dimensions of virtuality, use of collaborative technology and peer engagement in the organization. Findings suggest that understanding interactions in virtual organizations requires a more nuanced approach to virtuality and active management of technology implementation. Moreover, the findings demonstrate that managers need to actively manage the deployment of new collaborative technology by focusing on specific characteristics of work groups. 相似文献
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Roger Stahl 《Critical Studies in Media Communication》2013,30(2):112-130
The media paradigm by which we understand war is increasingly the video game. These changes are not only reflected in the real-time television war, but also an increased collusion between military and commercial uses of video games. The essay charts the border-crossing of video games between military and civilian spheres alongside attendant discourses of war. Of particular interest are the ways that war has been coded as an object of consumer play and how official productions aimed at training and recruitment have cast video games as players themselves in the War on Terror. The essay argues that this crossover has initialized a “third sphere” of militarized civic space where the citizen is supplanted by the figure of the virtual citizen-soldier. 相似文献
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吴线 《贵州教育学院学报》2013,(10):62-66
“虚”与“实”是包括雕塑在内的艺术表现形式的语言之一。在雕塑作品中,“虚”与“实”的对比,能产生出音乐般的节奏韵律,使观者产生审美上的愉悦。雕塑的“虚”与“实”通过雕塑的瞬间动态,发挥联想,具有把事件的前因后果串联起来的特性。雕塑和其他艺术一样,“实”的艺术表现出明晰与严谨,正是因为有“实”的衬托,“此时无声胜有声”的“虚”的雕塑艺术创造,才具有其生命价值和审美意义。 相似文献
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李玲玲 《常熟理工学院学报》2003,17(5):82-84
在概括网络人际传播的特点的基础上，着重对网络交流中的传受心理和语言进行了分析：网络人际传播是一种理想化的互动交流；在网络这个虚拟的传播空间，语言就是身份。网络生活是一种真实的虚拟人生。 相似文献
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