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解读汉斯立克《论音乐的美》
引用本文:廖耀东.解读汉斯立克《论音乐的美》[J].衡阳师范学院学报,2003,24(2):125-127.
作者姓名:廖耀东
作者单位:郴州师专音乐系,湖南,郴州,423000
摘    要:汉斯立克是西方自律论音乐美学的奠基者,他在《论音乐的美》一书中集中阐述了自己的音乐美学思想。其主要内容由序和七章构成,序是全书的归纳与总结.主要包含正反两个基本命题,而后面的七章则是对序的演绎与推论。《论音乐的美》是西方音乐美学方面的巨著,具有十分重大的理论价值,它的问世形成了西方音乐美学领域自律论与他律论二元并存的思想局面,树立了西方自律论音乐美学的一座丰碑。

关 键 词:汉斯立克  《论音乐的美》  西方自律论音乐美学  书评  他律论  演绎  推论
文章编号:1002-073X(2003)02-0125-03
修稿时间:2003年2月19日

On Hansrick's On the Beauty of Music
LAO Yao-dong.On Hansrick''''s On the Beauty of Music[J].journal of Hengyang Normal University,2003,24(2):125-127.
Authors:LAO Yao-dong
Institution:L1AO Yao-dong
Abstract:Hansrick was the forefather of Music Aesthetics of Self-tune in the West. Hansrick expatiates in his On the Beauty of Music his thoughts about music aesthetics. The book consists of a preface and seven chapters. The preface is a summary of the whole book in which two opposite propositions are put forward and the following chapters is the development and deduction of the preface. On the Beauty of Music is a masterpiece of music aesthetics in the West and is of great theoretic value. Its publication helps to form the thoughts pattern of the co-existence of self-tune theory and he-tune theory in the field of music aesthetics in the West, and is a milestone of the self-tune music aesthetics in the West.
Keywords:self-tune music aesthetics in the West  forefather  summary  development and deduction  
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