| 《正纬》《辨骚》非《文心雕龙》全书之枢纽辨 |
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| 引用本文： | 牛振.《正纬》《辨骚》非《文心雕龙》全书之枢纽辨[J].四川教育学院学报,2009,25(11):68-70. |
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| 作者姓名： | 牛振 |
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| 作者单位： | 广西师范大学,文学院,广西,桂林,541004 |
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| 摘 要： | 《文心雕龙》前五篇《原道》《征圣》《宗经》《正纬》《辨骚》历来被认为是全书的枢纽、总纲。笔者认为，其实《正纬》《辨骚》都是属于文体论的部分，而《序志》中所谓的“文之枢纽”也并不是指的《原道》至《辨骚》五篇，而是另有它意。
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| 关 键 词： | 《正纬》 《辨骚》 枢纽 文体论 |
An Analysis on Whether Zhengwei and Biansao are the Key in The Literary Mind and Carving of Dragons |
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| NIU Zhen.An Analysis on Whether Zhengwei and Biansao are the Key in The Literary Mind and Carving of Dragons[J].Journal of Sichuan College of Education,2009,25(11):68-70. |
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| Authors: | NIU Zhen |
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| Institution: | NIU Zhen (School of Literature, Guangxi Normal University, Guilin Guangxi 541004, China) |
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| Abstract: | The first five texts of The Literary Mind and Carving of Dragons ： Yuandao , Zhengsheng , Zongfing , Zhengwei , Biansao are always considered as the key and general outline of the entire book. This paper holds that Zhengwei and Biansao belong to the part which discusses literary style, and the so - called ＂key position of the article＂ in Xuzhi does not refer to these five texts but has its own meaning. |
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| Keywords: | Zhengwei Biansao the key position literary style theory |
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