| 论简笔画艺术 |
| |
| 引用本文： | 尹增才.论简笔画艺术[J].玉溪师范学院学报,2007,23(2):48-52. |
| |
| 作者姓名： | 尹增才 |
| |
| 作者单位： | 玉溪师范学院,教育学院,云南,玉溪,653100 |
| |
| 摘 要： | 简笔画是人们相互交流中表达思想感情的一种艺术语言,表现出概括、形象、简炼、传神、直观的特征,是表现与再现的完美结合。人们往往借助简笔画的表现形式、工具材料,对物像进行提炼、概括、大胆取舍,减外形之精细,抓神韵之风采,使作品达到神形兼备。这种表现方式正是中国艺术精神传神、写意的最好诠释。其几何形的整体处理,外轮廓的概括简约,使其成为欣赏者最为直接的审美对象和产生最直观的审美体验。简笔画的独特之处还在于它在众多视觉艺术中所展现的言简意赅的独特魅力。因此,简洁的线条决不是简单,而是一种不拘于谨细刻画,注重情性张扬的状态,一种随意而精致的审美想象,一种通达和平的精神状态。
|
| 关 键 词： | 简笔画 再现 表现 言简意赅 |
| 文章编号： | 1009-9506(2007)02-0048-05 |
| 修稿时间： | 2006年12月4日 |
On the Art of Stick Pictures |
| |
| YIN Zeng-cai.On the Art of Stick Pictures[J].Journal of Yuxi Teachers' College,2007,23(2):48-52. |
| |
| Authors: | YIN Zeng-cai |
| |
| Abstract: | Stick picture is an artistic means of communication of feelings and thoughts. Stick picture has the qualities of being brief, vivid, concise, and direct. It is a perfect combination of representation and expressiveness. In this art form, the object being represented is refined, generalized, and reduced to the very basic spiritually expressive elements so that final work is significantly simple and direct. It embodies the Chinese aesthetics of being lifelike and bold in artistic handling. The general reduction of the total geometry to simplified outlines offers direct and vivid aesthetical experiences. The unique feature of this art form lies in its being significantly concise. The succinct lines are not simple sticks. They are generalized lines that overlook the details to retain the spiritual likeness. |
| |
| Keywords: | stick picture representation expression conciseness |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
