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1.
体育新闻的精神品位与受众需求 总被引：8，自引：1，他引：7
许传宝 《武汉体育学院学报》2002,36(1):25-28
现代社会中，受众对体育新闻的强烈需求是体育新闻兴起和蓬勃发展的社会基础；受众是衡量体育新闻精神品位的重要标准；提高体育新闻的精神品位，应及时把握和满足受众占主导地位的多种需要；准确定位，以人格化、个性化的报道制作体育新闻精品。 相似文献
2.
Given the rise in negative rhetoric about Latinos in the U.S., it is essential to examine whether this negative tone extends to general, local news as well. An analysis of 2426 news articles drawn from 55 local newspapers in 2015 reveals several important findings. First, despite the intense spotlight on Latinos, they are still underrepresented in local news media. Relative to the other ethnic groups and whites, Latinos are more likely to be portrayed through negative stereotypes. However, the probability of this negative coverage is smaller for news media with a big proportion of Latino audiences, or for publicly-owned media outlets. 相似文献
3.
国际互联网（Internet）是继报纸、广播、电视三大媒体之后的“第四媒体”.与传统媒体相比,互联网传播改变了传统传播观念中的“传播者”与“受众”之间的界限,使传播主体发生了变化.网络传播从根本上改变了“受众”在传播中的地位.在网上,受众不再是处于被动的接受端,而是可以主动搜索自己感兴趣的信息,根据自己的需求选择信息的内容.本文将通过对大量调查数据的对比分析来探讨进入新世纪后互联网受众的发展趋势. 相似文献
4.
Ian Huffer 《Cultural Trends》2017,26(2):138-154
It has been argued that the circulation of film online is a “democratising process”, evident in the breadth and depth of international film now available online, and in the greater ease of access to this content for audiences across the world. This is seen by some to present greater commercial opportunities for film-making from countries marginalised by previous distribution networks, and to foster a more globally diverse and inclusive film-viewing culture, with particular benefits for diasporic populations. Others, however, have pointed to the way in which audiences’ engagement with film online may be constrained by the economics and technology of online distribution and cultural competencies rooted in social stratification. These factors may limit how and what audiences watch, extending beyond issues of physical access to those of cultural access. As such, they raise questions regarding the demographic composition of the audience for online methods of film distribution and different types of international film. We lack sufficient understanding of these issues, however, due to the limited emphasis upon socio-demographic variables in existing academic research into online film consumption, and the limited consideration of particular film content in relevant market research. This article uses original audience research to interrogate the extent to which online distribution is able to connect audiences to a diversity of international film in comparison to other methods of distribution. It also considers some of the socio-demographic characteristics of the audiences for different methods of distribution and types of international film. In doing so, the article grants us a clearer understanding of the degree to which online film distribution fosters diversity and inclusivity through the connections it facilitates between audiences and content. 相似文献
5.
Laurie Hanquinet 《Cultural Trends》2013,22(1):14-29
This article investigates the ways in which art museums' visitors define their relationships to art and culture, and how this affects their perceptions of art museums. Existing approaches have traditionally attempted to define the meaning of art museums on the basis of the socio-economic composition of museum audiences. Using mixed methods analysis, with a particular stress on qualitative data about the audiences of the six main museums of modern and contemporary art in Belgium, I argue for the need for a more complex and comprehensive framework to understand visitors' perceptions. I show that people characterized by similar cultural tastes and practices use similar strategies to interpret their relationship to culture, art and museums (the same principles of classification, legitimation and justification). On this basis, I argue that those with a similar cultural profile belong to the same “interpretive community” (Fish, 1980; Hooper-Greenhill, 2000). 相似文献
6.
通过对媒体变革对科学传播受众影响的考查,本文认为:伴随媒体变革,科学传播实践中受众主体性的嬗变,是一种非线性的、螺旋式地不断发展和进步,是科学传播发展与进步的重要体现. 相似文献
7.
电视体育节目的受众需求研究 总被引：1，自引：0，他引：1
人们对电视体育节目的关注程度越来越高意味着电视体育工作者越要考虑受众的需要以及如何应对他们的需要.电视体育节目要给受众提供“营养全面“的具有感染力的节目内容,着眼于受众潜在的模糊的内在的欲望及满足欲望以形成受众新的需求. 相似文献
8.
信息选择或然率公式对广告传播的启示 总被引：2，自引：0，他引：2
在信息过剩、人们的注意力成为稀缺资源的时代,根据施拉姆的或然率公式,广告要吸引受众的注意力,提高选择或然率,就要以人性化的思维真正为受众考虑,尽可能满足受众的信息需要,降低其获取所需信息的成本。 相似文献
9.
消费者的“动机-能力-机会”心理指标在消费者根据各自的消费偏好与需求,感知、整合相关商品信息,作出理性的判断,决定并执行购买行为的过程中发挥着重要的作用,并直接影响和制约着商品的广告诉求策略。基于这种消费决策心理,体育商品广告可以采用感性与理性两种基本的诉求方式。其中感性诉求方式强调“典型使用者”的身份、地位、生活方式和价值观念等,以此对体育消费者施加心理暗示;理性诉求方式强调商品的性能优势,满足消费者既存的认知期待。不同体育商品(包括体育有形产品和体育无形产品两种)要根据目标消费群体的消费决策心理机制的差异确定相应的和有效的诉求方式。 相似文献
10.
John M. Richardson 《Learning, Media and Technology》2014,39(3):368-385
During a series of high school English and Drama class trips to the theatre, so many students were online, the entire back row often glowed blue. Although much of the literature suggests that information and communication technologies are benign and neutral, this back-row collision of digital and live culture signals to teachers that technology is freighted with issues of power: questions of identity formation, consumerism, autonomy and freedom. This qualitative study of high school students at the conclusion of their four-play series suggests that cell phones shape the youth audience experience, that etiquette regarding the use of these powerful devices remains sharply contested, and that students apply a range of strategies to dealing with issues of power and agency around their use. 相似文献