| 论南宁国际民歌艺术节的文化模式与意义 |
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| 引用本文： | 陆斐,尹建成.论南宁国际民歌艺术节的文化模式与意义[J].内江师范学院学报,2005,20(1):29-32. |
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| 作者姓名： | 陆斐 尹建成 |
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| 作者单位： | 1. 广西师范大学,中文系,广西,桂林,541004
2. 蒙山中学,广西,蒙山,546700 |
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| 摘 要： | 南宁国际民歌艺术节自开办以来已成为南宁乃至广西的一个城市品牌，它集政治、经济、文化、审美于一体的民族文化模式，向世人展示了民歌节本身的艺术魅力。南宁国际民歌艺术节经过了多年的发展后产生了重大影响，首先全面展示了广西各民族的社会历史和文化，提高广西的知名度和美誉度；其次是民歌节对中国当代文化的发展产生了强大的推动力。
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| 关 键 词： | 南宁 国际民歌艺术节 文化模式 |
| 文章编号： | 1671-1785(2005)01-0029-04 |
| 修稿时间： | 2004年7月20日 |
The Cultural Pattern and Significance of Nanning International Art Festival of Folk Songs |
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| LU Fei,YIN Jian-cheng.The Cultural Pattern and Significance of Nanning International Art Festival of Folk Songs[J].Journal of Neijiang Teachers College,2005,20(1):29-32. |
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| Authors: | LU Fei YIN Jian-cheng |
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| Institution: | LU Fei~1,YIN Jian-cheng~2 |
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| Abstract: | NIAFFS has been a brand of the city of Nanning and even of Guangxi since its running. As an integral cultural pattern of politics, economy, culture and aesthetics, the Festival has shown its artistic charm of folk songs to the world. Having developed for years, it has achieved great effect. First of all, the fame of Guangxi has expanded thanks to the comprehensive publicity of its social history and culture of all nationalities; secondly, it has produced the impetus to the development of contemporary Chinese culture. |
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| Keywords: | Nanning NIAFFS cultural pattern |
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