| 徐渭《玄抄类摘序说》解析 |
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| 引用本文： | 张卫东.徐渭《玄抄类摘序说》解析[J].连云港师范高等专科学校学报,2001(1). |
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| 作者姓名： | 张卫东 |
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| 作者单位： | 连云港师范高等专科学校,艺术系,江苏,连云港,222006 |
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| 摘 要： | 本文从三个方面对徐渭《玄抄类摘序说》进行解析 :一、由于明朝整个时代的文化心理与社会文艺心态扭曲变形造成了明朝书坛日趋萎靡的书风 ,针对这个书法历史现状 ,徐渭提出此论。二、对徐渭书论中提出的雷太简“江声中笔法何从来哉”进行剖析 ,解释徐渭书论中所指出“悟”和“书神为最”与我国哲学的关系。三、从书法论著的发展史角度来分析“心为上 ,书神为最”这个书法论点 ,以及徐渭《玄抄类摘序说》的学术意义 ,阐述笔者所理解的书法本质、书法精神境界、审美境界和书法视觉表现形式
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| 关 键 词： | 心为上 心悟 书神为最 书法美学 书法本质 |
Analysis of Xu Wei's Meditative Class Field Theory |
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| ZHANG Weidong.Analysis of Xu Wei's Meditative Class Field Theory[J].Journal of Lianyungang Teachers College,2001(1). |
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| Authors: | ZHANG Weidong |
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| Abstract: | The article analyzes Xu Wei's Meditative Class Field Theory from three points. First, according to the historical situation of Ming Dynasty Handwriting, it analyzes the background of the Theory. Second, according to the explanation of the origin of Lei Jianfu's style cin JiangSheng Copybook which is referred in the theory, it analyzes the relationship between nature of handwriting and awakening to truth in Chinese Philosop by in the theory. Third, according to the historical development of Handwriting works, it analyzes the point "Meditative Mind is highest, Handwriting Spirit is Best" and academic value of the theory. And it is by analyzing the theory that it expresses the writer's understanding of handwriting nature Spirit visual performance and aesthetic realm. |
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| Keywords: | meditative mind is highest handwriting nature handwriting spirit is best handwriting aesthetic realm |
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