| 中国当代新时期电影中的叙事策略 |
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| 引用本文： | 田小华,杨康鑫.中国当代新时期电影中的叙事策略[J].四川教育学院学报,2008,24(11):61-63. |
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| 作者姓名： | 田小华 杨康鑫 |
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| 作者单位： | 西南民族大学,文学院,成都,610041 |
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| 摘 要： | 当电影这种艺术的商品属性越来越明显地呈现出来的时候，我们的电影就不得不面对电影市场滑坡、电影观众大量流失的尴尬。这种尴尬使导演们在创作上作出反思与调整，而其中最明显的标志便是注重叙事，注重电影中的情节表现。在信息高度发达、电影风格和叙事手段日趋多元化的今天，梳理和总结中国当代电影叙事策略的运用，无疑对探索电影新发展的起点是有益的。
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| 关 键 词： | 新时期 电影 叙事学 叙事策略 |
Narrative Strategies of Contemporary Chinese Film in the New Era |
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| TIAN Xiao-hua,YANG Kang-xin.Narrative Strategies of Contemporary Chinese Film in the New Era[J].Journal of Sichuan College of Education,2008,24(11):61-63. |
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| Authors: | TIAN Xiao-hua YANG Kang-xin |
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| Abstract: | When the commodity attributes of film are more and more distinct,we have to face the awkward situation of depressing film market and massive loss of audience.This awkwardness causes directors to make reflections and adjustments in creation,and the most distinct sign is the emphasis on narration and plot manifestation circumstances in films.Nowadays,for the highly developed information and diversity of film style and narrative means,combing and summarizing the application of contemporary Chinese film narrative strategies are beneficial to the exploration of the starting point for film's new development. |
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| Keywords: | film in the new era narratology narrative strategy |
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