| 性爱女神的复活--从杜丽娘的原型看《牡丹亭》的文化意义 |
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| 引用本文： | 刘汉光.性爱女神的复活--从杜丽娘的原型看《牡丹亭》的文化意义[J].广东技术师范学院学报,2001(1):24-29. |
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| 作者姓名： | 刘汉光 |
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| 作者单位： | 广东职业技术师范学院,中文系,广东,广州,510665 |
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| 摘 要： | 《牡丹亭》以高唐神女为原型塑造主人公杜丽娘,在中国视"淫"为万恶之首的"无性文化"传统中,复活了性爱女神的形象,它以人欲的思考为切入口,批判宋明理学为代表的封建礼教对人类正常情欲的压抑,从而肯定和歌颂了人欲,代表了在几千年封建礼教束缚下的性爱文明意识的觉醒.《牡丹亭》以其歌颂人欲和反对礼教的深度、力度和高度,标示着晚明社会个性解放思潮的高峰.
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| 关 键 词： | 性爱女神 人欲 礼教 |
| 文章编号： | 1009-2803(2001)01-0024-06 |
| 修稿时间： | 2000年10月10 |
Revival of Sexual Goddess--Searching for the Cultural Meaning of Pavilion of Peony in the Light of the Original Shape of Liniang Du. |
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| Liu Hanguang.Revival of Sexual Goddess--Searching for the Cultural Meaning of Pavilion of Peony in the Light of the Original Shape of Liniang Du.[J].Journal of Guangdong Polytechnic Normal University,2001(1):24-29. |
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| Authors: | Liu Hanguang |
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| Abstract: | Pavilion of Peony portrays a heroine Liniang Du with the goddess of Gaotang as the original shape and revives the spirits of the sexual goddess right in the asexual tradition of old China.From the point of human desire,this book criticizes the idealist philosophy of the Song and Ming dynasties which represented the feudal ethics of old China and constrained greatly the normal human desire of Chinese People.Herein it stands by and sings highly of the human desire,and shows the revival of civilization of sexual consciousness which had been tied up for thousands of years under the feudal ethics.When singing highly of the human desire and rising up against the feudal ethics so deeply and strongly, Pavilion of Peony indicates the coming of climax of the ideological trend of personality liberation in the late Ming dynasty. |
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| Keywords: | sexual goddess human desire feudal ethics |
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