| 奇遇·表现·相对——李健吾及其文学批评 |
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| 引用本文： | 李琴.奇遇·表现·相对——李健吾及其文学批评[J].宜宾学院学报,2007,7(11):17-19. |
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| 作者姓名： | 李琴 |
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| 作者单位： | 四川大学,文学与新闻学院,四川,成都,610064 |
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| 摘 要： | 印象主义批评代表李健吾是中国文学批评史上一个独特的存在,他在中国传统批评和自身京派文化背景的基础上,构建了自己独特的文学批评世界。本文对他的批评理论渊源及其批评文章展开分析,认为"奇遇"、"表现"、"相对"正是李健吾文学批评的精神、目的和追求。
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| 关 键 词： | 李健吾 文学批评 奇遇 表现 相对 |
| 文章编号： | 1671-5365(2007)11-0017-03 |
| 修稿时间： | 2007年10月7日 |
Adventure' Exhibition and Relativeness:Li Jianwu and His Literary Criticism |
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| Authors: | LI Qin |
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| Abstract: | Li Jianwu,the literary critic representative of Impressionism,exists in his own way in the history of Chinese literature criticisim.He combines the Chinese traditional criticism and his own cultural background of Peking school,on which he has constructed his own unique literary criticism world.After reviewing the origin of his theory and his critical articles,the article considers that "adventure","exhibition"and "relativeness"are the siprit,goals and pursue of his criticism. |
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| Keywords: | Li Jianwu Literary Ciriticism Adventure Exhibition Relativeness |
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