| 长笛的吹奏口形和吐音技法练习浅析 |
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| 引用本文： | 武盛.长笛的吹奏口形和吐音技法练习浅析[J].青海师范大学学报(哲学社会科学版),2007(4):102-104. |
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| 作者姓名： | 武盛 |
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| 作者单位： | 西宁市歌剧团,青海,西宁,810000 |
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| 摘 要： | 长笛吹奏口形和吐音技法练习是决定长笛声音好听与否的最基本因素。就吹奏口形的练习而言，一般要保持正确的口形固定不动，用调整长笛的办法寻找嘴的位置，在从高音音域再到低音音域的过程中，唇口随之下意识放大。就吐音技法的练习而言，一般要保持舌头的动作越小越好，越靠近舌尖越好，越放松越好，同时要保持气息的均匀和流畅。
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| 关 键 词： | 长笛 口形 吐音 |
| 文章编号： | 1000-5102（2007）04-0102-03 |
| 修稿时间： | 2007-03-09 |
View on the Shape of the Mouth when Playing the Flute and on the Practice of Enunciation Techniques |
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| WU-Sheng.View on the Shape of the Mouth when Playing the Flute and on the Practice of Enunciation Techniques[J].Journal of Qinghai Normal University(Philosophy and Social Sciences Edition),2007(4):102-104. |
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| Authors: | WU-Sheng |
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| Institution: | Qinghal Xining Opera Troupe ,Xining 810001, China |
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| Abstract: | The shape of the mouth when playing flute and the practice of enunciation techniques are the most fundamental factors that decide whether the sound of the flute is beautiful.With regard to the practice of the shape of the mouth when playing the flute,generally speaking,one should keep the right shape of the mouth unchanged,look for the right position for the mouth by adjusting the flute,when going through the alt range to the mediant range to the bourdon range,the orifice of the lip should naturally go bigger.With regard to the practice of the enunciation techniques,generally speaking,one should ensure that the movement of the tongue is as little as possible,the movement is as nearer to the lip of the tongue as possible and the tongue is as relaxed as possible,in the meantime,one should keep the breath equal and mellifluent. |
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| Keywords: | flute shape of the mouth enunciation |
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