| 浅谈歌唱中“松”与“紧”的把握 |
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| 引用本文： | 李磊.浅谈歌唱中“松”与“紧”的把握[J].安康学院学报,2010,22(1):77-78. |
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| 作者姓名： | 李磊 |
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| 作者单位： | 安康学院,艺术系,陕西,安康,725000 |
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| 基金项目： | 安康学院高层次人才科研专项经费项目 |
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| 摘 要： | 歌唱中“松”与“紧”的把握是歌唱整个过程的关键，在吐字、音色、呼吸、声带发音、演唱中的情绪以及心理素质等方面均存在“松”与“紧”的对比调节问题。本文着重从歌唱中的呼吸、咬字、音色调节、演唱情绪等方面做以探讨。
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| 关 键 词： | 松与紧 气息 咬字 音色 状态 |
The Methods of "Loose" and "Tight" in Singing Process |
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| LI Lei.The Methods of "Loose" and "Tight" in Singing Process[J].Journal of Ankang Teachers College,2010,22(1):77-78. |
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| Authors: | LI Lei |
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| Institution: | LI Lei(Department of Fine Art,Ankang University,Ankang 725000,Shaanxi,China) |
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| Abstract: | In singing,grasp about the loose and the tight that run through the whole process of its key,such as articulation,tone,breathing,vocal sounds,the emotional in singing and psychological qualities,exist in both loose and tight regulation of the contrast problem.This article from the breathing of singing,articulation,sound regulation,emotional singing to separately speak on several aspects. |
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| Keywords: | loose and tight breath articulation voice status |
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